The Chrysanthemums Symbolism

If he gave her any personal praise, as a woman of distinct qualities (one who was vital to the farm's survival), he might be empowering her. Thus, he keeps his praise for her superficial skills, growing flowers. In this way, Henry frustrates Elisa by not seeing into her true character. The flowers represent Elisa trying to find some way of escaping from her frustrated and repressed husband, not from her own sexual frustration.

Seemingly, the flowers represent Elisa. She believes she is strong and tough and able to accomplish anything thrown her way; however, taken for granted as she is only a woman allowed to look and act accordingly. Surrounding the flowers is a wire fence set up to keep out predators and to separate the flowers from the rest of the farm. The wire fence is symbolic in the fact that it is identical to the world Elisa lives in. Elisa is contained within the farm, unable to explore or leave without the help of someone else. Elisa is stuck on the farm, isolated from the rest of the world so that she can be kept safe. Naive and unaware of how the world works, her husband keeps her on the farm to protect her from harm. When Elisa gives the chrysanthemum to the travelling merchant, she gives him a small piece of herself. Later, as her and her husband are driving to town, she sees the flower tossed aside as though it was nothing; as a result, she realizes she could never go off on and live the way the merchant had. The flowers embody her character still, and how out of her home without protection, the world can be harsh and cruel. In short, Elisa’s isolation leaves her ignorant, unable to understand how callous the world is, and comes to the bleak realization that she can’t live a life anywhere outside of her fence. Because of how women were treated, constantly pushed down and unable to pursue their interests, Elisa is left unable to learn what life has to offer. Learning

John Steinbeck’s short story, “The Chrysanthemums” features many themes: themes of gender suppression, love, passion, and betrayal. This short story revolves around the character Elisa Allen who has a strong love and a great passion for her flowers, for her beloved chrysanthemums. However, when a mysterious man arrives towards the end of the text Elisa’s love and passion for the chrysanthemums weakens and she feels betrayed by one of the things she loves most. Steinbeck uses the unlikely encounter between the Tinker and Elisa, as well as, the encounter between Elisa and her husband as a way to express the theme of love and betrayal.

Steinbeck introduces Elisa, the main character, as a masculine young woman with a “face lean and strong” (Steinbeck 209) and “her figure looked blocked and heavy in her gardening costume, a man’s black hat...clod-hopper shoes.” (Steinbeck 209) He lets the chrysanthemums symbolize Elisa’s true beauty. She feels that her husband does not see her as beautiful woman. All he can see is a house wife and a gardener. He shows little interest in the chrysanthemums. When Henry says, “You’ve got

The chrysanthemums being fenced in from the rest of the ranch symbolizes her feelings of isolation. Elisa craves to live an exciting life like the tinker does but is told that such lifestyle women cannot live. A reader could analyze that Elisa’s chrysanthemums are a replacement for the children she lacks. In Skredsvig analysis she states, “Elisa's planting skills is the possibility that her gardening is a sublimation of her frustration over having no children and a projection of her "natural" role as mother” (Skredsvig). Elisa tends them with love and nurture as the flowers are her pride and joy. Additionally, they represent Elisa’s femininity and sexuality as a woman. For example, Elisa feels resentful of Henry because he does not appreciate her femininity image; however, after having an encounter with the tinker, her hopes are renewed and revived for a brighter future. As she gets ready for a night out with Henry, she admires herself in the mirror appreciating the beautifulness of her sexuality with confidence. After witnessing her flowers wrinkled on the road, Elisa is devastated to see her flowers diminish symbolizing

“The Chrysanthemums” is a short story in The Long Valley, a collection of short stories by John Steinbeck. This story dramatizes the efforts made by a housewife, Elisa Allen, to compensate for the disappointments which she has encountered in her life. Steinbeck makes it clear that Elisa yearns for something more in her life then the everyday routines of farm life. While Elisa is portrayed as strong, in the end, her strength serves to be insufficient in having the courage to effect any real change in her life since her fragile self-esteem proves to be too susceptible to outside forces.

The story “The Chrysanthemums “took place in the Salinas Valley in central California, the time was in December. These two elements set the scene of the story. Letting you imagine a valley with farms around it. This is very important in the story because it helps the reader see how one may live back in this time period on a farm. It also help set the picture for the rest of the story to how she and her husband’s relationship is and how a Tinker came in and helped cheer Elisa up and lead her to believe change could be ahead for her. Which suddenly was taken away.

Elisa’s flower garden is also shown as isolated as it is placed within the confines of a wire fence that “protect her flower garden from cattle and dogs and chicken” (Steinbeck, 207). It is from this fenced-in garden Elisa witnesses her husband and a ranch worker “ride up the pale yellow hillside in search of the steers.” (Steinbeck, 208). There is a tone in the writing that suggest Elisa is ready to escape the confines of her fenced-in garden and join the men on the hill doing something different than working in the flower garden. This illustrates the literal boundaries Elisa has, and boundaries society bounds women by.

The story concerns the unhappy marriage, which appears to be a theme in many of Steinbeck’s short stories, and the psychological effects this has primarily on the wife, Elisa Allen. The central character, Elisa, is appealing to many readers and scholars alike, because of the depth of her persona. Elisa is introduced to us in a less than feminine fashion which can be seen as a hint at oppression of women in

Elisa is especially proud of her chrysanthemums and how big they are this year. Steinbeck exhibited this pride Elisa portrayed as "she straightened her back and pulled on the gardening gloves again. Yes they'll be strong this coming year." Elisa worked hard at her garden and it was important to her. In fact it was the only thing she had to be proud of. For Elisa the chrysanthemums symbolized the work she feels she is capable of as a

“Her eyes shone. She tore off the battered hat and shook out her dark pretty hair”(324). The chrysanthemums allow Elisa to be her true self and bring out her

In his short story, The Chrysanthemums, John Steinbeck does an excellent job at portraying the 1930’s Salinas Valley lifestyle through his accurate depictions of realism, regionalism, and naturalism. With the use of realism, Steinbeck narrates the everyday life and challenges of Elisa Allen and her husband Henry. In a conversation between Elisa and a migrant worker, Steinbeck says, “I go from Seattle to San Diego and back every year. Takes all my time. Abou six months each way.

John Steinbeck uses his unique literary style to write the short story “The Chrysanthemums,” where he brings his readers to a society of inequality amongst the genders. “The Chrysanthemums” depicts the challenges of Elisa Allen, a thirty five-year-old woman who is expected to be a traditional housewife. Her ongoing transformation throughout the story portrays the life of a woman trying to gain meaning in her dull life during the 1930’s. John Steinbeck's, “The Chrysanthemums,” shows the true feelings of the protagonist, Elisa Allen, through the use of femininity, self-awareness, and weakness.

Steinbeck uses chrysanthemum’s to symbolize Elisa’s strength and power in order to show how societal standards cause women to miss out on opportunities and become frustrated with the confinement of their expression. “[Elisa] was cutting down the old year's chrysanthemum stalks with a pair of short and powerful scissors. She looked down toward the men by the tractor shed now and then. Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful.” Chrysanthemum stalks require a great deal of force to be cut down, which is highlighted through Elisa’s use of “powerful scissors.” Ordinarily, flowers are portrayed as beautiful and delicate; however, chrysanthemums are sturdy and tough. Steinbeck chose specifically to use chrysanthemums because they symbolize the strength Elisa has; she is confident, empowered, and masculine, but all of her strength is confined within the standards of society just as the chrysanthemums are confined within the walls of her garden. Elisa, as a woman, is unable to express herself as strong, masculine, and proud because that was not the standard that women were held to during that time; her expression is confined to her work in the garden with her chrysanthemums, and it is frustrating for her to miss out on the opportunities that would showcase her strength and let it be appreciated by her husband and the mender because of the standard of delicacy and beauty that women are held to.

John Steinbeck, in his short story "The Chrysanthemums" depicts the trials of a woman attempting to gain power in a man's world. Elisa Allen tries to define the boundaries of her role as a woman in such a closed society. While her environment is portrayed as a tool for social repression, it is through nature in her garden where Elisa gains and shows off her power. As the story progresses, Elisa has trouble extending this power outside of the fence that surrounds her garden. In the end, Elisa learns but does not readily accept, that she possesses a feminine power weak for the time, not the masculine one she had tried so hard to achieve through its imitation.