The Characters Of Draupadi In 'The Mahabharata'

“They wept together, for the things they now knew.”(104) The last sentence of the first story in Interpreter of Maladies, reveals the cruelty of the elapsed romance in a marriage. In the two collections, A Temporary Matter and The Third and Final Continent, Jhumpa Lahiri demonstrates that a marriage can be either uplifting or discouraging depends on the mindset held by the couple and the strength of human bonding. Lahiri emphasizes the significance of mindset and human bondings through the ending of the two stories. The endings of the two stories are polar opposite : In A Temporary Matter, Shukumar and Shobha weeps for the termination of their relationship; The Third and Final Continent, by contrast, the protagonist(MIT) enjoys a fairytale-like

Deception is defined as “the act of tricking someone by telling them something that is not true”. In the play, Macbeth by William Shakespeare, deception is always present and things are not always what they appear to be. In this great work of literature, the three witches; the Thane of Cawdor; and Macbeth and Lady Macbeth are the very embodiments of trickery and show us the true effects deception can have on man.

A reimagining of the world-famous Hindu epic, the Mahabharata — told from the perspective of an amazing woman, Draupadi was a fearless princess of the Hindu epic Mahabharata. The one with an unbending will. The Proud and wrathful heroine of the epic, Draupadi was an enigmatic woman of substance. Draupadi, meaning daughter of Drupad, was known by numerous other names as well. As the princess of the kingdom of Panchal she was known as Panchaali. She is also called Krishnaa because she was dark skinned, fiery eyed and had long, black hair. This name was given to her by her friend Lord Krishna.

He is an award winning historian and travel writer. His area of interest includes the history of India, Pakistan, Afganisthan, the Middle East, Mughal rule, the Muslim World, Hinduism, Buddhism and Jains. Most of his books have won literary prizes. His books are travel and historical accounts. His books have been translated into 30 languages. He is a regular contributor to ‘The New York’, ‘Review of Books’, The Guardian, ‘The New Statesman’, and The New Yorker’. He has also written many articles for Time Magazine. He wrote an essay ‘Business as usual for the India Charges Ahead’. It was a special issue commemorating 60 years of Indian Independence. To bring accuracy to his writings, he juxtaposed the literary and non-literary sources and to provide meticulous material with no single error, he reached to the places that were referred in the sources. He enquired the people of that area and provided direct word and eye witness. One of the books that analyze and interpret the present society is ‘The Age of

Chitra Banerjee Divakaruni highlights the differences between Indian and American culture in her collection of short stories, Arranged Marriage. Each tale utilizes a different narrator, whether it is first or third person narration, to highlight the struggles women face in all arranged marriages. Many of these women live in America, yet India’s strict moral code still burdens them. In “Doors”, Preeti struggles to balance her American beliefs with the Indian beliefs of her husband, similarly to Anju, who wonders if her life and pregnancy would be different if she lived in India throughout “The Ultrasound”. In “The Word Love”, a woman must confront her situation and push her boundaries. Divakaruni shows the highs and lows of arranged marriages, proving that I would not thrive in a commitment made without my input.

The dominant idiom of Indian writing today is firmly entrenched in pain, anxiety of displacement, nostalgia, yearning to belong to roots, and so on. Arundhati Roy’s The God of Small Things and Kiran Desai’s The Inheritance of Loss are two such novels that explore the tragedy of man on several levels using different perspectives. Both the novels are about averted culture-clash tragedies, homogeneity vs. heterogeneity, and about Indian sensibilities.

One way to make the audience or the reader question perception is to create a visual deception. Shakespeare and the Gawain poet use disguise to create visual deceptions in

Bharathi Mukherjee’s later novels Jasmine(1989), The Holder of the World(1993) and Leave It to Me(1997) comprised her last creative phase conveniently termed here as the phase of immigration. By now she has travelled a long distance in terms of thematic perception and character portrayal. Beginning with an expatriate’s uprooted identity in the early 70’s, her creative faculty explored the transitional dilemma of characters in early 80’s, whose acculturation bids were occasionally thwarted by the complexity of cultural plurality in the adopted land. However, after the publication of The Middleman(1998), the process of cultural acclimatization appears to be complete and the characters betray the confidence of an immigrant, almost a naturalized citizen, in facing the challenges of human life.

The Diasporic clan of writers express their unquenching thirst to return to their native country and they capture in words the alienation they face in their own land after their return. Divakaruni is no exception. Her works overflow with immigrant sensibility, longing for the day of come back. These fine fragile feeling of intense pain and frustration could be brought out by analyzing the narrative style of the stories. In the story titled “The Love of a Good Man” from the anthology The Unknown Errors of Our Lives, spun on the intricate fabric of family, the family members, their cultural variations, etc. Memory also plays a vital role in her stories as the characters move back and forth through their memory lane.

Ashoke Ganguli, a Calcutta, India native and father of two American-born children plays a significant role, despite not being the protagonist of The Namesake. From the start, Ashoke struggles with balancing both Bengali and American cultures in his family life. Thus, his children grow up torn between their Indian roots and their Americanized mindset, particularly his son. Although the novel revolves around his son, Ashoke’s character kindles a major theme and informs the readers about the difference between the cultures and settings in the book. Hence, Ashoke is categorized as a character who takes on a major role in the work as a whole.

”xiii Indian society is no different when it came to what they expected of their women. In a song composed by a Buddhist nun Sumangalamata, the composer exclaims of her new freedom. She defines herself as “a woman well set free!” and explains that she is free “from kitchen drudgery” and free “from the harsh grip of hunger, from empty cooking pots, (and most importantly) free too of that unscrupulous man.

There are many who believe that it was her headstrong actions that brought about the destruction of the Third Age of Man and she is known to be a Kritya, one who brings doom to her clan. But Chitra Banerjee moves away from such interpretations to provide a new outlook on Draupadi. She portrays Draupadi as a powerful, strong and independent woman, an equal to the men around her, rather than subservient. The novelist presents Draupadi‘s life as a series of choices made by herself, and not by her written fate. She is the one who writes her own story and gives herself a voice in the overwhelmingly patriarchal society in ancient India. She is the protagonist of her

On a regular day basis, we encounter many individuals and wonder if they are truly what they claim to be. The theme of appearance versus reality is used in various literature, and is used to determine a person’s character in real life. In William Shakespeare’s Hamlet characters are based on facade and the reality is rarely seen. The illusion love shown through Polonius and Claudius.

This report is based on an interview of Pramodeya Ananta Toer which explains the background thought processes of his four book series the “Buru Quartet” however the references taken shall be based solely on the first book of the quartet “This Earth of Mankind”.

Literature is the reflection of the society. It has major impact on the development of society, political system, culture, and civilization. Manju Kapur,in her novel presens the problem of the Indian women in the male- dominated society. Manju Kapur vividly shows the importance of education and freedom for Indian women. Through the character of Virmati, the protagonist of the novel, Manju Kapur makes the society aware of women's inner conflict and the cultural diversion in their life. She proves herself that there is no hierarchical division from male to express her 'self'. The women characters in this novel have explored themselves to establish an identity, not imposed by the male patriarchal society. Based on these perceptions many Indian