The Characteristics Of Emperor Akbar The Great And The Mughal Empire

Many great individuals have existed throughout history, but there are also those people who were the exact opposite of “great”. Akbar the Great and Louis XIV were both significant figures in the period from 1450 to 1750. Akbar the Great of India was born on October 15, 1542, in India while his father, Humayun, was in exile and became emperor at the age of 14 after his father’s death, ruling over the Mughal Empire until his own death in 1605. Furthermore, Louis XIV of France was born on September 5, 1638, to the Hapsburg Spanish Queen Anne of Austria and Louis XIII, king of France. After his father died when he was four and a half, Louis XIV came to the throne and ruled under a mentor until he was the proper age, then continued ruling

There exist three basic components of traditional Islamic art: calligraphy, geometric patterns, and floral and vegetal motifs. These three stylistic tools are beautifully rendered and masterfully integrated into complex works of art, but there is no question that artistic expression is severely limited under these categorizations. However, this limitation stems from Islamic theology and concept of art. The main reason for the limitation imposed on visual art is the Islamic theological prohibition of figural imagery. Social laws presented in the Hadith prevented the representation of figures because any imitation was deemed idolatrous. Also, art is considered to be decorative and imitative. Script and patterns are used to decorate

The Ottoman and Mughal empires were two of the greatest and most successful empires to ever form in history. However, they both had some similarities as well as differences. Both empires went through tough periods of time, but at some point they also went through times of growth and prosperity. Although the Ottoman and Mughal Empire both did not force conversions into Islam, the Ottoman’s development relied on their tough military force, while the decline of the Mughal Empire was caused by Aurangzeb’s policy of religious persecution and high taxes.

The Ottoman, Safavid, and Mughals were all explosive realms. The reason for this paper is to thoroughly analyze the contrasts between these domains.

By comparing The Thirteen Emperors (seventh century A.D) (Figure 1) by Yan Liben (600-673), ink and color on silk, is currently at the Museum of Fine Arts in Boston and Xie Huan (1377-1452)’s Elegant Gathering in the Apricot Garden (ca. 1437) (Figure 2), ink and color on silk, is currently at the Metropolitan Museum of Art in New York. Both artists used the same subject matter (hand roll), and employed a different repetitive process they convey two distinct ideas; the differences between thirteen emperors in Yan and the idea of confucianism in Huan.

It was an extremely innovative, powerful and influential era of art during 14th Century when Olivetan Master started his paintings and manuscripts of Illumination that is presented in the National Gallery of Art. 52 illuminated manuscript pages and 4 bound volume that describes the sacred subjects. It also includes the miniatures dating from 12th to 16th century from France, Germany, Austria, Bohemia, the Netherlands, Spain, and Italy.

Throughout time empires have risen and fallen and taken various approaches in doing so. Some of these society were warlike, while others focused on intellectual discovery. Among these various societies were great empires like the Ottoman, the Mughal, the Spanish, and the Ming. All four of these great empire ruled at overlapping times but all eventually fell for different reasons. All had strengths and weakness and can be used as a learning opportunity for an empire that came after them. From the Ming and the Ottoman you can learn strength such as religious tolerance and government structure. On the other hand, the Mughal and the Spanish teach us the dangers of over taxing and over centralizing government. In order for an empire to successfully function they must have an accepting culture, a balanced economy, and manageable size.

Kleiner, Fred S. Gardner's Art through the Ages: A Global History, Fourteenth Edition, Volume II.

The decline of the Mongol Empire laid ground for the Ottoman, Safavid, and Mughal empires. These three empires all had military strength, Sovereign Pride, Religious commitment, and Aesthetic sophistication in common to varying degrees. The Safavid and Ottoman empires are usually compared because of the wars that broke out between them and their similar attributes. However, this will be a comparison of the Safavid and Mughal Empires.

The Ottoman, Safavid, and Mughals were all gunpowder empires. The purpose of this essay is to compare and contrast the differences between all of these empires mentioned. Each fall into five different categories.

The Ottoman, Safavid, and Mughal societies all relied on bureaucracies that drew inspiration from the steppe traditions of Turkish and Mogol people and from the heritage of Islam, they adopted similar policies, they looked for ways to keep peace in their societies which were made up of different religious and ethnic backgrounds, and they were associated with literary and artistic talents. Military and religious factors gave rise to all three of these empires.

Ever since man began building structures and settling land, art has manifested itself in our architectural creations. Whether it be to celebrate or worship a God or Gods, a grand sculpture to bury a powerful leader or remember them by, or to show a culture’s dedication to specific values, our architectural constructions have led to some of the finest art this Earth has ever seen. The Taj Mahal and Palace of Versailles are two great examples of such art. By examining each of these individually, and then comparing and contrasting them, it will become clear that no matter how different looking these buildings may be, they still serve the same purpose to the civilizations that erected them.

Since the beginning, all empires have faced change in many ways, declining and rising in status. Many empires have collapsed, only to start again under a different name. Like all empires, the three Muslim Empires, the Ottomans, Safavids, and Mughals have faced this inevitable state. Although each individual empire is different, they each have similarities in their reasons for decline. Whether it is social, religious, economic, or political reasons, the empires, like many others, have fallen.

Indian art changed through the years of 1100-1900. Indian art was a world of its own. They varied from color and patterning to storytelling and their beliefs. Indian art work before the 1900 was much more different. Nature was encouraged in the 1700’s by British who went to India first as traders. British East India Company had paintings made for them. Many European painters would go to India would paint for local Hindu rulers, artist who worked on oils mostly. Many talented Indian painters were trained at a European institute that were established in Bombay and Calcutta. The style of 1800’s paintings were still being used in the early 1900’s. Sound Indian artist, Ravi Varma, created oil paintings of Hindu gods. Many of

Throughout the vast history of art, historians can find connections throughout the centuries. Artists from the beginning of humankind have been inspired by the world around them. From the Apollo 11 stones to present day, history and culture have provided inspiration and have been the focus of various pieces. Examining artwork from the 15th-18th century, viewers can be shown a whole world that would be unknown to us without these artist’s contributions. History, religion, and cultural events have sculpted the art world, and we can observe this through many pieces during the 15th-18th centuries.