The Central Plot Of A Western Film

At a very young age of eight, David Fincher’s passion for cinema grew when he was inspired by the movie Butch Cassidy and the Sundance Kid (1969). Born in 1962 Denver, Colorado, David Fincher moved to Ashland, Oregon in his teens, where he graduated from Ashland High School. During high school, he directed plays, designed sets, and managed lighting after school. One summer, he and a friend attended the Berkley Film Institute’s summer program, where he hoped to learn film as a true art form but instead was taught the technical production. Either way he was happy to engage is this and as his early film industry career started, he was a production assistant at his local television news station. Years went by as he directed propaganda films followed by becoming a well-known music director until his first movie feature debut Aliens 3 in 1992. However, the American director David Fincher didn’t become a modern 21st century visionary until his creation of the film Se7en (1995). The huge success from this film started Fincher’s popularity in the film industry. From there he continued to make ironic movies we know today such as: Fight Club (1999), Zodiac (2007), The Curious Case of Benjamin Button (2008), The Social Network (2010), Gone Girl, and The Girl with the Dragon Tattoo.

The film consists of many cliché western characters. There is a banker, an outlaw, a prostitute, a doctor, a gambler, and a pregnant woman. These characters are categorized by social class. The banker, the pregnant

The stories of heroes have been at the axis of nearly all cultures throughout history. Each different type of religion or culture has their own heroes or legends, each one of them having their differences to go along with the beliefs at hand. On the other hand, each and every hero also has their similarities, which therefore makes them the hero. The setting, events, and characters in each and every story may change, but the characteristics of the hero remain basically the same. Each person is usually made into a hero in a somewhat similar fashion. For example, many heroes begin as imperfect characters, and then begin some sort of quest which leads to them becoming a leader of what they are doing, and then the character goes through a

American Heroes were inspired by Greek Tragic Heroes, yet both are very different from each other, but American Heroes have very similar traits to those who are Contemporary Heroes.  An American Hero is a person who seeks justice and always defeats the enemy which results in all people having the justice they deserve.  American Heroes also tends to protect all and has the tendency to fall in love with the “ damsel in distress”.  This type of hero goes about his daily life, just like anyone else would, until it is time to fight, and at that time, their “supernatural” powers shine through in their fighting techniques.  On the other side, all Tragic Heroes possess a flaw that will change their life from a life of happiness to a life of pain and despair.   Ordinarily, Contemporary Heroes have nearly the same traits as American Heroes.  Contemporary Heroes save and protect many individuals from violence and harm and lives a normal life until they have to face another obstacle.  Both American and Contemporary Heroes are able to celebrate their victories, while Tragic Heroes can not do so because they are not victorious.

The world of film has changed dramatically over the last fifty years, both in technology and perceptions on how the industry should work and how it is viewed by the public. The ending of the production code in Hollywood started the cultural change in the industry. With this restrictive institution gone, many directors chose to take advantage of this in many different ways. My favorite of these is Mel Brooks; he chose to break and push boundaries both socially and comedically. Brooks’ style often includes crude humor inlaid with deeper jokes and meaning, many fourth wall breaking moments such as the “We’re in now now” scene of Spaceballs, to stand out in the world of comedy. His masterpiece, Blazing Saddles, is one such film that did just that. Through its new found sense of humor in the post production code era and its twists on common genre tropes of the time, Blazing Saddles was able to find its place into the New Hollywood Cinema.

The western movie I pick is John Ford’s movie Stagecoach (1939). The movie is about a group of people traveling together by stagecoach from the town Tonto to Lordsburg. The people traveling together are a diverse group of people. All of them have the specific motivation for going, but they all share the same goal reaching to Lordsburg. The characters are Dallas who’s a prostitute, Mrs. Lucy Mallory who is the wife of the Army Cavalry officer, Ellsworth Henry Gatewood who is a banker, Hatfield who is a gambler, Samuel Peacock who is whiskey salesman, Doc Josiah Boone who is a alcoholic doctor, Buck Rickabaugh who is a stage driver, Marshal Curley Wilcox who is a marshal riding shotgun, and Ringo Kid who is an escaped outlaw.

Many westerns contain some of the same elements. For instance, almost every western ever made involves a sheriff. He is usually the peace-keeper of a small town overrun by outlaws and cowboys, which he eventually chases out of town or kills. Another element of westerns is a

Historically American film have been centered on heroes. In Ray’s “The Thematic Paradigm” he states that heroes as have two preset archetypes with certain characteristics. These two archetypes are the family orientated “official hero” and the loner “outlaw hero.” In Segar’s “Creating the Myth” she states that heroes are made by the steps or events that they go through on their way to becoming a hero. This means that to Seger the heroes do not start out as heroes, but as normal people. However, Ray and Seger suggest different ways in which Americans relate to film heroes, they both agree heroes are popular through common experience and relatability.

When people think of heroes, they often think of muscle bound men in spandex with unrealistic powers of flight, strength, or x-ray vision. But in real life, heroes are often determined based on the smallest of situations and their outcomes. In both of the stories I have chosen (A&P and Harrison Bergeron), the main characters are classified as heroes because of their willingness to defy the authoritive forces around them, whether it be the store manager Lengel in A&P or the Handicapper General in Harrison Bergeron, as well as their willingness to strike out on their own instead of adhering to social norms. In Harrison Bergeron, the main character Harrison

By conquering the frontier, characters in western films portray how they, as well as society at this

A hero is something that society has formed an idea about the characteristic it should posses from history. Through the stories told from the past a hero is developed through their qualities and characteristics they value. When one views a hero from a different culture they can form an opinion on what matters to that culture. One will notice that through all these different heroes that they all share common features. In ancient Hebrew culture Moses represents a hero and for ancient Greek culture Odysseus represents heroic figures.

One such example of a “western hero” is James Fenimore Cooper’s character, Natty Bumppo, the protagonist of his novels known as the Leatherstocking Tales, first appearing in 1841 (Green, 1). In many ways, Cooper’s character is the first hero of what may be called western fiction. Bumppo is the archetypal western hero as he was slow to anger, wise in the ways of the land and a sure shot; he is a peaceable man who rises to moments of great heroism in the most dire of circumstances and the master of the landscape (Green,

Throughout the history of epic literature, heroes have been an integral part of many different cultures. Some of these heroes are fierce and powerful, renowned for their skill in battle, while some others and clever and cunning, able to talk their way out of any difficult situation. These traits usually emphasize the values of the cultural from which the hero came, and depending on the culture,traits viewed as heroic may drastically differ. Although there exists a plethora of traits any one hero may have, there are three core characteristic that, in my opinion, a hero must have to be considered a hero: the courage to face hardships, the willingness to make major self-sacrifices for the benefit of others, and most importantly, the dedication to do what it takes to reach their goal.

This leads the common folk to perceive him as much more heroic than the outlaw hero. These modern heroes are important because they represent two major types of American hero stories and show how the type of hero can have an impact on how the

In a traditional Western film the clothing for the hero is usually a white hat, (this is to show purity). The hero would also wear a brightly coloured shirt , a pair of jeans and cowboy boots with spurs on the back of them. The hero is also very clean and also normally tall and good looking. A traditional Western includes things like white settlers living in a town