Essay about The Character of Nastasya in Dostoyevsky's The Idiot

In Crime and Punishment, Fyodor Dostoevsky uses the role of women to further the understanding of thematic topics of the novel. The most prominent woman in Crime and Punishment is Sofia Semionovna Marmeladov, also known as Sonia, who is Raskolnikov’s beloved and the young daughter of Marmeladov. Sonia is forced into prostitution as a teenager and throughout the novel; Sonia is scorned by the people of the town because of it. Dostoevsky portrays Sonia as a multifaceted character causing many different thematic ideas to unfold throughout the novel. Contrary to the way society thinks of Sonia, Dostoevsky’s opinion on Sonia creates her role in the novel as a savior and an angelic character, which is seen through direct and indirect characterization, interaction with other characters, and allusions.

My initial observation of Dashkova is her ability to be extraordinary despite her difficult upbringing. Her intelligence was compelling to the Empress Catherine and the men that she had encountered during her traveling. Dashkova portrayed herself as a strong, versatile woman, who’s not only different from most of the women during the time period, but can also outperform her male counterparts in various tasks (e.g. surgery, debate, carpenting, etc.) (pg. 144). She surprised the readers at the first moment when she met Prince Dashkov, a Moscow man. She fell in love with him and got married at the age of 16. The proposal was informal and emotional unlike the traditional arrangement with its strict regulations. Just 5 years after, Prince Dashkov passed away, leaving Dashkova 2 children and his mountainous gambling debt. In the most hopeless scenario, Dashkova managed to raise her 2 children and provided her son a wonderful education while still remaining faithful to the Empress Catherine II. She declared, “My own poverty affected me not at all” (pg. 149).

meek and submissive, and would give her father her last copeck even if he comes to her brutally drunk. Raskolnikov is at once attracted to and repulsed by this personality. Svidrigailov is the cold

Has there? […] And seeing that, you ought to be a little more promiscuous…’” (34-6). The lack of emotional attachment between individuals is also reinforced when Lenina enters the elevator. At this point, she notices how many of the men she has engaged in sexual relations with, knowing this does not distress the men nor Lenina, instead, it is an achievement: “The lift was crowded with men from the Alpha Changing Rooms, Lenina’s entry was greeted by many friendly nods and smiles. She was a popular girl and, at one time or another had spent a night with almost all of them” (49). Furthermore, the concept of superficial relationships is also alluded to in “Brave New World”. Lenina contemplates partaking in other relationships while being involved with Henry, although Fanny explains that she must make an effort to engage in other sexual confrontations to avoid being categorised as an outcast: “‘I really do think you ought to be careful. It is such horribly bad form to go on and on like this with one man […] And you know how strongly the DHC objects to anything intense or long drawn’” (34). Lenina therefore partially participates in other relationships simply for personal gain, even though she does not entirely agree with the concept: “‘You’re quite right, Fanny. As usual. I’ll make the effort’” (37). Linda’s conditioned ways of living

9 “A rose shook in her blood and shadowed her cheeks. Quick breath parted the petals of her lips. They trembled. Some southern wind of passion swept over her and stirred the dainty folds of her dress.

When Raskolnikov was a student he enjoyed the debate and human contact, but also strived for acceptance. He had a dual nature to himself, which could be characterized by his cold intelligence, which separated him from society, and his compassionate side. After Raskolnikov murdered Alyona and Lizaveta Ivanovna

The culture of Mango Street lends itself to espousing two main gender roles for women, most importantly the role of mother and caretaker, and less significantly, as sexual figure. Women on Mango Street commonly embrace or are forced to embrace at least one of these roles. Marin, a woman who takes care of her cousins by day and sits outside smoking by night, easily embodies both roles. Sally particularly exemplifies that women cannot get away from the gender roles that bind them. In her family, being a female means becoming a vulnerable person for the man to control. However, Sally prefers to ignore this gender role and advertise herself as a seductress. As she agrees to give “a kiss for each” boy (Cisneros 97) in exchange for her keys back, “beauty is linked to sexual coercion …; there are no promises of marriage here, only promises of giving back to Sally what is already hers” (Wissman). Her family rejects his role, though to some extent accepted by Mango Street. By accepting the alternate gender role, Sally tries to break away from the gender role her family expects of her. However, she is unsuccessful. To escape from her father, Sally is “married before eighth grade” (Cisneros 101) to an equally controlling man who “won’t let her talk on the telephone” or “look out the window” (Cisneros 102). The marriage is a way

The protagonist, Rodion Romanovich Raskolnikov, a former student, decides to murder and rob an old pawn broker, Alyona Ivanovna, not due to his desperate need of money, but due to a theory he wants to test. Raskolnikov leaves no evidence which would lead the investigation to him; however, the police lieutenant in charge of the case, Porfiry Petrovich, a meticulous thinker, understands Raskolnikov’s theory and has a big role in influencing the student to confess. Between the murder and the confession, Raskolnikov undergoes a long and painful process of thought. His friend, Razumikhin Prokofych, along with a prostitute and his future significant other, Sonia Semyonovna Marmeladova, are part of the protagonist’s path. In the end, Sonia turns out to be Raskolnikov’s salvation as she helps him find redemption and start living

Raskolnikov murders an old pawnbroker woman for seemingly no reason at all. His sister and mother move to St. Petersburg following his sister's engagement to a man whom Raskolnikov was extremely displeased. Raskolnikov undergoes severe mental trauma, and falls ill after the

Unlike the Continental Op, Princess Zhukovski allows some of her most significant actions to be ruled by her own gender stereotyping. To begin with, the princess is taken by surprise when the Op announces his suspicions of her. Her reaction proves that she does not believe he would come to those conclusions, not only because she is of royal birth but also because she is a woman. Once the princess realizes she is found out, Zhukovski attempts to gain sympathy from the Continental Op by expressing the woes of her troublesome past life. She laments, “There was no place for us in world. Outcasts easily become outlaws” (Hammett 250). Zhukovski hopes that her sob story will touch the heart of the Continental Op and that her portrayal of the damsel in distress will drive the point home, but the Continental Op is having none of it. Growing in desperation, the princess plays her last card by seductively offering herself to him, and it appears it is a hand she has played before. Zhukovski expects even the strongest-willed men to bend before her at the promise of a sexual favor.

The Grand Inquisitor reflects Fyodor Dostoevsky interest in religious and political issues. Dostoevsky uses the voices of his characters to express his views on the legitimacy of the Roman Catholic Church and role of religion in society. The story centers around the conflict between the Grand Inquisitor and Jesus. Jesus returns to Earth during the Spanish Inquisition, when in which Jews and Muslims were forced to convert to Christianity and were murdered if not devoted in their belief. The Grand Inquisitor examines the relationship between man and Christ through a unique narrative style that adds various depths of meaning to the story.

As the story unfolds, Gurov at first changes subtly. First of all he meets Mrs. Anna Sergeyevna. His attitude at first is still the same, he finds her as another victim of his little game that he plays. He sits and watches, searching his mind for a ways to get her attention like he does for every woman. He still looks at women in the same sort of fashion. Anna and Gurov start spending time with each other more and more, he still plays his game. Each time that he meets her and tries to coax her into have an ice or syrup, yet he still looks at her as “pathetic.” After their first kiss he begins to realize that there is something different about this girl. Unlike the usual women he messes around with, she feels guilty about engaging in this affair with him. Anna does not give him the satisfaction of playing the game along with him. As he spends more time with Anna he becomes fond of her presence. He starts learning more about her, when she talks him listens intently instead of getting bored and rolling his eyes. When Anna gets a letter from her husband asking for her to come home, Gurov acts like it isn’t a big deal, he still believes he is playing his game. At first he forces himself to believe he is ok, but after they are apart for a while he realizes that Anna isn’t leaving him. She follows him everywhere, not just in his dreams. He feels something that he has never felt before, he

We have always heard of the stories where people meet their future wife or husband in the most unpredictable places. These success stories presumes us to believe that love at first sight actually exists and that they're will be somebody waiting for us at the traffic light down the street. Things like this can happen I don't doubt it, but for all the people like Gurov, a known womanizer who is married to a woman he does not love or Anna, a frail, innocent woman who is married to a man she does not love makes us believe that there is hope. The story begins in Yalta; a seaport in Ukraine Gurov meets Anna. He begins to understand that she is much different than the other woman he has been with; she is both frail and innocent. Afterwards,

During this interactive oral, it was pointed out that the dreams in this novel are very influential to a character’s state of mind and actions. We discussed the graphic dream in which Raskolnikov, as a child, watches a mare as it is beaten to death. This dream is interpreted by Raskolnikov as a cue to murder the old woman. The mare seems to be a parallel to the

One of the main themes of War and Peace is the irrational nature of human behaviour. A clear example of this is the scandalous affair between Natasha Rostov and Anatole Kuragin. Natasha Rostov was happily engaged to Prince Andrey Bolkonsky, but suddenly ended the engagement because she fell in love with Anatole within a 3-day span and wished to elope and run away with him. Her cousin Sonya, upon learning of the affair directly from Natasha, commented “Natasha, I can’t believe you, you’re joking. In three days to forget everything, and like this…” (659). To this, Natasha responds “It seems to me as though I have loved him for a hundred years… You can’t understand that” (659). This relates to how irrational impulses are logical to an individual, but seldom to anyone else. To Natasha, following her heart means finding happiness, but her desires also blind her from reality and concrete truth.