The Character Santiago in Hemingway’s The Old Man and the Sea
Hemingway has a way of making his readers believe that the feats and strengths that his characters obtain in his novels are actually possible. Although this statement may be too critical, and maybe there is a man out there, somewhere on the coast of Cuba who at this very moment is setting out to the open sea to catch a marlin of his own. The struggle many readers have is believing the story of Santiago’s physical powers and his strength against temptation bring forward the question of whether or not The Old Man and the Sea is worthy to be called a classic. Hemingway’s Santiago brought Faulkner and millions of other readers on their knees, while to some, believed Hemingway
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Over and over again he is remarked to be a strange old man, and he himself is the one to glorify that. He seems to struggle with the fact that he must prove himself to the other fisherman who mock him and believe him to be a fallen hero. He sets off to sea in his boat one day, but what he does not know that it will be the three most tiring days of his life. He first catches a smaller fish and instead of turning back, he decides to go farther out into the ocean to see what he can catch with that fish. He soon is dragged all over and back by a shiny purple marlin, that is two feet longer than his skiff. The response to Santiago’s poor decision or lack of creativity to harpoon the marlin instead of try to kill it another was as to not attract mako sharks was confusing. He is shown to be a man of intelligence and greatness, yet his decision to kill the marlin in this manner knowing what could happen proves that he had a distinct motive for harpooning the fish. By the words of Gery Brenner, “that motive is self validation-the need to prove himself”(Brenner 55). In the end, after the three day struggle, when Santiago returns to the dock, he is told by Manolin later that he was said to be lost at sea, and everyone was completely taken away by the length of the mangled carcass that he brought in. The take many get from Hemingway’s novel is
In the book The Old Man and the Sea, Ernest Hemingway uses the flashback technique in order to characterize Santiago and develop key themes of the novel, such as Santiago’s connection with nature and what it means to be a hero. Hemingway employs several flashbacks as an effective technique that develops Santiago’s character as he recalls past occurrences in order to renew his strength of will. There are three flashbacks in particular that are critical to the development of this story. The first flashback describes a time when Santiago associated himself with the marlins. The second flashback occurs when Santiago arm-wrestled the town’s strongest
“He did not truly feel good because the pain from the cord across his back had almost passed pain and into dullness that he mistrusted.”(74) Once both the fish and Santiago had reached the breaking point of conflict the story seemed to slow down in time to exemplify the adverse conditions that both characters were suffering from. The old man proves himself worthy of personal suffering with the cuts and scars on his hands and back along with all of the pulling and slipping the cords had upon his fragile body. Hemmingway shows in a big way how an out of proportioned conflict with an old fisherman and an 18 foot long marlin helps to magnify the significance of Santiago searching for his rebirth to manhood. With constant abstraction describing the fish and the sea in relation to brotherhood create interesting questions for Santiago to ponder. His rationalization for his fishing is that he was born to do it. “A man can be destroyed but not defeated.” (103) Hemmingway proves that this fish represents all of Santiago’s built up tension to total the size of a gigantic marlin that is perceived as devastating but not unconquerable. The old man’s hopes and aspirations can overcome the adversity of the marlin’s size, along with the conditions of the old, hungry, and exhausted fisherman. Through outright suffering Santiago achieves a goal above his previous manhood by combating pain and
Sometimes people have to do sacrifices, which appears in the rising action of the book. “‘Fish,’ he said, ‘I love you and respect you very much. But I will kill you dead before the day ends’” (Hemingway 54). Why did he have to kill it? Why couldn’t he hold on a little longer? Santiago sacrifices the fish for his self interest. In spite of the fact that he respects the fish, the old man’s determination reflects his belief that his purpose in life is to be a fisherman, and that comes first. As well, Santiago advises himself that he doesn't have Manolin, his beloved companion, with him and must battle against the fish by himself. It has been four struggling days of being pulled by the huge marlin, Santiago decided that that was enough. Even though
When describing the man he said “the old man was thin and gaunt with deep wrinkles in the back of his neck (9)”. This depicts how old Santiago really was and how close he was to the end of his life. Hemingway also described the flag on his sail as “looking like the flag of permanent defeat (9)”. This quote foreshadows Santiago’s eventual death which was caused by going out at sea past his ordinary limits.
Another conflict exists between Santiago and the other, younger fisherman. They suppose that Santiago is salao because he has not caught a fish in eighty four days. They are doing no respect him as a result of he is old and unlucky. They do not acknowledge or fear his ability. In fact, they ridicule him. This affects Santiago’s confidence and isolates him more. Santiago doesn't have any friends apart from the boy because no one respects him. Once Santiago comes back from his trip with the large marlin carcass with shark bites in it, they understand that Santiago has nice ability and determination for his age and that they begin to respect him. When the old man tells the story, he reveals that being honored is very important to him. His pride
In The Old Man and the Sea, Ernest Hemingway uses Santiago to demonstrate some of the qualities of a Hemingway Code Hero. Throughout the novel, Santiago encounters many trials and tribulations that test his role as a code hero. While reading the novel one will see that Santiago endures many of the rules of a code hero. However, the ones he encounters the most are misfortune, honor, and courage. Hemingway uses these rules in his novel in such a way that one can fully understand the life of Santiago.
But perhaps the greatest figure of masculinity found in Hemingway’s work is Santiago from The Old Man and the Sea. He keeps his composure and maintains dignity after the fish that he has been fighting is lost to the sharks.
Within the book, strong and enduring Santiago battles the marlin for days, although he has nothing but his hands to hold the line, and, then, fights against the fish with his knife and his old hands. When the Mako shark comes and eats the flesh of the marlin that is tied to the side of the boat, Santiago continues to fight for the marlin; however, the shark takes much flesh from the marlin. The sharks symbolize destruction in Santiago’s life; however, The Old man perseveres as Hemingway pulls out his thoughts, “But I killed the shark that hit my fish, he thought. And he was the biggest dentuso that I have ever seen. And God knows that I have seen big ones.”(pg103) Here, Hemingway exemplifies that even when the Old Man has experienced destruction, he overcomes
Ernest Hemingway's The Old Man and the Sea has engendered some lively debate in literary circles. Critics have concentrated on everything in the novella from the verity of Rigel's early evening appearance over Cuban skies in September (Weeks 192) to William Faulkner's judgment that Hemingway discovered God while writing The Old Man and the Sea (Bradford 158-62). Yet the most insightful commentary has gravitated invariably toward biblical, natural, and classical imagery in the novel. These images turn an otherwise simple fishing tale into a sublime narrative of human endurance. A reading that examines these images will serve to clarify the hidden significance in
The author uses the struggle for dominance to represent and prove many things. For example, the author uses the struggle to prove to the boy and everyone else that even though he is old, he is not helpless, and he can still catch the Marlin. Santiago struggles greatly throughout The Old Man and the Sea. As you can see, in the opening pages of the book, he has gone eighty-four days without catching a fish. He has for shamed himself and has become the laughingstock of his village. He then endures a long and grueling struggle with the marlin only to see him conquered by sharks. After all, Santiago is an old man whose journey is almost over. But, he manages the greatest challenge of all: he finds a way to carry on his life after death. Therefore,
There is tension between Santiago and the marlin throughout the entire novel. The old man finds kinship with the fish against a common enemy. “‘Half fish,’ he said. ‘Fish that you were. I am sorry that I went too far out. I ruined us both. But we have killed many sharks, you and I, and ruined many others. How many did you ever kill, old fish? You do not have that spear on your head for nothing’” (Hemingway 115). Although he does not recognize it himself, the stakes of the battle with the marlin are so high thanks to
He tries to reel it in but he can't. Instead the fish is pulling the boat! He struggles and struggles with the fish for hours. After a while fatigue takes it's toll as his hands clamp up, and his back aches from the line tied around it. The fish surfaces and Santiago realizes that it is longer than the boat he is on! An unexpected jerk leaves a gash in his hand only to add to his pain. After a very long while Santiago shortens the line to harpoon it. He latches the fish to the side of the boat and begind to tow it back to shore triumphant. Then a mako shark approaches and takes a large bite out of the marlin. Santiago kills it with a harpoon. Only later did he realize that the sharks blood would attract more sharks. As more sharks approached Santiago fought with all his might to save his fish but there was too many sharks. By the time he got to shore, he had nothing more than a skeleton. Santiago collapses from exhaustion on the shore but is found by Manolin and calls for help. The community marveled at the size of the skeleton that is still attached to the boat. Manolin takes care of the old man and vows to return to him as an apprentice. Santiago finally gets the repect from his community.
The nobility of character of the old man prevents him from feel hate and rancor toward the other fishermen. Despite the taunts of the other fishermen, Santiago is quiet and admits having a bad streak of luck. This makes him an honorable man, which avoids any conflict and is able to recognize his flaws as a fisherman. Although the sea has given him several bitter drinks, he is able to keeping on loving it. “A man is honest when he acts honestly, he is humble when he acts humbly, he loves when he is loving or being loved.” (Waldmeir 165). Perhaps, the crowning act of humility in Santiago is when he is forced to recognize that by his own forces he will not be enough to grab the fish, and decides to carry out prayers to the Almighty. At the end of the hunting of the big animal, Santiago does not become conceited. His simple and humble soul thanks with a prayer for the outcome of his effort. Although the fighting has been severe and bloody, the old man was not self-styled "hero”. Santiago humbly considers himself as one fisherman more, and the categorization as a hero depends on the readers. “It is the knowledge that a simple man is capable of such decency, dignity, and even heroism, and that his struggle can be seen in heroic terms, that largely distinguishes this book.” (Young 131). The evident relation between his humility and dignity helps to place Santiago as a perfect
“Everything about him was old except his eyes and they were the same color as the sea and were cheerful and undefeated”Hemingway develops Santiago as a hero in order to show how fragile things can be strong in the inside.Even Though santiago seemed like a weak old man, while he was alone at sea trying to catch a fish;he demonstrates how strong,positive,and undefeated he is.
Throughout the book, The Old Man and the Sea, Hemingway uses a writing style known as stream of consciousness which entails using uninterrupted thoughts and feelings of the main character. This writing style shows through the character Santiago while he is at sea. Santiago talks to himself which essentially correlates to how he feels at that moment. The usage of the technique stream of consciousness engages the reader into how the character feels during that moment making the reader connected to the character. Hemingway uses this technique to its fullest in the novel when the author shows Santiago talking to himself about DiMaggio and to then eventually thinking that he wanted to be the marlin.