The Characters Of Oedipus Rex By Sophocles

Oedipus’ pride and a heightened sense of confidence is very conspicuous throughout the play Oedipus Rex. From the beginning of the play, Oedipus accepts the idea that he can avoid the prophecy given to him by the gods. Oedipus is also seen interrogating Creon and attempting to banish him with Tiresias towards the end of the play because they are saying facts corresponding to the prophecy. He tries to become like a god himself by thinking he could control his own fate. Although Oedipus’ pride can be justified by his accomplishments of being king; the tragedy of Oedipus is the pure result of his overwhelming pride because he killed his father, mocked Tiresias, and blinded himself.

Oedipus wanted proof that he was his father’s son and stopped at nothing to get the information. We as humans are incredibly insecure by nature, that is the way we were created. We also never want to admit when we are wrong, Sophocles knew this and thus wrote Oedipus Rex to show us just how insecure we really are. Oedipus knew things were being said

621 ln. 149-150) after Creon tells him why they stopped searching for Laius’s killer. Dramatic irony is present when Oedipus tries to skirt the horrible prophecy of him killing his father and coupling with his mother, because in fleeing Corinth to avoid murdering Polybus, he is actually taking the correct path to fulfill the prophecy. Again his overconfidence and pride contributes to his impending doom; in believing that he has outwitted the gods he challenges his fate. Although he has enough reverence to the deities not to assume himself to be an equal with the gods, but greater than them it is clear through the word usage that Oedipus perceives himself to be of a greater importance than the lesser mortals that surround him “One of you summon the city here before us, tell them I’ll do everything. God help us, we will see our triumph-or our fall” (p. 621 ln. 163-165). He is conceited to think that he can shape his own destiny and the gods punish him for this arrogance.

In Aristotle's work, the tragic hero can get caught up by hamartia which ends up leading him to his downfall. In Oedipus the King, which is a tragic play that is written by Sophocles it shows King Oedipus having many different flaws that are under the protection of hamartia that include madness, stubbornness, and pride that soon that end up leading to his final death. Oedipus shows an attitude of stubbornness during the progression of the play. Oedipus' stubbornness is uncovered early in the play when Tiresias who is a prophet of Apollo, mentions to Oedipus to terminate the investigation of Laius' killer. Oedipus quickly disagrees with him, he wants to find the man who murdered Lauis and brought the plague upon Thebes. Oedipus states, "By all the gods, do not deny us what you know. We ask you, all of us, on bended knees." Tiresias' persistence to withhold the truth is demolished by Oedipus' stubbornness and madness. Tiresias surrenders to Oedipus' stubbornness and states the truth which outrages Oedipus; "...The murder of the man whose murder you pursue is you." Oedipus stubbornness is so overpowering that he disregards Tiresias' bluntness without even a slight thought. Oedipus' statement, "To your heart's content. Mouth away!" which obviously shows his stubbornness when he disregards Tiresias' prophecy and regards it as gibberish. Oedipus' stubborn persistence will ultimately lead to his mother's death. At the end of the play Oedipus becomes aware that he was adopted and instantaneously investigates his origin. Jocasta, Oedipus' wife hesitantly encourages Oedipus to end his identity search, fearing that Oedipus would learn of his shameful sins of killing

Many people believe that fate has planned out their lives and despite efforts on their part what was meant to happen, will eventually happen. This belief has been handed down over the centuries from some of the first civilizations, such as the Greeks. However, not all Greek citizens wanted destiny to take control of their lives. Some decided to choose freewill over the will of the gods. In Oedipus the King, Sophocles writes a cautionary tale meant to warn the doubters in Greek society that regardless of their beliefs in gods and prophecies, it is necessary to heed their warnings. Oedipus, Jocasta, and Laius are Sophocles’ characters that prove that escaping one’s fate is not possible, as each of their predicted fates is realized despite extensive efforts to thwart them.

In the trilogy of Oedipus, Sophocles constructed an enthralling family dynamic that induces central themes throughout the play. In numerous works of literature, family relationships engage in the central message of a piece of work. In Sophocles three plays, specifically interconnection between siblings and parent relationships create, refines, and complicates themes of power, love family, pride, and extreme fate.

Benjamin Whichcote once said, “None are so empty as those who are full of themselves.” The words ring true through the character Oedipus whose tragic flaw of arrogance brought his downfall. In his timeless play, Oedipus Rex, author Sophocles unflinchingly illuminates the haughtiness and hubris displayed by the hero Oedipus. Through his candid exploration of the ship/captain and light/dark motifs, Sophocles makes an effort to ultimately bring the reader to the realization that arrogance creates an illusion to the truth and the potential dangers such pride poses for both the guilty party and those for whom the arrogant are responsible.

plague of Thebes, a historical epidemic in Sophocles' Oedipus Rex." Emerging Infectious Diseases, 18(1): pp. 153-157. Web. Retrieved from: http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3310127/. [Accessed on 24 September 2012].

Oedipus rises as a hero, but eventually loses his power when he faithfully commits to terrible deeds. Jocasta, the wife and mother to Oedipus, doubts that the oracle of Apollo is genuine. Since she and her previous husband, King Laius, left Oedipus to die in the mountains, they refuse to believe the oracle. She claims that “ ..It was fate that he should die a victim at the hands of his own son, a son to be born of Laius and me. But, see now, he, the king, was killed by foreign highway robbers at a place where three roads meet” (Sophocles, 493: 791-796). Despite Jocasta and Laius’s intentions to change their fate, the prophecy remains unfeigned. The fact that Oedipus is alive even after being abandoned, is evidence that their fates are

Oedipus Rex is a form of literature that teaches life’s simplest lessons that people have trouble accepting today; the truth will always find its way out. Oedipus was just an ordinary man, raised by who he thought were his real parents, was strong and clever, saved the city of Thebes from the Sphinx and became the king. Though Oedipus might’ve seemed like a hero at first, accusations were made against him about the murder of King Lauis and that’s where everything unraveled. No matter how hesitant and neglective he was discovering the truth, it all started making sense to him. Oedipus had no idea he married his own mother and had kids with her as well. However, Jocasta thought she could outsmart the prophecy by sending Oedipus to his death, as a baby, but the messenger and the Shepherd saved him and Oedipus’s destiny had yet to come true. This proves that one cannot stop something from happening, and cannot hide from the truth

The Greek tragedy of Oedipus the King, written by Sophocles, was able to generate such a noteworthy impact as a result of the audience’s previous knowledge of the characters and their fate. As a result of this circumstance, Sophocles was able to make a compelling use of irony and allusion. All throughout the play, Oedipus the King, Sophocles builds the entire story using dramatic irony. Despite Oedipus’s unawareness of his identity and his fate, Sophocles uses dramatic irony to let the readers know who Oedipus truly is and to foreshadow the events which unfold throughout the story. Sophocles uses many different scenes throughout the play that portray dramatic irony. Although, the three most important are Oedipus’s curse towards himself, Oedipus’s insult to Tiresias, and the fortune-teller’s prophecy about Oedipus.

Jocasta rejoices, convinced that Polybus’s death from natural causes has disproved the prophecy that Oedipus would murder his father. At Jocasta’s summons, Oedipus comes outside, hears the news, and rejoices with her. He now feels much more inclined to agree with the queen in deeming prophecies worthless and viewing chance as the principle governing the world. But while Oedipus finds great comfort in the fact that one-half of the prophecy has been disproved, he still fears the other half—the half that claimed he would sleep with his mother.

Over the extensive history of the theatre arts, most of the many plays and productions fall into unique categories in regards to structure. The two most simplest of the structural categories are climactic and episodic. A climactic structure, or alternatively known as an intensive structure, contains a play in which all components are restricted as the main conflict in the story commences late into the play and only a little time passes until the story occurs. Everything is restricted to a few components. There are not as many characters, scenery change and very limited amounts of action. climactic structures focuses heavily on the climax in contrast to other structures. One notable example of a climactic performance is Oedipus Rex by Sophocles. The story of Oedipus is that of tragedy and despair as Oedipus and his family are unable to escape the fate that Oedipus has had since birth. The exposition and starting action (in this case, the events that led up to him to being king of Thebes) occur before the play and is only ever talked about. The play only takes place in the castle and has only four primary characters. Ultimately, Oedipus Rex only takes place within a day and primarily focuses on the realization and aftermath of the story of Oedipus and his sins, or the climax. All these components that define a climactic structure of production are found in the aforementioned play by Sophocles, strengthening what a climactic structure is and the vast potential a climactic play

When demanded the answer as to who the murderer was,Tiresias told Oedipus that he, was the “defiler of this land,”(30).Essentially, Tiresias was telling Oedipus that he was the unclean that needed to be driven out of the land. Angered, outraged, and confused, Oedipus could not accept this truth of hearing he was the murderer, and further insulted the blind prophet.Similarly, Oedipus’s pride falsely led him to think that he could escape his fate that he was told about in the prophecy. While in Corinth, Oedipus went to a shrine of Apollo, where he was told a prophecy in which he would marry his mother, have unnatural children, and murder his father. “The oracle of Phoebus Apollo said that I/ Must kill my father, lie with my mother. /This drove me out of Corinth. I regret nothing - /I have married happily, raised a family, known the sweetness of power” (61). Oedipus believed that since he escaped his “parents” from Corinth, he escaped his fate and was free of murdering his father and marrying his mother. Because he did not believe in oracles nor know Laius was his father, he was certain at this point that he indeed was not king Laius’s murderer, despite Tiresias’s words. As the tragedy unfolded, it showed further evidence that he had fulfilled the prophecy. Oedipus’s pride, which was once seen as favorable to him, destroyed him in the end.

Tragic hero could be said to be someone that has had a tragic flaw that leads to the hero's death and also helps the reader to sympathize with the character. Oedipus is a classic example of a tragic hero who had many flaws on the surface, such as the lack of self-knowledge, curiosity and pride, and the wisdom gained at the end.