The Clouds, An Inconsistent Message About Morality

One has the capability to determine from right and wrong and having the determination to stand up for what one believes in, no matter what the price is. In Sophocles’ Antigone, a written dramatic play, Sophocles portrays the theme that at times of one’s life, it is necessary to follow moral law and ignore political law. In the play, a determined and courageous woman named Antigone is loyal to her beloved brother by granting him a proper burial and having to suffer the consequences for revolting. Throughout Antigone, several incidents occurred where the political law was of no importance to the individual. Conflicts between Antigone and Ismene and then with Creon and Antigone are examples of the theme. The theme also ties with the

Have you ever acted out in retribution for something done to you? Some examples could be if you punched someone for intentionally kicking you, or if someone deliberately hurt the feelings of someone you love and you retaliated in kind. You probably thought the punishment you received for your actions was too harsh or lenient. Many factors went into the decision of what discipline you received for this act and some were fair while others probably were not. This is true for the actions of many people in Aeschylus’s Oresteia. In each of the three plays, someone is seeking vengeance for a wrong done unto them, someone they know/love, or both. For this paper, I will be focusing on the vengeance enacted by Clytemnestra, Orestes, and the Fates. The vengeance that each person enacted was deemed just or unjust depending on many factors including the people who were doing the judging. Vengeance in Aeschylus’s Oresteia is viewed through the social lens of the society that it was enacted in. This lens is made up of the popular values, beliefs, and social conventions of the period as well as the judge’s personal views and/or experiences. These factors (such as gender and relation to the victim, as well as the presence or absence of transgressions on the characters part) lead to different opinions about the guilt of the accused individual and the individual themselves. The view of vengeance in Aeschylus’s Oresteia is very subjective.

During the time of Euripides, approximately the second half of the fifth century B.C., it was a period of immense cultural crisis and political convulsion (Arrowsmith 350). Euripides, like many other of his contemporaries, used the whole machinery of the theater as a way of thinking about their world (Arrowsmith 349). His interest in particular was the analysis of culture and relationship between culture and the individual. Euripides used his characters as a function to shape the ideas of the play (Arrowsmith 359).

The conflict between law and morality has been in existence since the beginning of human society, and to this day still greatly influences people and society. Written by the Greek playwright Sophocles in the 5th century BCE, Antigone is the tragic story of a young girl who goes against the king’s edict and buries her brother, a traitor to the state, sentencing herself to execution. The conflicting ideals of logos - moral, divine, or natural laws, and nomos, or man made laws are Greek virtues explored in the characters of Antigone and Creon, both of whose lives end horribly. Although nomos is often too concrete to manipulate to one’s advantage, logos is much more open to interpretation, and in the case of Creon, whose tragic flaw is hubris, the fluidity of logos allows him to use it to justify and influence his actions, ultimately harming him much more than nomos, and causing his story to end in tragedy. After investigating societal gender roles and the effect they

In the play “Antigone” written by Sophocles, many issues come to light regarding morality and virtue. While there may be many interpretations regarding whether Antigone is correct in her views or Creon is, the German philosopher Hegel argues that both are right to some extent. When the argument is analyzed from both point of views it is evident that they both have some moral reasoning leading to both cases being correct; however, since neither side is willing to put themselves “in the other persons shoes” to have a clearer view of the situation, it causes Creon and Antigone to be wrong at the same time. Both Antigone’s and Creon’s judgement is clouded because of their inability to understand the argument from the other person’s point of view,

Elenchus, as a famous Socratic method for education, uses dialogue and questions to approach philosophical truths. The method is presented in both Plato’s the Euthyphro and Aristophanes’s the Clouds. However, Socrates’s personal image and characteristics, as well as the nature of his questioning differ a lot in these two works. While the Euthyphro presents a philosopher king guiding the less wise people in discovery of truths, Socrates in the Clouds has little interest in either exploring the ethical truth or helping others get out of “Plato’s cave”. Instead, he is portrayed as a sophist who corrupts people with mysterious and useless knowledge, ignores traditional Athenian education, and debilitates Athenian men. Compared to Plato’s focus on Socrates’s wisdom reflected in the dialogue, the Clouds is a distorted interpretation of Socrates’s elenchus. Rather than justifiably criticizing Socrates, Aristophanes depicts him from a common Athenian 's perspective. It is this misunderstanding of the value of Socrates’s teaching by Athenian citizens that constitutes the failure of elenchus in both the Clouds and the Euthyphro.

“Eumenides”, the third and final piece in Aeschylus’s Oresteia trilogy, resumes the tale where “Choephoroe” left it as Orestes is pursued by the vengeful Erinyes. The primary plot point in “Eumenides” is the judgement Orestes undergoes for his act of matricide, and the conflicting ideas of justice provided by the various parties that are associated with it. Topic In “Eumenides”, the best idea of justice Argument is Athena’s Reason because her lack of a personal stake in the matter allows her to give a truly fair solution to the situation. (topic) The Erinyes do not have the best idea of justice because, as they have a personal stake in the matter, they twist their ideals to fit the situation and lean it in their favor.

"The Clouds" by Aristophanes - Relevant in Today's World "The Clouds" by Aristophanes, is a play centrally concerned with education. Aristophanes employs satire to illustrate his conservative beliefs. It is intended to show readers that in the tendency to philosophical subtleties lies the neglection of the real needs of the Athenians. According to Aristophanes, philosophical speculation only acts to shake the established foundations of accepted religion, gods, and ideals of morality.

When Teiresias asks in Antigone (line 1051), "What prize outweighs the priceless worth of prudence?" he strikes (as usual) to the heart of the matter in Sophocles' Theban Plays. Sophocles dramatizes the struggle between fate and free will, in one sense, but in another sense the drama might be better understood as the struggle between the will of the goods (which it is prudent to follow, according to Teiresias) and man's will (which is often imprudent). Sophocles' characters are moved by their own wills, of course (either in accordance or in conflict with the will of the gods). Oedipus in Oedipus the King is determined to pursue the truth in spite of the objections of Jocasta, the priest, and his own misgivings. In Oedipus at Colonus, Theseus "cannot rest" (line 1773) until he has served both Antigone and the late Oedipus (implying that conscience is his motivator awareness, in other words, of his duty towards them). In Antigone, Antigone acts in accordance to the will of the gods (but in disobedience to the will of Creon) and does so knowing the punishment that awaits her: "Go I, his prisoner, because I honored those things to which honor truly belongs" (lines 178-9). This paper will show how while fate is a powerful force in The Theban Plays, the characters themselves are still left to exercise their own free will (either with respect or disrespect to will of the gods). Thus, the main drama consists not in the

John F. Kennedy once said “A man must do what he must in spite of personal consequences, in spite of obstacles and dangers and pressures...and that is the basis of human morality”. But when someone’s ambition is to do something wrong, how does their actions reflect on their morality? In the play Antigone by Sophocles, Antigone and King Creon’s decisions and choices reflect on their consequences and morality. One of the main characters in play, King Creon, makes some awful decisions that make him reflect on his own moral values. Another character, Antigone has a compulsive motive to bury her brother, Polynices, but she isn’t allowed to transgress the king’s command and despite the consequences she still attempts to bury Polyneices. Lawrence Kohlberg and Carol Gilligan are two psychologists that created the Kohlberg’s Theory of Moral Development and Gilligan’s Ethics of Care Theory scales which show where one’s morality may rank depending on one’s actions. Even though Creon and Antigone started with the same circumstances and conditions, their morality causes them to stand on different levels and stages on Lawrence Kohlberg’s and Carol Gilligan’s scales and as well as on other Moral scales.

Amongst Euripides' most famous plays, Medea went against the audience's expectations at his time. Indeed, the main character of the play is Medea, a strong independent female who neglected moral and . She was therefore in all ways different to how women were perceived in Ancient Greece. This essay will explore how Euripides' controversial characters demonstrate that his views were ahead of his time.

Retributive justice is a very common element found not only in literature but in almost all text that tries to evoke moral values. A nemetic ending is often used to provide the reader or spectator the satisfaction of seeing the hero be rewarded for his or her virtuous actions. Alternatively, the evil or malicious characters are usually punished thanks to the hero 's actions and thus brings a somewhat “happy ending” to the conflict. Many authors and playwrights would mostly hesitate to bring an unpleasant end to their stories so that the audience may leave their seats with a more positive outlook on the play. Nevertheless, it might be debatable if a standardized nemetic ending would transmit a more poignant message to the spectators, numerous plays that do not follow this norm are well known to have a very similar, if not equal, impact. To illustrate this tactic, we will mostly focus on the ending of “Snow in Midsummer” by Guan Hanqing that may end in a slightly ambiguous note rather than directly rewarding our hero Dou Er. Henceforth, we will also look over the case of Oedipus the King by Sophocles, that challenges the ideal retributive justice at the end of the play. We, as spectators, have a desire to connect with the characters and the issues they try to get through, as long as the heroes remain praiseworthy and villains fall and get defeated.

In this paper, I will discuss a play by Athenian playwright Aristophanes, The Wasps. First, I shall give a brief overview of the The Wasps. Then, I will examine the courtroom scene of the play and argue that Philocleon is not an impartial juror. Next, I will discuss generational gap in Athens. Finally, I will conclude the paper with my outcome of the investigation of the conflict between Misocleon and Philocleon.

The play termed the Oresteia is actually a trilogy that is built around the family of Agamemnon. Traditionally, one of the primary themes of the three plays is a movement from a traditional belief in revenge for wrongs to one of justice and the rule of law. The purpose of this paper is to discuss all three of the plays and look at how justice is conceived in each.

Aristophanes’ Clouds, if read hastily, can be interpreted as a mindless satyr play written in 419 BCE. Yet the chorus warns the reader not to expect the play to have farcical ploys like “a hanging phallus stitched on” the actors to evoke a laugh, but has underlying seriousness as “she [the play] comes in trusting only her words” (Clouds 538-44). Even if the play does use some low devices, the play’s message is sophisticated and can be read as a warning to Socrates. Aristophanes is a “friendly critic” of Socrates and warns Socrates to change his ways for Athens and for the good of himself (Whidden). Plato’s Symposium and especially his Apology of Socrates justify the claims made in Clouds about the dangers of philosophy and Socrates to