The Chained Dog, By Alfred Lord Tennyson And ' The Lady Of Shalott ``

“Lanval” by Marie de France and “The Wife of Bath’s Tale” by Geoffrey Chaucer are both medieval romances that put a knight on trial by a queen’s court for his treatment of a lady. Throughout the course of this paper, readers will get the opportunity to travel back in time to the Middle Ages and that during the twelfth-century women were superior to men, specifically in their relationships and marriages; however, today men dominant individuals, especially in working world.

The medieval church taught that women were inferior to men and that they should be compliant and obedient to their fathers and husbands. Men look down to women as their respect for their ladies are limited as in Canterbury Tales were these women start out as beneath men. These same men who feel the need to arrogate women of their dignity find their fate is later put into the women’s hands. Although a women is taciturn and does not speak out to the men and talk of their animadversion toward the men’s behavior, these same ladies have the power to then decide how these men should serve their punishment for their sacrileges and unruly decisions as in the “Wife of Bath’s Tale”, were after his life was saved by an old lady, in return this old women requested to him to “take me as your wife” (p.138). A women’s love and passion should be approached with appreciation and admiration otherwise being inconsiderate and impassionate will turn a women against a man.

As the perception of women changes constantly, society is the only factor in creating their ideal image. These societal views are the basis of their treatment, with the expectation that it is beneficial for them. However, societal expectations of women in the Elizabethan and Victorian eras severely limit their freedoms and rights. William Shakespeare’s Othello and Mary Shelley’s Frankenstein portray most women in their typical roles. Both authors depict the level of injustice in society’s treatment of women through the passivity of women causing their deaths, the silencing of vulnerable women and the portrayal of women as more humane than men.

Throughout history, gender roles have been an important barrier in society. Women are forced to satisfy expectations established by men and society. “My Last Duchess,” by Robert Browning, focuses on the powerful Duke establishing certain expectations of the Duchess, and attempting to control her. Hamlet, by William Shakespeare, concentrates on Laertes establishing certain expectations of Ophelia, and seeking to control her. A Room of One’s Own, by Virginia Woolf, centers on societal expectations of Judith, and her father trying to control her. In all three texts, men have the ability to control women and have the freedom to do as they please. Women must conform to the expectations of faithfulness, attentiveness, and chastity.

In the words of Jane Austen, “It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife” (Austen, 5). This quote highlights how women were dependent on men to have a place and to be respected in society at the time of the victorian era. Women were viewed as domestic tools rather than human beings; they were treated as a domestic production that men control and own. Before a woman is married she is owned by her father, and after she is owned by her husband. In different parts of the world, the undergrading of women or no feminism still exists. Women can not voice their opinions let alone own an object in the

First and foremost, prior to the 19th century, women lived in a patriarchal system in which their views were constantly ignored and ridiculed. They were denied rights that made it difficult for them to gain any opportunity to perform outside their home. The stereotype in which their gender held at the time made them inferior to men. The “Culture of Domesticity” was the term used to describe a set of beliefs about women and gender roles in America and Great Britain (Cummings 1). The set of beliefs described that since men were busy working, women should be at home. An aspect of the Culture of Domesticity describes the ideal woman. This ideal woman, also called “True Woman”, must uphold “4 main principles: piety, purity, submissiveness, and domesticity” (Cummings 1). The combination of these principles expected a woman to be supportive

Gender inequality is a very interesting topic in the world today or even in the past. All through the 17th to the 18th century, women expectations were entirely different from the expectations in the current 21st century. Females were expected to work typically in their homes only; those who did the opposite were looked down by the society. The sole purpose of women was to be a maker of the home and bear kids while the man was expected to work outside the house. This type of mentality is evidenced in “The Yellow Wallpaper” by Charlotte Perkins Gilman, “Trifles” by Susan Glaspell, and “A&P” by John Updike; they all illuminates on the submissiveness, the obedience of women to a man 's authority that was considered unexceptional at the onset of the twentieth century because the themes of the inscrutability of women, domesticity, patriarchal dominance and female identity are present in all these works.

In the modern world women work, vote, run for office and the list goes on. In most aspects, women are equal to men. However, this was not always the case. In centuries past, women were not viewed as being equal to men socially, intellectually, or politically and were thought incapable of accomplishing anything of value. Consequently, many cultures held the view that women were possessions whose only purpose was to be subservient to men. The view of women as mere objects is evident in various works of literature throughout the ages. Two classic works of literature that exemplify this are The Thousand and One Nights and Murasaki Shikibu’s The Tale of

Women have been treated and portrayed similarly throughout history-- Made to be housewives and handmaidens to men of all ages and expected to be the “perfect woman”, a standard image created by--shocker--men. In fifth-century Greece, the “perfect” woman was expected to obey her husbands at all times. The “perfect” English Renaissance women was meant to be seen, not heard. The “perfect” woman of the eighteen hundreds was given novels to read. Novels that held lighter topics than the newspapers of the day, such as intemperance, nothing too heavy because “once a woman starts reading, she starts getting ideas” (indirect quote from Beauty and the Beast). The tables began to turn in 1848, when the first women’s suffrage movement convention was held in Seneca Falls, when women began to realize what Emma Goldman voiced years later in 1915. The “perfect woman” image began to crumble. Skirts became shorter, topics became heavier, women started thinking, forming ideas, becoming more outspoken, creating their own image, without the aid of men. Slowly, they climbed their way up, proving to be more independent and more than what men thought them to be. How women were viewed as by a society, and their evolution of independence, has bled through in literature, especially through female deities in ancient mythologies. Over time, goddesses of different mythologies have grown bolder and more powerful as the world finally noticed that women were actually people, not pretty trophies. Greek,

Social standing, and moral values were vital elements in Victorian society, and the fundamental doctrine of establishing this ideology, began at home. The home provided a refuge from the rigour, uncertainty, anxiety, and potential violence of the outside world. (P, 341) A woman’s role was to provide a safe, stable, and well-organised environment for their husbands and families. However, change was on the horizon with an underlying movement of business and domestic changes both home and abroad, with industrialization, and the suffragist movement. Women were beginning to gain autonomy and began to grasp their opportunities, thus significantly curtailing male supremacy and the definable acceptable ‘role’ of the woman.

Throughout the Victorian era, a woman’s sole purpose was to marry, produce children, keep the house clean and have dinner on the table by the time their husband returned from work. They were restricted to working tedious jobs at minimum wage until they were married and were not allowed to receive a real education. Once married, a woman was expected to become a fulltime mother and house wife tending to the needs in the home on command. All these lovely skills were that of the traditional Victorian women. They were pressured to express their femininity through their dainty attire, gentle mothering, social order and expressing the manners and obedience that was expected of them. All in all it was required that they be as little of an

In the early 1800’s, the life of women was that of many obligations and few choices. In this time period, a majority of the world, if not all of it was very much living a patriarchal society. “When modern historians and sociologists describe a ‘patriarchal society’ they mean that men hold the positions of power: head of the family unit, leaders of social groups, bosses in the workplace and heads of government.” (AboutEducation.com, 2015)

In the Victorian era, the status of women in society was extremely oppressive and, by modern standards, atrocious. Women had few rights, in or outside of the home. Married women in this period relied on men almost completely as they had few rights or independence. With this mindset in focus,

Despite being under the rule of a female monarch, women faced many inequalities and suffering during the Victorian age. Examples of these inequalities include not having the right to vote, unequal educational and employment opportunities. Women were even denied the legal right to divorce in most cases. As the Norton Anthology states, these debates over women’s rights and their roles came to be known as the “woman question” by the Victorians. This lead to many conflicting struggles, such as the desire by all for women to be educated, yet they are denied the same opportunities afforded to men. While these women faced these difficulties, there was also the notion that women should be domestic and feminine. There was an ideal that women should be submissive and pure because they are naturally different. The industrial revolution introduced women into the labor workforce, but there was still a conflict between the two identities; one of an employed woman, and one of a domestic housewife.

Written by John Stuart Mill in 1860-1861, as the Victorian era took place in England, “The Subjection of Women” is a critical piece of analysis in regards to the status of women in society and their unequal relationship with the opposite sex. During Mills lifetime, women were considered to be inferior to men by custom and laws, therefore, it was expected of them to be submissive in nature and to drive their aspirations as far as those of a homemaker, wife and mother could go. Deeply influenced by the ideas of his wife Harriet Taylor Mill, and John Stuart Mill’s own beliefs, “The Subjection of Women” was published in 1869, becoming a piece of literature that would not only challenge the common views of society at the time, but will advocate for different approaches in light of modern times.