`` The Cherubim And Seraphim Church ( C & S ) Essay

“Roll, Jordan, Roll”, “Nobody Knows the Trouble I’ve Had”, “Go Down, Moses”, and “Wade in the Water” are the titles of only a handful of what were called “Negro Spirituals”, which originated during the reign of slavery in the United States (Frey). Such spirituals used call-and-response, a method of communication that was popular with slaves who brought African traditions to America, and gave way to the gospel music and unique form of preaching characteristic to the Black Church. The history of the Black Church, which began during the slave era, demonstrates the way that African Americans found refuge in Christianity, where the church became the center for African American communities (Baer). Born out of struggle and oppression, the Black Church not only became the focus for the religious practices of African American communities, but also worked to “re-member” the community through rituals such as that of call-and-response, a core element of the Black Church which served as a powerful tool for the African American community in the fight for the exercise of true freedom in America.

Black religion was no longer regarded as exemplary or special. During a time of growing segregation and violence, some black leaders attempted to counter this perspective seen by whites by embracing the romantic racialist notions that “blacks possessed peculiar gifts.” These gifts being directly connected to the importance of black churches in a time of direct exclusion of blacks from other pieces of society.

The book was very well put together with principal concepts, but it was not always easy to follow and some sections had to be read twice for clear comprehension. The message could have been portrayed using straightforward writing that would enable undergraduates and others that are not seeking higher levels of education to process the information. In simpler terms, this book can be essential to pastors, for personal relationships, and other professions if the language is simplified and made more user-friendly.

In Zora Neale Hurtson’s ethnography, Tell My Horse (1938), she uses her research and field notes from her year in the Caribbean islands to study how the political atmosphere and culture tie into the religion of Vodoun. Being one of the first in her field to study this religion, Hurston hoped to expand research upon the subtle nuances within the African diaspora and increase the people of Caribbean’s acceptance of their African identity. In doing so, Hurtson found her research discouraged the idea of Pancaribbeanism and diminished stereotypes of Vodoun being a religion based upon only evil possession and pagan sacrifice.

I sat down at my kitchen table with Michael Bruxvoort, a friend and fellow Tar Heel at the University of North Carolina at Chapel Hill on October 25th, 2015. We laughed and talked about his journey through life and all the memories, obstacles and pleasures along the way. Among the many topics we spoke about, the ones that seemed most relevant to him and myself were: the family dynamics of religion within his household, his process of religion through secular spaces and lastly, his transition to Chapel Hill, NC and making it his home. Our conversation through Michael 's life shows how his faith has shaped him to be the man he is today. Through this paper, I will explain and analyze these topics in hopes of better understanding geographies of religion.

Choose one of the main lwa discussed by Karen McCarthy Brown and discuss its Vodou theology – that is, its sacred persona, mythic biography, special powers, specific characteristics, ritual practice, and so forth. Situate this lwa in relation to his or her Black Atlantic history in Haiti and beyond. In what ways does the imagery associated with this lwa reflect the confluence of both history and mythology – in other words, what is this law’s mythistory? Then examine the place of this lwa within Mama Lola’s religious practice: what role does it play in her life? How does she relate to and serve this lwa? Has the role of the lwa changed in her experience over time, and if so, how?

These African religions are extremely important to many who wish to recognize their “roots.” In earlier centuries these “foreign” practices were banned by slaves attempting to hold on to their culture, and over the years they have come to represent a sense of liberation and freedom to be African (Brereton, A History of Modern Trinidad). Overall nowadays the country's differing religious groups coexist and generally respect each other's beliefs and practices. People of one faith openly participate in celebrations of another faith [www.state.gov.htm].

In the biography, Mama Lola: A Vodou Priestess in Brooklyn, written by Karen McCarthy Brown introduces Mama Lola, or Alourdes, a Voudou priestess whom she met while working on an ethnographic survey (1). The book discusses the dynamics of Haitian Vodou and its importance in the lives of its practitioners. Voudouists serve the spirits and one particular group of spirits; the Ezili is a family of many spirits but three specific spirits that are examined. These three spirits: Lasyrenn, Ezili Dantó, and Ezili Freda act as parallels for Haitian women, like Mama Lola.

Chrisleine Temple is an eighteen-year-old student at Williams College from Sierra Leone. Before coming to Williamstown, she participated in Pentecostal services with her family every Sunday morning “unless on her death bed” and attended a Jesuit preparatory school. Asked about the presence of a God in her life, she told this story:

In his novel Things Fall Apart, Chinua Achebe introduces his readers to the Nigerian village Umuofia and its culture through the protagonist, Okonkwo, a well respected Umuofian leader. Umuofian culture is centered around pleasing and respecting spiritual life. Everything within this culture and religion has a specific order; however, the Umuofian culture ultimately reaches its demise when Evangelists arrive to convert the Umuofians to Christianity. As seen through the events that transpire in this novel, from Nwoye leaving his family to letting the osu have a place in society, religion has the potential to both build and break a society. Specifically, religion has the power to break apart families, introduce new ideas into society, and bring hope into one’s life.

The African Methodist Episcopal Church also known as the AME Church, represents a long history of people going from struggles to success, from embarrassment to pride, from slaves to free. It is my intention to prove that the name African Methodist Episcopal represents equality and freedom to worship God, no matter what color skin a person was blessed to be born with. The thesis is this: While both Whites and Africans believed in the worship of God, whites believed in the oppression of the Africans’ freedom to serve God in their own way, blacks defended their own right to worship by the development of their own church. According to Andrew White, a well- known author for the AME denomination, “The word African means that our church was

History shows that both Africans and African Americans alike faced unique problems prior to and during the 1800's, particularly prior to 1865. One such problem is the issue of Diaspora and how culture and slavery has affected the choice of religion. It is the purpose of this paper to expose comparatively the extent to which individuals have been influenced by these issues. One such individual is Olaudah Equiano. By following and analyzing some of the key moments of faith in his life, this paper seeks to expose the extent to which the series of controversial dialectical incidents that happen throughout his early life, i.e., his cultural African religious traditions

These three perceptions are distinctly different, but ultimately speak to the contextual nature of Black theology—rooting worship, adoration, and discipleship within the notion a (conscious) living G-d. The first perception explored is the image G-d adored through the lens of Sister Sweet and Mother Darling. At first glance, these women appear different in life style and theology—different churches, different abilities, and different approaches to discipleship. But upon further examination, one discovers the same paradigm at work. Both have lost children to AIDS. Both have committed themselves to a praxis centered theology to process their loss. Mother Darling is street missionary and Sister Sweet is a disabled woman confined to a wheel that feeds the birds and attends to the needs of the Little piece of Heaven Church. Both have found peace in their personalized work for the Lord. Their G-d is a “shelter in a time of storm.” The second perception is the image of G-d as seen through Deacon Zee. This G-d is one of salvation and complacence for Deacon Zee. The “White Jesus” he prayed to for his assistance in finding his copy of the Wall Street Journal—a nuanced symbol for prosperity. This G-d speaks to the corporate nature and element of

Although this information on Liberation Theology is essential to understanding of this concept, the focus of our presentation, in relation to our class, was Black Liberation Theology. It is easy to see how African Americans relate to the idea of Liberation Theology, as a historically socially oppressed group of peoples. The encompassed theme of Black Liberation theologians is the concept of God emancipating African Americans from white racism. Jesus in Liberation Theology is commonly represented as a ‘Poor Black Man’, therefore allowing the representation of a relatable figure for the African American people. One way in which we felt the concept of Liberation Theology come together with class discussion, was in relation to the Black Liberation Theologian, James Cone, whom we had previously discussed in class time, leading up to this presentation.

Gonzales, Justo L. The Story of Christianity: The Early Church to the Present Day. Peabody,