The Changing View of Man, The Cosmos and His Place

In the play No Fear King Lear, Cordelia is one of the characters that has deliberately sacrificed, surrendered and forfeited something that highlights her values. Cordelia sacrifices her potential wealth and power from the kingdom by answering King Lear’s questions. Her answers yearns her from the truth in a world full of forgiveness and also her personal integrity in society. Cordelia scarifies illuminates these stories intimal conversations with King Lear both in and out of jail.

In Document B, the first excerpt shows how big of a role religion played in the everyday arts. Before the Renaissance, nothing was personal or detailed; everything people knew had to do with the Catholic church. People mostly focused on the teachings of the Bible and the lifestyle that came with it. But during Shakespeare's time, artists of all kinds began to paint, write, and discuss a multitude of subjects (such as the complexity of the human being). Life pre-Renaissance was all about how God saw everyone, but during that time they began to describe how they saw themselves and their

Pride is one of the very many themes that plays a fundamental role throughout the play. Toward the start of the play Lear seems to be a vain and proud old king. Not so much violent, but not safe either. He wants the title of a king but does not want the responsibility that comes with it. His ignorance and pride prompts the distance of his only daughter who truly loved him, Cordelia (Lear 1.1.95) and the revelation that Regan and Goneril’s words were never genuine (Lear 1.1.70). Ignored by both Regan and Goneril, Lear turns against the storm and screams, “I am a man more sinned against than sinning” (Lear 3.2.56-57). Here, Lear still believes that he

There are many contrasts in the art and music of the Renaissance and the Middle Ages. The Middle Ages was a time of great suffering, including famine and widespread disease, such as the Black Death. The Renaissance was revival of art, learning, and literature. The people’s attitude and fervor for religion had tremendous effects on the art and music produced. The Middle Ages also referred to as “The Age of Faith” was God centered and gave power to the church who dictated how the art should appear, and music should sound. The Renaissance was more concerned with individuals and their talents, the church was not the centralized power, the art exhibited influences from ancient Greece and the Roman Empire.

It was during the Middle Ages (300-1000 AD), that various distinctive forms of art began to emerge in western Europe. A variety of significant mosaics, buildings and other forms of art came from this time that continue to be analyzed in the present. In the book Early Medieval Art, Lawrence Nees successfully provides an intricate interpretation of these various art forms that developed in this time in history while allowing the reader to conceptualize the emerging cultures of the first millennium in Europe. Nees is able to do this by outlining key aspects of the studied works of art that symbolize how life was at this point in history. At the beginning of his book, it is apparent that Nees seeks to provide a less traditional view on art at this time when he states, “I offer a different story of early medieval art in place of the more traditional tale of the decline of Rome and triumph of Christianity”. Nees’ thesis is subsequently inexplicitly stated to analyze the role of tradition in early medieval western art and its transformation as time progressed. By following a non-conventional thesis when writing this book, Nees is able to contribute a new perspective into the overall topic of medieval art.

In Shakespeare's famous tragedy King Lear, the parallel between natural and unnatural occurrences unifies the plot while further developing and foreshadowing the conflicts in the play. Lear's resignation from the throne and his method of distributing the land, as well as the unnaturalness of Gloucester's and Edmund's situation, brings turmoil and tragedy to a society based on natural order. From the physical works of nature such as the storm in the third act to the variety of unnatural politics, it all comes together to cause ultimate chaos in the kingdom.

Art was one thing that quite drastically changed man's view of man. Art in the Middle Ages was extremely religious in fact that was what every painting revolved around. They all included halos and angels. They were all 2D and didn't care about individuality at all. At the end of the Renaissance there was barely any religion included in art.

Of the deaths in Shakespeare’s King Lear, the death of Cordelia and King Lear at the end of Act V are most significant in revealing the development of Lear and how his development contributes to the theme surrounding it. The dynamic King Lear is a tragic hero whose fatal flaw, arrogance, prompts his removal from power and eventually the death of both himself and Cordelia. However, by the time of King Lear’s death, his arrogance has been replaced with a compassion which allows him to mourn the death of Cordelia and die from his own grief. Besides redeeming himself for his flawed judgement, the compassionate King Lear of Act V recognizes the loyalty in characters like Kent and Cordelia, while also seeing through the dishonesty of Regan and Goneril which fools the King Lear of Act I. King Lear’s transition from disowning Cordelia because of his arrogance to recognizing her as his only faithful daughter is demonstrated through Lear’s death, which serves as the culmination of his development and a reversal of his character. Furthermore, his death elaborates the theme of how someone’s arrogance may blind them from the reality of others’ intentions, which can be seen through a more compassionate and humble lens.

The social structure of the Middle Ages was based on the practice of feudalism. Feudalism meant that the country was not governed directly by the king, but by individual lords

‘Apart from Lear and Gloucester, the dramatic persons fall naturally into two parties, good and bad. First we have Cordelia, France, Albany, Kent, Fool and Edgar. Second, Gonerill, Regan, Burgundy, Cornwall, Oswald and Edmund. But none are wholly good or bad except perhaps Cordelia and Cornwall respectively. (G. Wilson Knight, 1930)

The “Medieval era” was a time of renaissance and reformation. Through the abstruse cultural expansion of new world trade and the dissolution of the church, a new period of profound intellect and erudition was ushered into Europe. Following the start of the “Middle ages” civilization was engulfed into a delicacy of new arts , self reliance, culinary practices, and architecture, just a few of the various examples of ways the middle ages where enriching and engaging.

In the Middle Ages, art was centered around the Church. The purpose of art was to glorify the life, death, and resurrection of Jesus Christ (Altshuler, 2009, p. 127). Art was not made to produce a feeling it was made simply to tell a story. Artists were usually sanctioned by the church to complete specific works. All artists were male with the exception of some women who did embroideries (Altshuler, 2009, p. 127). Many different types of media was used during this time including; paint, embroidery, stain glass, relief statues and more.

Art in the Medieval Times was dreary and bland. Many works of art were solely about God or holy figures. The most obvious change from the Renaissance to Medieval Times was the arts, according to Document A and also that “One begins to know the names of the artists ... feel stronger emotions in the subjects”. This shows that Renaissance art not only changed in style, in changed in how it made the viewer feel when seeing the art. Similarly, in Document A, Renaissance art is described as “new artistic styles would echo the broader movements and interests of the new age.…”. As compared to Medieval Times, the style of art became something similar to the time that people could relate to. In the Medieval Times, art was just meant to extol God’s many feats. People who viewed the painting were supposed to put that style of art on a pedestal. Medieval art was supposed to be worshipped, not so much understood. The individual in the Medieval Times was supposed to take away from the painting that the only thing that mattered in their life was the Roman Catholic church and God already had a plan for their lives. But in comparison, Renaissance art was supposed to empower and help people of the time to understand themselves and the fact that they can change their own lives.

William Shakespeare displays how oppression can stem from a formerly unjust relationship in the play King Lear. While the character of King Lear descends into madness, his three daughters, Goneril, Regan, and Cordelia, all suffer from the dominance of their father as he begs for their love. During this time of power transition, the daughters turn their oppressing father into the oppressed. Through the use of juxtaposition in how Lear's three daughters oppress him, Shakespeare conveys how previously oppressed people can free themselves from the ill-treatment and inflict pain on the former oppressor, a concept that is prevalent in today's society with the increase of sexual assault victims speaking out and exposing their perpetrator.

King Lear is frequently regarded as one of Shakespeare’s masterpieces, and its tragic scope touches almost all facets of the human condition: from the familial tensions between parents and children to the immoral desires of power, from the follies of pride to the false projections of glory. However, one theme rings true throughout the play, and that very theme is boundless suffering, accentuated by the gruesome depictions of suffering our protagonists experience . There is no natural (nor “poetic”) justice depicted in this pre-Judeo-Christian world Shakespeare presents, as the relatively virtuous individuals (Kent, Gloucester, and Cordelia) in this