Arthur Leander is the first character to appear in the novel, and it is through association with him that the other major characters in the story are united. Although the story attempts to depict him as the protagonist, the novel is not really about him. To say he is the protagonist is perhaps a bit of a stretch. The same is true for Jeevan Chaudhary, a trainee paramedic, as well as for Miranda Carroll— the graphic novelist whose work provides the novel’s title and Clark Thompson— Arthur’s friend and a museum curator. Kirsten Raymonde, perhaps, receives more direct narrative attention than either Arthur or Jeevan, making her more likely to be the true protagonist of the novel.
Arthur Leander is the character serving as the focal point of the novel. Although his direct actions occupy relatively little of the story, it is attention to and association with him that serves as the point of unity for most of the significant characters in the novel. His name focuses this to some extent. It evokes King Arthur, who in Malory is less active and serves as a rallying and focal point for the other, more active knights. It also evokes the amorous Leander of Classical myth relating to the story of Hero and Leander and although he did not drown and his lovers did not commit suicide,
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The at-times heavy-handed foreshadowing and the incomplete lists of things lost in the Flu speak to it. In Chapter 26, as well, Clark’s work with executive profiles is couched in terms of people not appreciating what they have, simply subsisting rather than living. Chapter 42 sees him make the point more explicitly. Even after the Flu, the Traveling Symphony justifies itself with the argument that mere survival is not life, a comment usually meant to encourage appreciation of what is
Too often was it that in hopes of protecting themselves from contracting influenza, people inadvertently caused their own downfall. In document 2, a young woman illustrates a period during which she served as a volunteer at an army camp In one way, this account shows just how serious the pandemic was, as a
We don´t get a lot of information about the various characters.The story is told in first person through a narrator who’s an african american man who remains without a name throughout the novel, besides
The story of King Arthur is widely known, either his beginnings told in The Sword in the Stone or how he led the Knights of the Round Table. While there are many version of his story T. H. White’s written version and Disney’s animated version of The Sword in the Stone are two of the most recognized versions. Most movies have the ability to embody the original intent of the book they were based upon. Disney’s movie version of T. H. White’s rendition of The Sword in the Stone, however, while portraying the correct story, does not truly convey enough elements of White’s version to be effective in telling the original story. The characterization and Merlyn’s ‘lessons’ within the movie inhibit the film from being an effective portrayal of the
Another great supporting character in this book is Helen Kirsten. She was a teacher/ librarian from New York City. She was odd and different. She was hired to be a librarian and a part time English teacher. She ended up being a full time English teacher. Mr. Stuart really liked her because she influenced the students to write with passion and poetry. He was so impressed with her that if she wanted to stay she had a job. Mr. Stuart
There are countless versions of the legend of King Arthur and the knights of the Round Table. Most English versions are based on Sir Thomas Malory's Le Morte d'Arthur, but where did these tales originate, and what different interpretations are there today? This essay seeks to examine the roots and different renditions of the various legends circulating today. The first section deals with the origins of the legend. The second section speculates on who the "real" King Arthur could have been. A comparison of several different versions, and suggestions of why they differ are given in the third section, and the conclusion presents an analysis on the ambiguity of the legend.
King Arthur is an outstanding British leader of the 5th and the 6th centuries, son of Uther Pendragon and the Lady Igraine. Arthur is one of the greatest mythical heroes that the world has ever known. Arthur has had a great influence on other people and many of them looked up to him. The coming of Arthur was prophesied years before he was even born. Arthur was born into a world of chaos and disorder, full of love and tragedy. Nowadays, many of the scholars continue to argue whether or not King Arthur was a real person or just a mythological figure. Based on facts however, many believe that Arthur was not a real person; just a legendary British leader in the 5th and 6th centuries. According to history, there wasn't anyone named King Arthur
In Emily St. John Mandel’s novel, Station Eleven, a terrifyingly powerful virus called the “Georgia Flu” sweeps across the world taking out almost every victim it touches. A team of musicians, actors, and backstage members make their way across a pandemic stricken land while hunting, performing, and surviving. They call themselves the “Traveling Symphony”. They’ve been traveling since nearly the beginning of the pandemic, finding and losing members as they go. Throughout the novel, there are several plot lines which run in different directions throughout different time periods, but one consistent theme that ties each twisting plot together throughout the entire novel is that “survival is insufficient”, a quote adopted from Star Trek.
O 'Brien, the author of the book is both the narrator and the protagonist of the book. As,
Ideally, a king has an old look, a great amount of power, and naturally rules his domain with an iron fist in literature. In the two works, Le Morte d'Arthur and First Knight see two different versions of how king Arthur is portrayed. Yet the honor and respect that a king should have remains undisturbed, much like how both are products of their time. First Knight is told as a modern retelling of the legend and Le Morte d'Arthur is a minorly altered, much older work. While the depictions of king Arthur are seen as the paramount backbone for arthurian times, these two works have also proven to exhibit differences and similarities, illustrate Arthur’s figure in character, and serve as preservation of the time period.
Influenza, an innocent little virus that annually comes and goes, has always been a part of people’s lives. Knowing this, one would not believe that it has caused not one, not two, but three pandemics and is on its way to causing a fourth! The Spanish flu of 1918, the Asian flu of 1957, and the Hong Kong
Malory's Le Morte D’Arthur isn't known to be classic just because of Arthur-but rather the themes of family, love, revenge, identity, loyalty and betrayal. As King, Arthur is put in many situations that test the people he surrounds himself with. Therefore, betrayal has become a reoccurring theme. Throughout the novel, people are seen betraying each other. Betrayal has become familiar in a way to the members of the round table, ultimately leading to it's demise. The acts of betrayal occur in various forms, whether it be through adultery or just going behind the other person's back. Regardless of how it happens it brings about serious disorder for all involved.
The centre and the main character in the story is Daniel Quinn, but he is referred to in 3rd person, which means that he is not the narrator. The narrator does not appear before the end of the novel, where he/she goes from implicit to explicit. This “I” suddenly comes out of a context in which it has always existed, but never spoken directly. The narrator is evidently a friend of Paul Auster,
During the years that King Arthur ruled over England, his reign is always remembered as a time of peace, a golden age, a great era, and a glorious time. However, this all comes to a halt, when two of Arthur’s most noble knights bring an affair into the open, causing his round table and kingdom to fall and bringing Arthur to his death. Written by Sir Thomas Malory in the latter half of the 15th century, books 20 and 21 of Morte D’Arthur (Death of Arthur) describe how over time, the tragic hero, King Arthur slowly loses control over his kingdom due to his ignorance, leading to a few errors in judgement that inevitably lead him to his own demise and to the passing of the great era that was the reign of the legendary King Arthur. King Arthur is a tragic hero due to his ignorance, overly trusting manner, and the careless mistakes that he makes during his time as king.
In the novel, Le Morte d’Arthur by Thomas Malory, Malory recounts the popular tale of King Arthur and the noble knights of the round table. However, Malory mirrored the Arthurian court in disposition to the current government by analyzing his ties to politics and life experiences. England encountered many difficulties during the 1500s and 1600s, for it was constantly in war while fearing its own revolution within its own government. Sir Thomas Malory lived dangerously as he constantly participated in heinous crimes, though being a knight of chivalry, however, the experiences of being a low-life citizen as well as an understanding of the government led Malory to write his own version of the Arthurian legend during imprisonment. Malory altered the legend to exhibit that chivalry contradicts with courtly love, where it will eventually lead to shame and loss of loyalty through his own experiences.
It can be difficult to define the unifying themes of Sir Thomas Malory’s Le Morte d’Arthur ; it can seem a tangle of random adventures mired with magic and religion, love and fate. What is the purpose behind all the seemingly similar adventures of so many similar knights? And what is the place that the books of Sir Trystram hold? These books make up the longest section of the work, yet Trystram plays no role in the search for the Holy Grail or the downfall of Arthur. There are many parallels drawn between Trystram and Launcelot: they are both the greatest knights of their time, both the greatest lovers, both become mad for a short time, etc. What distinguishes Trystram from Launcelot;