The Character of Ophelia Essay

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

Allowing herself to continually feel her grief without support and guidance causes Ophelia to lose her mind. King Claudius says of her, “O, this is the poison of deep grief: it springs/ All from her father’s death…; Poor Ophelia/ Divided from herself and her fair judgement,/ Without the which we are pictures”(4.5.74-75,83-83) Without her father and his ability to reason and tell her what to do, Ophelia loses the little control she has over herself. Previously, she could rely on Polonius to speak for her, but her only support is gone, and her coping strategy is ineffective and detrimental. By being separated from “herself and her fair judgement”, Ophelia is no longer herself, and the girl who she used to be has been destroyed.

In the beginning of the play, Ophelia was like any other obedient young woman during the time. In Understanding Hamlet, Richard Corum shows that Ophelia is obedient. He writes, "Though Hamlet has been courting her, Ophelia willingly obeys her father when he tells her to discourage the prince's advances" (Corum 26). Ophelia obeys her father's demands because it was expected during that time of women to comply with men's wishes. In Hamlet, Ophelia disregards her own feelings towards Hamlet. Ophelia does as she is told:

Ophelia is a very interesting and confused character in William Shakespeare's play Hamlet. She has so many moments where she is hanging onto her sanity by a thread, and one small thing could set her off. Ophelia illustrates character traits leading to her tragic downfall, including innocence, ignorance, and distraught actions.

In the beginning of the play, it is clear through her thoughts and actions that that Ophelia is an obedient person. But upon closer inspection, the audience can see that she is not merely an obedient, but completely dependent and weak character. In fact, her needy nature is unmistakable from the beginning. OPH: “I do not know, my lord, what I should think.” POL: “Marry, I will teach you. Think yourself a baby…” (Act I, Scene III, lines 105-106) Her cruel clashings with Hamlet, which go against her feelings for him,

Midway through Hamlet, Ophelia is well under the control of Polonius and Hamlet. They are both manipulating and using her as a pawn as to get what they want and she has little to no say about it. Act 2, scene 1 serves as a turning point, as it is when Ophelia begins to realize the manipulation she faces at the hands of both her father and Hamlet, and that she can only truly gain her freedom when she herself descends into madness. Polonius’ manipulation, Hamlet’s control and Ophelia’s own thoughts and actions demonstrate her descent, and the aftermath.

The Tragedy of Hamlet, Prince of Denmark is one of Shakespeare’s most tragic plays. Most of the characters in this play suffered a heartbreaking death, although, all of the characters faced anger, regret, madness or distress. Madness was a reoccurring theme in this play, two characters portrayed this more than others. Ophelia and Hamlet faced similar fates, with similarities and differences along the way, all to do with their madness.

Making use of her dutiful and obedient personality, Hamlet victimizes Ophelia and her lack of resistance to his treatment is paralleled in her surrender to the water and subsequent drowning. In a fit of rage, Hamlet angrily denounces Ophelia and claims to have fallen out of love with her:

   Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. Ophelia is the only truly innocent victim in Hamlet. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck.

Bevington states, "Obedient by instinct and training to patriarchal instruction, she is unprepared to cope with divided authority and so takes refuge in passivity.” Bevington says, “Ophelia is destroyed by meekly acquiescing in others’ desires.” Bevington sees Ophelia as a weak and emotional young

Ophelia, ever since her introduction, has been introduced to be a sweet and sympathetic person, providing the play with emotional moments, but her death was used as a bait and switch by Shakespeare towards audience members who had expected her to change the play’s somber mood to more hopeful one, which in turn makes the play even more tragic. After she had been visited by an apparently crazed Hamlet, she tells Polonius about the visit, prompting him to believe that the young prince is crazy in love, and goes out to tell the king. After it was explained to Claudius, and Hamlet’s former friends Rosencrantz and Guildenstern failed to find the underlying cause of his madness, Polonius makes Ophelia approach Hamlet while he and the king hide and monitor his behavior.

Even Polonius, arguably the least intelligent character in the play, realizes that Ophelia is acting out of obedience more than anything else. Ophelia was

at her father’s request. Ophelia exaggerates her love for Hamlet, so her father can prove to the

This is the woman she might have become – warm, tolerant and imaginative. Instead she becomes jagged, benighted and imaginative. . . .Ophelia is made mad not only by circumstance but by something in herself. A personality forced into such deep hiding that it has seemed almost vacant, has all the time been so painfully open to impressions that they now usurp her reflexes and take possession of her. She has loved, or been prepared to love, the wrong man; her father has brought disaster on himself, and she has no mother: she is terribly lonely. (73-74)

Overwhelmed by outside forces and her repressed love for Hamlet, Ophelia is truly a sad and remorseful character in this play, an innocent victim with little essence or depth. An evident victimized woman, ruled by her Renaissance sense of romantic love, it can further be argued that Ophelia was extremely ambiguous. She was too incompetent to decide what she really desired in life. Because she falls in love with Hamlet at a very young age she cannot truly comprehend what love is all about, even though there is strong evidence that Ophelia had sexual relations with Hamlet. Hamlet emphasizes the hypocrisy of his words