The Church Of San Vitale

The Guadalupe Center is a religious nonprofit organization under the umbrella of the Providence Hospital community outreach program. The agency was founded in 2003 by the sisters of charity when they saw necessities of the Hispanic community and other underserve groups. The Guadalupe center was created to help immigrants who were being discriminated and undertreated because of their race, lack of education and language barrier. The Guadalupe Center used to be funded by Mission and Ministry Inc., but it is now completely funded by the Providence Hospital. Due to this changes in funding the Guadalupe Center had to move from Semmes were the agency had its own building to Cody Road in Mobile were they have to share the

Monuments such as the Dome of the Rock in Jerusalem and San Vitale in Ravenna, perform a great importance in Byzantine and Islamic architecture. Both of these structures did not exclusively represent the main place of worship, but most importantly as a symbol of achievement and growth within the current times of construction. Starting in 524, under the influence of Orthodox bishop Ecclesius, the development of San Vitale was to represent the achievements of the emperor Justinian. Julius Argentarius was the sponsor for this structure and it was dedicated by Bishop Maximian in 547. The Dome of the Rock is built on the Temple Mount in Jerusalem in 692 with the help of Abd al-Malik with the suspected intention to symbolize Islams influence in

The Church of San Vitale is found in Ravenna with a brick facing. It is a centrally planned church with a ground level, gallery, and clerestory. The inside shows Old Testament

The process by which Scripture has been preserved and compiled is one whose history is worth noting. The early church had many opportunities to share the Good News of Christ via word of mouth, but from the time of Christ’s resurrection until the mid-second century, there had not been a single culmination of writings considered to be essential for the purposes of

Church of the Holy Sepulchre is also known as the Basilica of the Holy Sepulchre and the Church of the Resurrection (Orthodox Christians). Originally identified as being outside the settlement of Calvary, it is located in the Old City of Jerusalem, Israel and is considered one of the holiest sites in the world, as well as being a central destination for Christian pilgrims. The Church of the Holy Sepulchre was originally built by the Roman Emperor Constantine (272-337) in 330 CE upon the site of a Roman temple. It has since been controlled by Arab rulers, reclaimed by Christian crusaders, repeatedly ruined by fires and conquests, and long been subject to regional religious and political tensions. The Holy Sepulchre is a central Church in

Modern practitioners of Santeria may be attracted to the religion for a variety of reasons, notable among which are curiosity with secret rituals and the longing among many immigrants and people of color to get in touch with Caribbean and African roots. What each specific individual wants from a religion is difficult to generalize upon, but Santeria offers a way for people to achieve harmony in their lives through communication with and obedience to orishas, the divine beings that act as intermediaries between humans and the Supreme Being, Olodumare. Santeria teaches how to know and appease the specific desires of a pantheon of orishas who alert devotees to problems in their lives and protect them from harm. In

For this experience, I decided to explore Buddhism in order to enhance my involvement with the religion and build a strong understanding. What intrigued me about Buddhism was the social aspect and diversity that it had to offer. In order to explore this religion from a critical and analytical viewpoint, I decided to attend a weekend service offered at San Jose Buddhist Church Betsuin. The San Jose Buddhist Church Betsuin main temple is located in the Japantown section of Central San Jose. What made this temple stand out amongst the others was its historical standing in the community. It is one of the oldest temples established in the United States. In order to learn more about the history, environment, and community as a whole, I decided to contact the temple’s staffs. After a brief phone call, I was able to schedule a tour. In preparation, I decided to do a brief research on Buddhism to familiarize myself with the religion beforehand. With all preparations and research necessary, I was ready to visit San Jose Buddhist Church Betsuin.

In Artwork 1, Mary is placed in the centre of the image between Christ who is on the left and God who is on the right. The Holy Spirit is between the two which forms the Holy Trinity. The composition can be viewed as forming an inverted triangle or heart shape. Mary is the focal figure with an attitude of modesty, reverence and tranquil emotion with her right hand placed upon her heart in which reinforces this. God is expressed as a picture of wisdom as He is crowning the head of Mary with a garland of roses, along side Jesus. The Holy Spirit is present in the image above Mary and is portrayed in the traditional form of a white dove. Cherubs, angelic beings, are visible at the base of the painting which can be interpreted as guards. The use of blue in their garments symbolising heavenly grace in

Justinian Mosaic is a Byzantine mosaic located in the apse of San Vitale, Ravenna in 540 AD. It was made from gold and glass mosaic tesserae. The artists painted or covered the glass with gold first and then pressed into the plaster background. The artists manipulated the space which was to utilize the illumination of the candles in the church to cause the sparkle of the glass. The overall looking of this piece is luxurious and magnificence. In this piece, Justinian is surrounded by his priests and his military. He is placed in the center of the whole piece, wearing jewelry-crown, jewelry-accessory and gold cloths with a halo behind his head. He offers a gift called Pater which contains the bread used for the Eucharist would be held. The main

The composition is built on the simple geometry of a pyramid, common among Renaissance artworks. The viewer’s attention is drawn immediately to Christ not only because He is located in the center, but the empty spaces surrounding him also serve as an emphasis. In addition, it gives off a sense of loneliness and isolation, knowing He is about to be betrayed. The twelve apostles are separated into four groups of three, with Christ as the central axis. Leonardo Da Vinci maintained the balance and symmetry within the space of the pyramid, dividing the four groups of apostles equally on both sides. The linear placement of the groups of apostles provides a balance and prevents overemphasis and attention on the center.

This essay starts with the use of Roman architecture to practice Christianity. Then I will write about how the image of the Roman emperors became the inspiration for the image of the Jesus. Finally I will discuss the way Romans used the same iconography and narrative they already had as a formula to image the bible.

With such support from the state and the Emperor, the church was given a massive financial support, which was invested in the building of the Basilicas. They were used to perform rituals such as worship, baptism, prayers, scripture reading, preaching and recognition of the dead and the after life. The liturgy of the early churches was very plain. They were build on a rectangular classical floor plan. The Basilica floor plan was simple; consisting of a narthex (the outside building short end), apse, transept, and aisle such formation gives the idea of building resembling to the cross. The early Christians were inspiration to represent such building to the cross. Once more this is part of the spiritual journey of Christianity. The other model was the central plan which would consist of a dome in the middle of the church. Were all the activities would take place. Like the worship and the baptismal ritual. This center plan was more common in the Eastern-Orthodox churches. This shows the heritage of Roman Christian art from the early ancestors such as the Greeks and the Middle East. A great example is the San Vitale in Ravenna which was an important Byzantine outpost in Italy. San Vitale was constructed under the reign of the Byzantine Emperor Justinian in 547. This church has a domed central core which

Leonardo’s scientific studies resulted in the paintings of rocks, plants, light and atmosphere. We can see hills, fields and the sky in the tree windows behind Christ. This is in a classical style, shown by the coffered ceiling which was introduced by ancient Greek and Romans and re-introduced again by Alberti. The orthogonals run from the coffered ceiling, the table and windows and from the disciples and their gestures which all then centres on Christ. The use of foreshortening in this painting is to emphasize the drama of the scene and to keep the figures in harmonious groups. As we can see on the third figure on the right, St Philip tries to deny that he would be the betrayer and to show this, his arm is foreshortened. While St Matthew, the fourth figure on the right, has his arms outflung which was made by foreshortening. This gesture was to help portray his horror, as well as his mouth opened talking to the 3 men to the left of him. There are other gestures that helped depict the idea of betrayal, as we can see on the left side of the painting where St Peter whispers to St. John’s ear while pushing Judas forward. All these gestures lead the viewers’ attention to the centre, where Christ is positioned. Behind Jesus, we can see the window where the natural light comes in which frames Christ’s head, like a halo. Christ’s position in the centre allowed him to be in front of the three windows, which symbolizes the Trinity. As well as that, we can see that he

In this relief, we see it as Christ the child shares the viewer his joy of starting his new adventure as well as praising the purity of Virgin Mary. There are also three angels emerging from the cloud. In the Old Testament, angel’s functions refer to convey God’s will to mankind, which in this relief the angels reminds us of their role as “annunciators (ABRAHAM, 2: The three angels). They were the ones who carried messages from god and annunciated the birth of Christ. They are the witnesses of Christ the child coming to the human world as well as proof of Virgin Mary’s virtue of immaculate. In this relief, they are the guardian of the Virgin and child as well as admirers of Mary’s pure and virgin status. With their hands holding together in prayer, they show their blessings and caring to the mother and son as well as to the human world. In addition, unlike other Virgin Mary we see in churches’ altarpieces that are usually seated on throne, we also have Mary sitting humbly on the ground in this relief. According to Dictionary of Subjects and Symbols in Art, there is a popular theme of “Madonna of Humility” which its essential figure is that the Virgin is seated on the ground. The dictionary also states that artists set Virgin Mary on the ground to convey a medieval theology,

This source is a picture showing the San Lorenzo church, which was known as the Medici chapel. The San Lorenzo Church is originated in Florence in 1419. It also is the Tomb of Lorenzo de' Medici. Michelangelo makes an imprint on the San Lorenzo church by adding architectural designs and