The Chorus Of Sophocles ' Antigone

In “The Greek Gods” from The Romans Anne Millard and Susan Peach describes that the Greeks had monthly festivals for the Greek gods. Their goal was to persuade the gods to grant their wishes. Some families were so religious to the gods

In Antigone, Antigone and her sister Ismene return to Thebes in an attempt to reconcile their brothers—Eteocles, who was defending the city and his crown, and Polyneices, who was attacking Thebes. However, both brothers were killed, and their uncle Creon became the king. He forbade burial is the corpse of Polyneices, declaring him a traitor. Antigone, moved by love for her brother and convinced that the command went against the law of the gods, she buried Polyneices secretly. Antigone lines 72-74 “And if I have to die for this pure crime,/ I am content, for I shall rest beside him;/ His love will answer mine”. It was Antigone’s fate to die after burying her brother. It also was her fate to be Oedipus’ daughter/sister.

A chorus is a common element to Greek tragedy’s and in ancient theatre consisted of a group of people who provide a number of different contributions to a play, providing a historical perspective, acting as counsellors and advisors to the plays characters and at times representing various groups such as villagers or a jury. Within this essay, I will consider the main contributions of the chorus within “The Burial at Thebes”

Antigone is the sister of Eteocles and Polyneices. Both Eteocles and Polyneices agree to jointly rule Thebes as mutual kings. After one year, Polynices distrusts his brother, resulting in Polyneices fleeing from Thebes, only to later return with an army. In the battle, both sides are massacred. Eteocles and Polyneices kill one another, consequently giving their power up as king to in Creon, Antigone’s uncle. As acting king, Creon orders that, “Eteocles who died as a man should die, fighting for his country, is to be buried with full military honors, with all the ceremony that is usual when the greatest heros die” (Sophocles, line 160). As for Polyneices, Creon passes a law for Polyneices to be left unburied, to rot for every citizen to witness. Antigone viewed this law as immoral and unjust, for one brother to be buried with military honor and not the other. Antigone, expressing her love for Polynices, rises against Creon's higher authority command

Greek theater encompassed many aspects that reflected the moral values and ideals of society. Their customs were tightly woven into the scripts of plays. Antigone and Oedipus the King, two renowned works of the Greek playwright Sophocles, explore these values through a plot thick with corruption, virtue, and determination. These plays reveal the burdens two Theban kings, Oedipus and Creon, as their lies and poor judgment corrode the integrity of their city, their families and themselves. Possessing a strong faith in their respective gods, the characters of these Greek plays are often led astray as they try to escape the twisted hand of fate, further warping their perception of reality. As their vain

Like his other work Oedipus and the King,it was devisied to bring back belief to the traditional gods and the like.Similar to Oedious and the King, excessive pride is a major part in Antigone.In the plays pride [excessive pride] is abhorred.A person with hubris is severly punished by the gods.

The moral compass of planet Earth intends to point north at all times. This isn’t always the case. People make mistakes, and others immediately judge their decision. Are they right, or are they wrong? If they are right, then perfect -- no harm done. If they are wrong feelings of guilt and shame may overcome. It is at this moment in time where the wrongdoer needs to make a decision in accordance to their actions. In an excerpt from Antigone, by the classic Greek playwright Sophocles, the wise Teiresias observes, “Think: all men make mistakes, But a good man yields when he Knows his course is wrong, And repairs the evil: The only Crime is pride.” Teiresias statement is valid. The time period in which this poem was written does not remove its

The Ancient Greeks believed so fully not only in the existence of their Gods but in their Gods tendency to play an active role in mortal life that this belief percolated into the narratives of their art. In Antigone, the chorus personifies Death in the first stasimon and places it in opposition with man in order to foreshadow Creon’s tragic downfall.

In “Antigone” by Sophocles, a famous ancient Greek tragedian, the main character, Antigone, demonstrates a prohibited action in a strict, male-dominated society. Greek civilization upheld strong values and rules that were designed to enforce orderly behavior among its people. There were state laws created by the King, Creon, and divine laws created by the Gods. Divine law was superior to the king laws, and if that rule was disrupted, eternal consequences could ruin an individual. In this society, men were mighty, powerful, and in control of the kingdom. Women were traditionally treated as an underclass with no voice or power. Women were restricted from performing any masculine jobs, holding high civilization positions, and disobeying men. Although Greek civilization had strict standards for women, Antigone challenges the law through her actions in order to satisfy the Gods because it is what she thought was the right decision.

The chorus is an essential feature of Greek classical drama. Instances of various types of dance, singing, and speech are some elements of a Greek chorus. “Composed of similarly costumed men, they performed on the orchestra located beneath the stage. The chorus stayed in the orchestra for the duration of the performance from which vantage point they observed and commented on the action of the characters.” Oedipus is a play written by Sophocles, a respected playwright, and it is “generally assumed that the main function of the Sophoclean chorus is a philosophical one; that it serves above all as the spokesman for a certain view of life.” The chorus can be dramatic in the following ways: “through the personality of the group forming the chorus and the appropriateness of their relationship to the action and the characters, through the iambic lines spoken by the coryphaeus, through physical participation in the action and through the choral songs.” The chorus is an important component of the Greek Tragedy Oedipus. Aside from its responsibility to effectively represent the people of Thebes, the chorus in Oedipus has a powerful influence over audience perceptions and emotions.

trying to imply through his work. Sophocles and other dramatists use "the chorus" as a notable element to portray an

He was the most famous dramatic poet of Elizabethan age. His non-dramatic poetry consists of two narrative poems Venus and Adonis and The Rape of Lucrece and a sequence of 154 sonnets. Shakespeare was not only a great dramatist, but also as a great poet who with the use of his melodious words and sheer imagination have made an everlasting name in literature.

A final cultural difference is the importance of the chorus and its use in the plays Agamemnon, Oedipus, and Medea. The chorus was not highly involved in the action of the plays. In general, the chorus’ main functions were to create a psychological and emotional background to the action through its odes. It introduces and questions new characters, as well as point out the importance of events as they occurred, to establish facts and avow the outlook of society. Finally, the chorus covers the passage of time, between events, and separates episodes (Calder 21). Within the play Agamemnon, by Aeschylus, the chorus represents the voice of wisdom of the city as well as its limitations (Novelguide). The chorus’ limitations are clear when they fail to

In Ancient Greece religion and theater went hand in hand. The Greeks developed religion that was based on worship of many Gods. In honor of the Gods there were festivals with dancing, music, and theatrical performances. During the festivals the whole city would come to a complete stand still. All businesses were closed, politics were put on the back burner, and wars were halted. All social classes were welcome to come to the festival, and they all did. One of the most famous religious festivals is the City Dionysia, a festival in honor of the god Dionysus, god of wine, revelry, and fertility. The festival was held in ancient Athens, in March for five days, featuring dramatic competitions. These dramatic competitions consisted of dithyrambs, tragedies, comedies, and satyr plays. The tragedy competition was four plays per playwright, three tragedies and one satyr play. There were two processions; the first was carrying the statue of Dionysus from the temple to the theater of Dionysus at the foot of the Acropolis. The second were the patrons parading through the

In answering this question, I will look at the question in two ways. Firstly, I will look at the role of the chorus objectively, examining the basic role of the chorus in the play, and looking at the role of the Chorus as Sophocles would have intended the role of the Chorus to be understood. However, I will then look at how I think the Greek audience would have perceived the role of the Chorus and then how the role of the Chorus is perceived today by a 20th century and examine the key differences in the two different sets of perceptions. Finally, I will look at the importance of the role of the Chorus to a 20th century audience and a Greek audience respectively.