The Character Of Jean Valjean

Meursault's character is the determining factor in his conviction and sentencing. His social rebellion is deemed immoral and abominable. The reader and the novel's characters both try to rationalize Meursault's actions in order to give his life meaning. But according to Meursault, life is meaningless and consequently needs no justification.

In addition, he was jailed primarily because he was labelled a monster for his everyday actions, like his lack of emotion at Maman’s funeral, rather than the actual murder he committed. He lives out his purpose focused on the interactions around him and his self, which is significant because it shows how his satisfaction is found when his purpose is driven by his own motives, not a greater being. The courtroom and even the readers of the novel can label him as being “selfish,” but in reality, it is human nature and rational. This reveals how society looks down upon individual motives and personal choices if one does not conform for the “greater good.” Meursault responds to the Chaplain’s accusations, of how “he seemed so certain about everything...

From the moment on he dedicated his life solely to her, to protecting her from the sorrows of poverty. From that moment he could no longer be Jean Valjean, or Monsieur Madeleine, he had to start his life over once again and Cosette was all he had in it. He sacrificed in order to gain self-approval and the ability to forgive himself.

5. This story has as its background a specific political situation - the French Algerian crisis in the years following World War II. How does Daru reflect France's plight? Is the story's meaning limited to this situation? What does the story tell us about good and evil and the nature of moral choice?

In Les Miserables and The Kite Runner a big theme is a feeling of illegitimacy. In Les Miserables Jean rescues Cosette from the Thenardiers and this creates a father daughter bond that neither one questions until Marius comes along. When Marius finds out Jean is an ex-convict his tries to separate Cosette and Jean, but still honors Jean’s request to keep this from Cosette, this is the first time that Jean really feels that he is not Cosette’s actual father and has no right to keep seeing her if it is against Marius’ wishes. This creates a rift between the two because Jean feels like an illegitimate father. Things are not fixed between the two until Marius figures out that Jean is not a murderer or a thief and he allows Cosette to go to Jean’s deathbed.

In the middle of the book, Jean Valjean has saved a young girl named Cosette and raised her as his daughter after her mother died. These actions also have a redeeming effect on Jean Valjean, as he put his promise to the girl’s mother before his own safety and escaped from another bout in prison to find the young girl. Jean Valjean does not think this redeems him, however. He is very suspicious and changes their names to hide from the law enforcement. He also became very suspicious and cagey when a young man, Marius, became interested in Cosette. In Marius’s words, he “ began to be less punctual, and did not bring ‘his daughter’ every day” (168). After some time, he and Cosette move away so Marius cannot find them. Jean Valjean thinks he is

The book begins with the convict, Jean Valjean, being released from a French Prison. He has served nineteen years for stealing a loaf of bread and subsequent escape attempts. He is set free, but only with his identification papers yellow. This marks him as criminal, and now in the new town, no one is willing to house him. In despair, Jean Valjean goes to the bishop M. Myriel. The kind man allows him to stay, but Jean Valjean repays him by stealing the bishop’s silverware then running for it.

Revenge can be analyzed, as it becomes the exhibited behavior of the Widow resulting from a number of causes. First cause is the harm done to her family; second cause is the Widow’s perception of violence during that time; and the third cause is her aggression toward the killer of her son. The first cause of her revenge is the most obvious reason why she avenged the death of her son, and this is because the killer caused pain to her family. Any mother would be committing the act especially that her son was the only company she has. The second cause pertains to the Widow’s perception of revenge during that time, and because at the time, wars and feuds were still evident in the French society, bloodshed for the Widow is not something to be scared of, given any means. This story was only successful in showing to its readers how the society thinks of death during those times, which can be achieved through any means, by which losing one’s life was not something to be thought of carefully. This just proves that during that time, morality was not given high regard as it is now. Death by any means can be accomplished by anybody, regardless of age, gender, and status in society. The third cause of the Widow’s behavior is her aggression toward the killer of her son, which was not literally shown or described in the story, but was evident based on

The protagonist’s transformation begins when the bishop recognizes Jean Valjean’s human soul that is capable of goodness. When he is put out into the streets, Valjean goes from place to place being rejected for being a convict until he meets the bishop who sees him as a common person, “That men saw his mask, but the bishop saw his face”(75). Even though people might be good, they don’t always see someone’s true soul. The bishop’s simple act of kindness and deeper understanding

Jean Valjean experiences a life of sorrow and struggle, and before he finds solace in the church, he becomes consumed by the negativities in his life. Even after he is released from prison, Valjean is forced to live a life without purpose, eventually driving him to lose all of his virtue. According to Aristotle, this type of life is one void of happiness, which is proven by Valjean’s actions. It is not until Valjean is saved by the Bishop Myriel that Valjean is faced with the person he has become, and seeks to change his life.Despite Jean Valjean’s constant struggles with virtue and justice, Les Miserable is the story of his journey to find Aristotle’s true happiness through friendship and religion.

In the novel, The Stranger by Albert Camus, Meursault the protagonist, becomes drawn into a “senseless” murder that has to face the absurdity of life and because of his actions, Meursault is presented as a danger due to his lack of “morality” to society. Meursault who is not able to take control of his life but respond to what life offers him believes in the simplicity of life. He tries to understand the living through logic and objectivity, which ultimately turns futile, as he himself cannot maintain proper control over his thoughts and emotions. From the interactions between Marie, to the murder of the Arab, and the meeting with the Chaplain, Meursault overcomes his indifferent views to form an opinion about what life really means. The central theme presented by Camus is how the threat of mortality becomes a catalyst for understanding the significance of life.

Meursault was introduced as a young man whom recently found out his mother, Maman, died. He was not the most emotional person, but he dealt with his feelings the best he knew how. Meursault lived his life on the verge of truth and honesty. He was honest within every aspect of life, from women to freedom. He was never certain about anything in life ,but one thing he was sure of, death was inevitable. After murdering an Arab, he was on trial in front of many people being interrogated with many questions about why he did what he did, but also to evaluate his psyche about the situation. Unlike others, Meursault did not hide from the truth and that is what others could not cope with. Living his life the way others were afraid to, Meursault was the outcast in his society.

Jean Valjean is a bad person according to the law but he is doing it for the right reason, to help his sister’s son. Valjean goes through a lot of turmoil to maintain the façade that he must stay a free man. He is always on the run therefore making it hard for Javert to find him. Valjean always finds a way to escape the deathly grasp of Javert; he never goes back prison. He dedicates his life to the safety and protection of his dearly beloved daughter, Cossette.

This easy-going, pleasant hedonism is interrupted permanently by Meursault's murder of the Arab on the beach. Not only is he incarcerated, but also he must examine the reality behind the illusion of his trial and, ultimately, of his life. Introspection has not been his metier. It takes him a while to realize that the judge, the jury, the journalists, even his own lawyer, do not wish him well. Meursault finally realizes that he is going to be convicted, not because he killed an Arab but because he did not mourn his mother's death.

In his novel, Les Miserables, Victor Hugo identifies the principle social evils of French society through the actions and qualities of his characters. By depicting each of his characters’ struggles through destitute and oppressed measures, Hugo is able to identify the social errors of 19th century France. The fact that characters such as Valjean, Javert, Fantine, and Cosette, attempt to rise above poverty and redeem themselves indicate that such inequalities did, and still do, exist to this day. Through the use of feminist ideals and the criminal injustice system, Hugo attacks the principle social evils that each of his characters face in Les Miserables.