The Clitty Monster

The Clitoral Truth was the first book I’ve ever read that openly talks about masturbation, genitals, and equality. The first chapter talks about women’s genitalia and the orgasm that doesn’t seem to make an appearance as much as it should be. I thought women sexuality was about the parts and how it changes during intercourse, but there is a whole new side. After reading chapter one, it made me realize that society just focuses on men’s needs and parts. I was very oblivious to the fact that women sexuality was so shunned and how unaware society is on the matter compared to men.

There are many common theories and myths associated with male enhancement. From the common thinking that male enhancement products are all fraudulent, to the thought that male enhancement reviews are all lies intended to sell products. As sexual health, male enhancement, and sexual dysfunction are still somewhat taboo topics in our society, it can be difficult for the typical man to determine was is fact and what is fiction. Here we will examine and disprove some of the more common male enhancement myths that are found in and around the internet and the media.

Kinsey, Masters, and Johnson all tested the presence of vaginal orgasm, and contended for a comprehension of sexuality that was situated in joy, not proliferation and consequently, they concentrated on clitoral orgasm. They found that vaginal intercourse was not what was most pleasurable for most ladies, and that truth be told, woman act sexually like men, and appreciate clitoral reproduction (461-462). Both women's activists and sex progressives found these discoveries valuable, yet women's activists likewise censured the sexologists for being engaged exclusively on the body, not on mental reactions, and being unconcerned with governmental issues, and both condemned their support of the norm, as Kinsey, Masters, and Johnson were for the most part worried with enhancing conjugal sex. Women's activists in this period, settled upon objectives were to underline the significance of the clitoris, see woman's sexuality as "female sexuality", and to reprimand the two fundamental developments of woman's sexuality in a way that would take into account the improvement of woman's sexual strengthening and office. Koedt, in her content, underscores that these developments of female sexuality brought about woman encountering sentiments of blame, deficiency, and disgrace, and were continually getting messages how they ought to be acting, sexually, all over, and particularly from the advisors who they swung to for help. She argued that if woman were miserable with their sexual experiences, it was not due to anything they were doing or not doing, but rather as a result of sexism, homophobia, and required heterosexuality (466). She needed woman to have the capacity to "full sexual specialists" who could be in charge of their own sexual delight, and she trusted that the clitoris was indispensable in this situation, in light of the fact that anybody, the woman herself, or an accomplice of any sex, could joy her by

His fear inducing appearance adds to his state of isolation, so much so that even his own creator “found himself filled with horror and fear at the hideous thing he created.”(Nardo 51). His abruptly ended friendship with the blind man only worsens his painful desolation since he now understands what a true friendship is like. The monster longs for a companion and begs to Victor “You must create a female for me with whom I can live” (Shelley 144) and pleads with him for a mate of the opposite sex. When this demand is not met, the monster fills with rage toward Victor, and he vows revenge upon

“Fear and euphoria are dominant forces, and fear is many multiples the size of euphoria” - Alan Greenspan. New York author, Alan Greenspan, here is explaining that the threat fear presents is really no different than the state of intensity caused by euphoria. In Andrew J. Hoffman’s anthology, Monsters, there is substantial evidence that both fear and euphoria are inflicted upon men, by female monsters. The two threats men typically face against women are temptation and emasculation. Thus, in mythology and folklore, female monsters exemplify the impulse of desire (sexually) for men, and male weakness. These are creature that are lusted after and yet, still feared because of their power. Men find female monsters both fearsome and euphoric and will always threaten their dominance and control.

	Near the end of the novel, the Monster requests from Victor to create for him, a female counterpart. When the Monster says, "You must create a female for me, with whom I can live in the interchange of those sympathies necessary for my being. This you alone can do; and I do demand it of you as a right which you must not refuse to concede"(140). The Monsters longing for a person he can communicate with is very important. It

As the reader digs deep into the novel, it becomes clear that the monster started his life in a state of innocence. However, he soon acquired language and learned that life truly was a competition. He needed to fend for himself. He needed to gain skills and figure out how to survive. But the creature soon learned of his capabilities. He could strike fear into anyone who laid eyes on him. He could also kill any human being that decided to cross his path. So after learning that life was genuinely grueling for him, the monster desired to escape his life of solitude. He approached Victor demanding a lady creature. When Victor eventually refuses to create this creature for the monster, he finally collects all of the power he possesses and decides to turn against Victor for ruining the only hope that the monster had in life. From that point on, the monster uses his physical power to wreck havoc on Victor’s life in every way possible. Without the physical power that Victor gave him when he was created, the novel would not have been so full of hatred and anger. Most importantly, his physical strength and power was the reason this novel was so gruesome and terrifying. It brought an end to many lives, including Victor’s

Later on in the story, Victor Frankenstein creates the monster. The monster eventually asks Victor to create a mate for him. He wants the feeling of a female monster to love and share his life with. Again, this is something that the majority of the readers can relate to. Shelley’s wants the reader to have an emotional connection with the monster. At first glance, one would not imagine that they would have anything in common with a homemade creature, but it is proven to be different upon further reading. Nearly everyone wants the felling of having someone to love and have them love you. The monster is no different, so maybe he is not too different from the reader after all?

One of the threats of creating a mate for the monster lies in the female’s physical ability to procreate. Victor is afraid that the female and the monster will produce children, with or without his approval. Through her feminine body, the female could unleash "a race of devils … who might make the very existence of the species of man a condition precarious and full of terror" (Shelley 144). She is the crucial element in naturally bringing about such offspring, for without the female, the monster is rendered impotent, unable to cause any more harm than he alone can inflict. If the female chooses to accept the role as mother and mate, together she and the monster can produce a generation of offspring taught to despise mankind as deeply as their predecessors. Victor recognizes the power the female has over man solely through her ability to bear children, because through this ability the female can do just as Victor does -- create life, naturally

This proves to show how the creature is wanting to get back at Victor for leaving him and wants to destroy his family. When the creature makes the request to Victor on making him a female for him, Victor agrees but his thoughts then explain why he decided on doing this unlawful task. To further explain, Victor then tells us how “he fears the vengeance of his disappointed fiend,”(Shelley 65). This demonstrates how Victor is scared of what the creature’s revenge could be if he didn’t make the

The film calls into question how seduction can be utilized to further personal goals. While there are occasions in which it appears to be just or deserved. Such as with some of the sleezy men that the main character picks up. The film addresses how manipulation is unjust when it is applied to people who a genuinely caring individuals. This is first illustrated when Scar-jo seduces the deformed individual, and then sets him free. This is the first instance where we see some semblance of humanity in monster portrayed by Scarlett

The deal was that Victor make a monsterette for the monster so that he could have a companion. Victor complies and begins to make the monsterette, but realizes the consequences that this creation could bring. Victor then destroys the monsterette, and the monster is outraged. The monster threatens to be with Victor on his wedding night. After this, Victor takes the parts of the monsterette and throws them into the sea.

epidemic in the realm of female sexual satisfaction. Rather, the media heard that there might

There is no definitive way to determine which fetishes are normal and which ones are abnormal, however, the commonality of these fetishes can be evaluated by society and the frequency of them. A study was done to attempt to define what makes up an unusual sexual fantasy. The experiment was done through an internet survey of over 1,500 participants. The goal was to determine sexual fantasies that were common and narrow down the ones that were rare according to the statistics. One of the most important statements from this article discusses the difficulty in categorizing fantasies as normal or abnormal. The conclusion of the experiment is that “Care should be taken before labeling an SF as unusual, let alone deviant. It suggested that the focus should be on the effect of a sexual fantasy rather than its content”

No this toy isn’t gender specific, however there are different models in which some genders may prefer over the other. Different models would include different toys, and colour.