The Character of Celie inThe Color Purple Essay

In ultimately finding herself at the end of the novel, Celie had to overcome the internal prejudices against herself. With the use of Shug Avery in the novel, Walker displays the hardships Celie must face with her new found sexuality. Because this relationship uses different and new feelings it “evokes so profound an erotic awakening that Celie believes she was "still a virgin" prior to it” (Hankinson). When Celie begins to have feelings for Shug, they start out innocent and then become more serious. She describes a night that they spent together when she says, “Me and Shug sound asleep. Her back to me, my arms round her waist” (Walker 116). Celie begins to allow her feelings with Shug to become reality and shows that she does not have the shy personality that everyone thinks she does. Celie breaks out of her inner prejudices again when she confides in her sister, Nettie. Celie begins to yell at the dinner table one night when she could no longer take

Celie practically struggled for happiness her whole existence. Her father sold her to a man who had no intent of loving or caring for her. Celies’ husband whom she refers to as Mr. physically and verbally abused her. Mr. felt that the only way to keep a woman in check was to beat her and he did just that throughout the movie. Like any woman would though the abuse Celie lost herself and respect for herself. Living with Mr. was a life full of darkness and hatred. Life with her husband was no better life than life with her stepfather. It took years for Celie to become brave enough to fight back for what she accept as true and gain understanding of how to convey amusement and have little outlook on life. After years of abuse, Celie no longer was afraid of Mr. She no longer cared for her husband or the

However, the pair forms a nurturing relationship in which they take care of one another.  These days Shug is all about love, and touch and feeling.  As Shug says of her love of cuddling, "I love to hug, period, she say.  Don't need nothing else right now" (Walker 152).  Celie learns from Shug how to care about people once more, including caring for herself.  Celie begins this journey to independence and love of self and others through her relationship with Shug.  At one point she and Shug have physical relations, but it is Walker's purpose to show this as a means of providing each other comfort, nurturing, and humanity - not as a display of homosexuality.  The entire episode is treated in the novel as a nurturing act, akin to a mother compassionate mother nursing her needy child, "Then I feels something real soft and wet on my breast, feel like one of my little lost babies mouth.  Way after a while, I act like a little lost baby too" (Walker 118).  We can see in

Celie, the main protagonist of The Color Purple, is an uneducated and poor girl from a broken family. Ever since she was a little girl, Celie has been belittled, degraded, and sexually abused throughout her childhood and into womanhood. Because of this, she feels denied of control and ownership over her body. As she grows older, Celie becomes aware of being stripped of her basic human rights and freedom. But eventually, she starts sprouting confidence and courage with the help of her sister and friend. This newfound strength of Celie’s pushes her to leave her horrible husband behind and start anew. She decides to return home and open up a business and continue searching for her little sister, Nettie.

Celie's transformation from Mr. ____'s slave into an independent women is successful thanks to two strong women that become role models for Celie in her everyday life; Shug Avery and Sofia. Sofia is a role model in a more unconscious way for Celie then Shug is. Sofia's whole appearance and behaviour is proud, she lets no one sit on her and Celie is, at first, jealous of Sofia's self-confidence and tries to destroy it by giving her husband Harpo the advice to beat her to make her obedient; "I think about this when Harpo ast me what he ought to do to make her mind. [---] I think bout how every time I jump when Mr. _____ call me, she [Sofia] look surprise. And like she pity me. Beat her. I say"2. When this does not work, Celie realises that Sofia is someone to become more alike, not someone to destroy.

Celie is mostly uneducated until her sister helps her learn how to read and write so she can write her letters when she is absent as she suspects she will need to send her away from Albert. This displays Celie’s will to improve herself even through the harsh times she goes through and is able to keep her composure. Celie protects her sister Nettie from the fate she had and allows for Nettie to have a better life compared to hers. Celie in the novel evolves into a character that is strong, caring, and the ability to

The abuse that Celie suffers for so many years has changed her, making her into a submissive young woman who can’t stand up for herself, even when she is not at fault; “He beat me today cause he say I winked at a boy in church.

In Alice Walker’s The Color Purple, Celie leads a life filled with abuse at the hands of the most important men in her life. As result of the women who surround and help her, Celie becomes stronger and overcomes the abuse she experienced. The three most influential women in Celie’s life are her sister Nettie, her daughter-in-law Sofia, and the singer Shug Avery. These are the women who lead Celie out of her shell and help her turn from a shy, withdrawn woman to someone who was free to speak her mind and lead her own independent life.

Shug is the first person that Celie verbally confides in. Celie expresses her emotions to Shug saying that ''Nobody ever love me'' (pg.112) in which Shug replies ''I love you, Miss Celie.'' (pg.113) This conversation allows Celie to be emotionally vulnerable therefore being able to heal from the emotional abuse. Celie's romantic pursuit of Shug introduces her to a new emotion: jealousy. ''

As Nettie receives opportunities Celie could never fathom, their relationship comes to a halt. Celie stops receiving letters from her sister and is left to take care of her husband’s obnoxious children from a previous marriage, and is verbally/physically abused on a daily basis by both her husband and his children. Celie’s husband has a torrent affair with Shug Avery, a blues singer with a practical mentality who does not endure any mistreatment from anyone, regardless of their gender. When Shug Avery falls into Celie’s care, Shug Avery teaches Celie a thing or two about self-confidence and the strength she must find within herself to stand up to her husband. Towards the end of the novel, Shug Avery encourages Celie to leave her husband and move with her to Memphis, where she can escape the pain of her past and for once in her life be happy.

Celie is able to accept her past and establish a clear vision of herself and fulfillment through the acts of love. She meets other women who tell her that she should stand up for herself and fight, but Celie feels that it’s better to survive than to fight and risk not surviving. However, there are certain triggers that lead Celie to stand up. Like a true fighter, Celie proves herself to be willing to stand up for the people she loves. Even as a downtrodden victim of her Pa, Celie sacrifices herself and offers herself to her father so that he keeps his hands off of Nettie. As mentioned in this quote, where Pa is sexually abiding Celie, “First he put his thing up gainst my hip and sort of wiggle it around. Then he grab hold my titties. Then he push his thing inside my pussy. When that hurt, I cry. He start to choke me, saying You better shut up and git used to it. ” (Walker, 4). Celie has the potential by putting her efforts into other people, but not realizing she is able to stand up for herself the same ways he does for Nettie. Relating it back to the novel, “Beloved”, Sethe does the same representation when she is trying to save Beloved even though the idea is bizarre of her killing her own child, but she only does it so that she would not have to suffer the way Sethe did. Celie is introduced with Shug Avery a blues singer, who she was first found “rude”, but as the story moves along, Shug Avery becomes the reason Celie learns to love herself. Because Celie is finally opening herself up by loving someone, Celie becomes more lovable. Through Shug’s love, Celie begins to realize her own self-worth, from the minute when Shug Avery wrote a song for Celie, as said in this quote: “This song I'm bout to sing us call Miss. Celie's song.”(Walker, 73).By the end of the novel, Celie loves more

In The Color Purple, there were several themes such as Violence, Sexuality, Power, God or Spiritually. Power is a key role in this novel. Walker focuses throughout the novel that the ability to express someone’s thoughts and feelings is critical to developing a sense of self. Initially, Celie is truly unable to resist those who abuse her. Remembering Alphonso’s warning that she “better not never tell nobody but God” about him abusing her. , Celie knows that the only way to keep it is to remain silent and invisible. Celie is emphasize an object, an entirely accepting party who has no power to give herself through

In Martha Stewart’s, The Color Purple, Celie was raised by her abusive father and eventually married an abusive husband. Because of this constant abuse, Celie learned to stay quiet and not fight back, but survive. As time progressed, with the help of close friend Shug Avery, Celie became more and more confident in herself and eventually fought back against the abuse. Celie was first introduced a the oldest child in her family consisting of her father, mother, herself and her siblings. At first, the father hurt the mother and stayed away from the children, but when the mother died, the father turned the children, starting with Celie. When Celie was first abused, she did not know what was happening and she said, “Then he grab hold my titties.

Celie, the narrator of The Color Purple, is an uneducated, submissive, 14-year old black girl who lives in Georgia. Celie is constantly being abused and raped by her father, Alphonso. He has already impregnated Celie twice. The first one was a girl while the second one was a boy. All her children were taken away by her father after they were born. Her father told her that she better not tell anybody about their relationship but God, which explains why every letter she write begins with “Dear God”. Celie’s mother is happy because Alphonso doesn’t bother her anymore, but the truth is that Alphonso has been raping Celie as a substitute for her mother to gratify his sexual needs. Celie’s mother becomes seriously sick and eventually dies. Alphonso brings home another woman but continues to sexually

Celie also values her sister Nettie greatly and protects her when it comes to their step-father, Alphonso raping the girls. Celie says “I ast him to take me instead of Nettie while our new mammy was sick.” the casual tone of the preceding line adds to Celie's lack of self-worth; she is so used to being raped by Alphonso that it no longer makes any difference to her. As Celie transitions to the Mister’s household, she is still treated with disrespect by the Mister himself and even one of his sons. In a letter to God, she writes “I spent most of my wedding day running from the oldest boy… He picks up a rock and laid my head open.” Celie grows older in this household and submits to more abuse from her new husband.