The Characteristics Of The Mad Hatter

   Mary Shelley's novel, Frankenstein, sheds light on the importance of appearance through the tale of an unwanted creation that is never given a chance by society. Ironically, the supposed beast was initially much more compassionate and thoughtful than his creator, until his romantic and innocent view of the human race was diminished by the cruelty and injustice he unduly bore. Not only does the creature suffer the prejudice of an appearance-based society, but other situations and characters in the novel force the reader to reflect their own hasty judgment. The semi- gothic novel includes several instances of societal prejudice that include the isolation and outcast of Frankenstein's creation,

People’s personalities are not always what they seem. That is the case in Shirley Jackson’s short story “The Possibility of Evil.” The main character is an elderly woman who seems sweet and kind; however, she reveals that she is not sweet and kind. Miss Strangeworth’s character can be analyzed by considering what she does, what the narrator says about her, and how other characters interact with her.

Another very well used literary device in this story is personification. Personification is when an inanimate object is given human attributes. In the specific instance

Mary Shelley’s ability to create such multidimensional characters in Frankenstein proves that writing is a powerful tool that has the ability to provoke vastly different opinions amongst readers. Even though each individual reading the story is reading the exact same words, their interpretation of those words often leads to opposing views in regards to the fate of the characters. The creature, in particular, has been a popular topic of discussion when conducting a close read of the novel due to his arguable versatility as a victim and villain. The concept of the villain has evolved over the years, however its basis still rests upon the simple fact that as a character in the story, their actions are a result of malicious intentions

• What are the characters’ emotions, attitudes, and behaviors? What do these indicate to the reader about the character?

People aren’t always who they seem to be. In ‘The Possibility of Evil,” by Shirley Jackson, this idea is explored in story form. One character, Miss Strangeworth, is the literary representation of this idea; She is polite and nice in person, but at the same time, she anonymously writes hurtful letters that spread false rumors to the whole town. Firstly, Miss Strangeworth’s character can be analyzed by considering what she says and does.

Alienation is a product of society’s inherently discriminatory bias, catalyzed by our fear of the unknown in the realm of interpersonal conduct. Mary Shelley, in her novel, Frankenstein, dissects society’s unmerited demonization of individuals who defy—voluntarily or involuntarily—conventional norms. Furthermore, through her detailed parallel development of Frankenstein and his monster, Shelley personifies the tendency to alienate on the basis of physical deformity, thereby illustrating the role of the visual in the obfuscation of morality.

In Ken Kesey’s novel “One Flew Over the Cuckoo’s Nest”, the nurse Miss Ratched is a fine example of a realistic fictional villain. Possession of three key components is essential in identifying what makes Miss Ratched a villian. Motive is what drives the villain to commit the very acts that allow them to be considered evil in the first place, and often drive their entire being as a character. While they must possess motive, they must also have a sense of morals that coincides with their motives (typically evil, or distorted) and follow their moral compass in a way that often causes trouble for those around them. Additionally, a villain is frequently associated with their opposite; the hero who combats them. Kesey’s character perfectly aligns with these three categories of what makes a villain, and it is unquestionable that she is the villain of the novel.

The narrator in Louise Erdrich’s The Strange People is characterized as a doe, a “lean gray witch” (i, 20) and finally, a “shadowy body.”(i, 25) Her own actions ultimately trigger this transformation, and are further emphasized through three jarring shifts within the poem. Despite portraying the narrator as prey in the beginning, she is not faultless. By placing double meanings on the word “burning,” (i, 6) it allows the self-destructive actions of the narrator to be evident. Also, by juxtaposing the cold and warmth described in the poem, the reasoning behind the doe’s self-destructive actions is explained, and ultimately paints her in a more nuanced light. Even so, her self-destructive actions highlight the consequences resulting from her attempt at self-preservation. She transforms into a “lean gray witch” to save herself, and yet it destroys her self-identity. The poem exposes the bleak yet nuanced consequences of destructive desires and self-preservation, and how even when necessary and justified, leads to the unfortunate loss of one’s identity.

The topic of appearance and judgment is greatly exemplified in Mary Shelley’s Frankenstein as it becomes apparent that

For example, the use of characterization Stoker uses when describing Dr. Van Helsing Leads us to believe that Dr. Van Helsing’s character is very intelligent, even-minded, well-educated,and has great instincts.Without Dr. Van Helsing’s intelligence or level head ,The fate of many characters would have been completely different. It’s because of Dr. Van Helsing that Mina and the others live to tell the story. When Mina was attacked by Dracula and forced to drink his blood,which made her “ Impure”. Dr. Van Helsing uses his intelligence and wit to change her fate. By listening to his instincts the doctor was able to help many people. But even he couldn’t help everyone. Lucy was one of those people. It was believed that Lucy had anemia,but in reality it was the loss of blood caused by Count Dracula that eventually killed her. Even though the doctors couldn’t save her life, something told Dr. Van Helsing that she wasn’t truly free. She was becoming the same thing that killed her, a vampire.By following his instincts, he was able to set her free and bring closure to those who loved her , As well as rid the world of another monster .

When a true genius appears in the world, you may know him by the sign that the dunces are all in confederacy against him, a quote from Jonathan swift a man known as an expert of satire. There couldn't be a better way to start this novel about a person who is convinced of his own genius, and the idiocy of those around him. Yet, at the same time, he is in almost every way the most outrageous candidate for such a suitable name. , this book itself is a spoof. From the techniques toole used to the portrayal of modern society and one of American's greatest writer Mark Twain. The characters are what make this novel, they are all connect by some way or other and end up affecting each other most of the time without even knowing it.

Harlequin characters have acted as a precursor to the modern model of clowns. Within the Italian genre of the commedia dell’arte. Within this genre, the harlequin is a stock character recognized for foolish behavior and stupidity. These traits have traditionally defined the character, and are often the core components of the character’s emotional and psychological depth. However, the figure has been portrayed as a more complex character. A clear contrast between the idiotic nature of the traditional archetype and the psychologically-developed persona is displayed in the differing portrayals in Carlo Goldoni’s The Servant of Two Masters and Molière’s The Imaginary Invalid.

Is someone’s appearance an accurate definition of who they are? Do people’s circumstances affect the way they interact with themselves and others? Are we products of our environments? Arguably, it is human nature to be shaped and formed by our surroundings, to be changed by our environments in ways that we may not expect. The same can be seen in Dr. Jekyll and Mr. Hyde, novella written by Robert Louis Stevenson, and Psycho, a film directed by the renowned Alfred Hitchcock. The basis of both stories is the duality of the mind, and how society molds the alter personality. Thus, in both Dr. Jekyll and Mr. Hyde and Psycho, Robert Louis Stevenson and Alfred Hitchcock use diction and symbolism to illustrate how society shapes an individual’s mind, leading to the creation of two personalities.

Dramatic stories of people with mental health conditions appear pervasively in almost every media outlet, beginning generations ago, and continuing steadily in modern society. These themes--of violent madmen, hysterical witches, insane criminals, and every other generalization of the mentally ill--perpetuate the harmful misrepresentation and stigmatization of mental illness, which is a common element in modern everyday life. One of the greatest factors contributing to this situation today is the presence of said misconceptions in printed media--not just modern works, but also the appraised classics, such as William Shakespeare’s tragedy Macbeth and Mary Shelley’s gothic novel Frankenstein. Even as centuries pass and contemporary society advances, it is evident that ultimately, as the reader analyzes both Macbeth and Frankenstein, definitive British literature strengthens the negative stigma surrounding mental health, as it similarly misrepresents the legitimate issues regarding mental illness.