The Charater of Shylock in Shakespeare’s The Merchant of Venice

The merchant of Venice is a drama and romantic play, by William Shakespeare. Regarding the test for the suitors and the final part of the book, the author is inspired by a fourteenth-century Italian novel of Giovanni Fiorentino, called “Il Giannetto”, (Bullough, 1957). The merchant of Venice is believed to have been written between 1596 and 1598. It is contained on the First Folio, in the contents of Comedies, sharing certain aspects with others plays. That one traditionally ends with the positive return to order expected from the genre, it also has some characteristics of a tragedy, in particular with regard to the punishment and the oppression that are suffered to Shylock Jew. The peculiarity is the title of this book, “The Merchant of Venice”, in fact, it refers to the character Antonio, and not Shylock, a moneylender, which has a pivotal role in this play. One possible reason is that by calling “The Merchant of Venice”, Shakespeare wanted to focus the attention of the readers, on the

In ‘The Merchant of Venice’ Shylock is very strong minded and is singled out of the play because he is a mean Jew that charges interest. Shylock is very stubborn and determined to keep to his bond; a pound of flesh of Antonio.

Shakespeare engages a modern audience through the character Shylock. Shylock in The Merchant of Venice is the antagonist of the play and is subject to sequences of misfortune, much to the delight of the Elizabethan audience. However, in a modern context we show slight feelings of sympathy towards him as a result of today’s ideologies. Upon meeting Shylock we see that his religious standing puts him in an isolated position against the Venetian society. A line is recited

Wealth, therefore, has a flimsy grasp on romance that can easily be overcome with genuine affection. The same is true for Jessica, who steals her father’s gold before she elopes with Lorenzo. After discovering this, Shylock cries out, "My daughter, O my ducats, O my daughter!" (II.viii.15). By associating the antagonist with twisted ideals, Shakespeare creates a stark contrast between the corruption of wealth and the genuineness of love. This contrast reiterates the superficiality of wealth and suggests that its overemphasis can lead to corruption and decay in a relationship.

In The Merchant of Venice, Grudges and Personal Rivalries in the trial scene has clearly been expressed with Shylock and Antonio. The central part and the twist of this novel are primarily caused by the rivalries between Shylock and Antonio. The “merry bond” that Antonio signed to help his dearest friend, Bassanio, was the main reason of the trial scene. According to Antonio, “Content in faith. I’ll seal to such a bond, and say there is much kindness in the Jew” (1.3.163-164) The bond which Antonio had willingly accepted was that if he failed to pay back 3 thousand ducats in 3 months, Shylock had the right to cut a pound of flesh from his body. As Antonio was a rich merchant and had plenty of ships coming in, with 9 times the money of the loan, he found no difficulty in accepting the bond. However, times were unfortunate for

Shylock is a character famously known as being the antagonist of Shakespeare’s play merchant of Venice. In this play, Shakespeare portrayal of Shylock the moneylender is one of anti-Semitic stereotype. Shylock is depicted as a typical bloodthirsty Jew who lives a life void of any depth or meaning. His sole purpose for living seems to be to amass wealth and vengeance as seen from his adamant claim for his “pound of flesh”. Despite Shakespeare’s attempts to humanize Shylock at points in the story, it appears that his primary focus is to steer the audience against Shylock, painting him as being a cruel, bitter and inaffable figure. It is clear that in both Shakespeare’s merchant of Venice and Grace Tiffany’s Turquoise Ring, Shylock exposes

Shylock is punished by the Venetian court for seeking to end Antonio’s life. He is charged under a Venetian law (of Shakespeare’s creation) and he is forced to give up his wealth and to beg the Duke to spare him his life. Viewed like this it seems simple enough; Shylock broke a Venetian law and, as a consequence, is punished. However, Shylock’s case is far from simple. Antonio’s demand that Shylock should renounce his Judaism and become a Christian and his insistence that Shylock should will his money to the Christian

In a book or play, it is usually very easy to distinguish who the victim is and who the villain is. The villain usually causes all the problems in the story line and the victim is the one who suffers in result of the villain’s actions. In the play The Merchant of Venice by William Shakespeare, we examine the life of Shylock as a victim. It is seen through three main events in the play. Shylock is ridiculed by his community and his family, he is betrayed by his daughter and the community he lives in, and he is forced to lose all his wealth.

Stereotypes for every different religion, ethnicity, culture, and gender exist among the minds of the human race. These typecasts have ruled this world for as long as there has been diversity among people. In Shakespeare’s comedic tragedy, The Merchant of Venice, one prejudice is very central to the theme. The play is dominantly set in Venice, one of the most liberal cities of the Renaissance era. In this place and time period, anti-Semitism is very much in force. The Jewish people are discriminated against and treated terribly by the Christians living in Venice. Shylock, a wealthy Jew, is mercilessly spurned many times by men like Antonio, a Venetian merchant. In contrast to this blind hatred is the longing and lust associated with

Throughout the play Shylock is presented in different ways: a victim who lives in a prejudice and intolerant society, a villain who deserves scorn and rejection and a tragic figure who has admiral traits worthy of respect but destroys himself by giving in to his flaws and weaknesses. This

He declares, "I'm very glad of it. I'll plague him, I'll torture him, I am glad of it." (3, 1, 115-116) At the end of Act 3, scene 1, Shylock's true motive is revealed. Shylock says, "I will have the heart of him if he forfeit, for were he out of Venice I can make what merchandise I will." (3, 1, 125-127) All these comments clearly attempt to paint Shylock as a money-worshipping murderer and not as a person.

Shylock finds joy when roles are reversed, causing people to beg for his mercy. Throughout the play, Christian characters were racist to him, they were constantly disrespecting him due to his Jewish background. However, in Act III Scene III, roles are reversed when their racist antics turn into mercy. The characters want to save Antonio from being harmed, and so they beg Shylock to change his mind:

His hatred for Antonio is also obvious and it is so strong that he refuses all offers of money so that he can cut off a pound of his flesh. In Act 3 Scene 1 Shylock makes his famous “Hath not a Jew eyes?” speech, and it is probably at this point that the audience

In Act 2 Scene 4 Jessica decides to leave her father and her home to elope with a Christian man Lorenzo. This strengthens the concept of Shylock being a heartless villain because his child feels she must leave without a word of her desires. This shows that Jessica knows that her father would not listen to or consider her feelings for Lorenzo so she must steal and run away from him. On the night she leaves she says with little remorse ‘Farewell; and if my fortune be not crost, I have a father, you a daughter, lost.’ This shows that her childhood was not happy and that she was ‘ashamed to be her father’s daughter’. This is further evidence of Shylocks heartlessness.

Shakespeare characterised Shylock in such way that he highlights the inequalities of him, them being ungrateful, vengeful, and religious intolerance. As each is explored Shylock is directed towards a harmful act to deem his vengeance upon his greatest rival, Antonio. Shakespeare’s idea in the play tells us mercy is preferable to revenge. In Act 1, Scene 3