The Comedy of Chaucer's Fabliaux Essay

Throughout the Canterbury Tales, various characters are introduced and tell a tale, each of which tells a different story. All of the tales are unique and address different issues. “The Miller’s Tale” is the second of the many stories and varies from all of the rest. As seen from the “General Prologue,” Chaucer clearly depicts the Miller as a crude, slobbish man who will say anything. This reputation is held true as the Miller drunkenly tells a story full of adultery and bickering. Despite the scandalous nature of “The Miller’s Tale,” the story also displays some of Chaucer’s prominent beliefs. As “The Miller’s Prologue” and “The Miller’s Tale” are told, it becomes evident that Chaucer is challenging the common roles and behaviors of women, and he is also questioning the effectiveness of social class.

    Chaucer's view of the clergy class is not as positive as his view of the ruling class.  For example, Chaucer describes the Prioress/Nun using a great amount of satire.  He speaks of how the nun has excellent etiquette and manners.  She tries so hard to be respected and viewed as one with higher status.  Her character is best described in the quote:

Geoffrey Chaucer’s Canterbury Tales are some of the most widely read and anthologized pieces of medieval poetry. These tales are generally celebrated and enjoyed because of the author’s use of wit and satire, as Chaucer often uses word play and characterization to deliver hard-hitting, yet entertaining truths about his time period. This is the case in “The Miller’s Tale,” which portrays the story of a carpenter with an adulterous wife and the shenanigans that take place during and after one of her affairs. After closely examining “Absalom’s Revenge,” the last section of this tale, it is clear to see that Chaucer uses language, puns, and other writing techniques to provide a commentary on the lewdness of some who lived during the Middle Ages.

Such an intense reaction to the Miller’s tale—in which someone of the Reeve’s vocation is bested by a younger, more virile man—seems based upon the Reeve’s sudden need to defend his manhood against another man’s slander. By telling a story in which a carpenter is bested by another man sexually, the Miller has wounded the pride of the Reeve, who now must display a story in which a miller is dominated by another man to defend his masculinity. As Angela Jane Weisl explains in “‘Quiting’ Eve:Violence Against Women in the Canterbury Tales”, the need to reclaim his ego informs the Reeve’s desire to “become[] powerful and thus, violent, masculine” through his warning to the Miller that he might endure corporeal harm (123). By having the Reeve devise to reassert dominance over the Pilgrim Miller in such violent ways before the tale has even begun, Chaucer prefaces the clerk to share the same anxiety over requiting the tale’s miller through sexual

He knew nat Catoun for his wit was rude, that bad man sholde wedde his similitude” (Lines 113-120). Absolon on the other hand just wanted sex, and as much Alisoun despised him he would not stop stalking her. The Miller’s tale is cynical, because love is either misguided or lust and humans often are confused between the two. The author wanted to point that humans must know the difference or else the outcome would most likely be devastating thus leading to one’s own fault. While others might say this theme was not about love, but more about sexual desires, it was not the case. Sexual desires was only part of the theme because sex has always been alined with love in every relationship good or bad. Chaucer want readers to get past the sexual imagery and look at the love theme which incorporated in this story. The love theme represented the trouble behind human minds and how lust can be confused as love.

“This Miller has done me great mischief, and I will not leave without first finding his daughter” (The Reeve). In the end, the students sleep with the Miller’s wife and daughter, and the Miller ends up beaten and losing many of his possessions, but the story doesn’t justify the students, the stealing, or even the greed itself. Chaucer leaves it up to the readers to make their own conclusions.

Based on the Canterbury tales, Chaucer's point of view of the Church was that he thinks highly of the priests who pastor their congregations because they follow the commandments of Jesus Christ. The Summoner, the Pardoner, the Monk and the Prioress are full-time servants of the Church, but they tend to be selfish and care more for themselves than for God's work. The students Nicholas and Absalom are interested in promiscuous behaviors more than the Church. Nick' a misled God-fearing man is similar to the tale of Noah's Ark. He is swindled to cheat on his wife, and Abby is also lustful of his wife. The Church doctrine really doesn't help, by taking advantage of the men's situation for their own

In Chaucer’s “Prologue to the Miller’s Tale”, the Miller’s physically disgusting appearance closely matches his grotesque morality of heart. The prologue opens at the closing of the Knight’s tale, as the Host asks the Monk to rival the tale with a noble story of his own. However, the Miller barges in and doesn’t hesitate to belligerently interrupt the conversation by claiming that he has a noble story of his own to share. Despite attempts to silence the Miller, he proceeds to tell his tale, exhibiting a lack of compassion, respect and self-awareness. His inebriation only fuels the fire, as he continues to illustrate recklessness and disrespect by proclaiming, “I am drunk…If I can’t get my words out, put the blame / On Southwark ale,” (Chaucer 28-30). He takes no responsibility for his actions in blaming his hostile state of mind on the alcohol. Following the Knight’s noble tale, the Miller completely shifts the tone by introducing a story about adultery. Not only is the story inappropriate in its nature, but it also directly insults the Reeve, who is a carpenter by trade. “It is a sin and a great foolishness to injure any man by defamation,” (Chaucer 36-37) yet the Miller “refused to hold his tongue for any man,” (Chaucer 59) and fails to consider his hurtful words. The speaker of the poem warns the reader that the story is bawdy and offensive, which is a testament to the Miller’s vulgar nature. Ultimately, the “Prologue to the Miller’s Tale” introduces the Miller as a

In “The Miller’s Tale” Chaucer explains how the Miller was a drunk and pale man that did not have a wife or children, but even before telling his story, it wasn’t his turn by interrupting the Monk before him and begins to explain his story. The miller start to explain about a young girl called Alison and her husband called the Carpenter, Alison was an only 18 years old when she married her husband and he was an old man. They lived in Oxford the Carpenter would admire the beauty of his wife and how the town man would be envious of him for his wife. It also involved two other man Nicholas and Absolon these men were also young, Nicholas was a clerk that would happen to be a secret love affairs, but also very clever and discreet and Absolon was a foppish clerk and a handsome man that every woman loved. Those three men were in love with Alison, but affording Alison only

Chaucer’s “Wife of Bath Prologue and Tale” focus on the story telling of a woman who has experienced her fair share of marital issues. She is depicted as a promiscuous woman, married five times and had plenty of male suitors, the Wife was not like any other woman during this era. Although her reputation was how most perceived her, she was not a fan of being scrutinized for what she considered as her duty as a woman; to not remain single. This is seen through the depiction of women in society, how marriage ought to be in the eyes of religion, and how men were to view a woman like her. The language that is used throughout Chaucer’s prologue and tale allude to the evolution of women as well as how they struggled to gain any recognition in

If we look beyond the negative impressions that the Miller's behavior and appearance create in us, I am sure we can find at least some worthy attribute that will change our opinion of him. To our astonishment, Chaucer informs us that the Miller possesses a humorous and a poetic soul for he is "a janglere (chatterer) and a goliardais (teller of obscene stories)" (Norton, 562). But all and any remaining good opinion that the reader may have about the Miller is crushed by Chaucer's next lines that complete his description of our working-class hero:

Everyone has a story. Certainly Chaucer believes so as he weaves together tales of twenty nine different people on their common journey to Canterbury. Through their time on the road, these characters explore the diverse lives of those traveling together, narrated by the host of the group. Each character in the ensemble is entitled to a prologue, explaining his or her life and the reasons for the tale, as well as the actual story, meant to have moral implications or simply to entertain. One narrative in particular, that of the Wife of Bath, serves both purposes: to teach and to amuse. She renounces the submissive roles of a woman and reveals the moral to her story while portraying women as sex seeking, powerful creatures, an amusing thought

Chaucer’s most brutal attack was on the high ranking class and nobility, his use of satire allowed for him to make accusations of their lack of accountability for their actions. This concept was outlined in the Wife of Bath’s Tale, where a young knight physically assaulted a maiden the instance was brought to a court of the king and the knight was then sentenced to execution. The queen, however, chose to spare the knight’s life if he was able to find what women desired most within one year. He returned to the court a year later and revealed that women wanted freedom more than anything, and in return he was forced to marry an old lady that revealed the secret to him. This was what taught him the ultimate lesson. The old lady made a deal with the knight, he could have her old and ugly, but loyal or he could have a young and beautiful wife that he could not trust; when presented with the choice the knight chose to let the woman decide. “The knight thought long, and with a piteous groan at last he said, with the care in life, “My lady and my love, my dearest wife, I leave the matter to your wise decision. You make the choice yourself, for the provision of what may be agreeable and right in honor to us both, I don't care which; whatever pleases you suffices me.” (lines 374-381) The knight has learned that he cannot control his wife and have her love him, as a result of this revelation the lady changes herself into a loyal and beautiful wife. This lesson

love” makes evident Chaucer’s skewed views of love and marriage with underlying tones of misogyny. He expresses these views throughout the work, however, the theme of love and sex is most evident in the sub-stories of The Wife of Bath and The Miller’s Tale.

A fabliaux is a funny story told in verses in the 13th century. Fabliaux were told by storytellers. The short stories were known for their comical observations on things like religion, remaining pure until marriage, and how women were treated. The fabliaux style was simple; they made fun of the everyday lives of characters that were from the middle or lower classes. The storylines were often focused on promiscuous women and foolish men. It usually showed someone getting cheated on. Also, there usually was some sort of successful trick in the story. In Geoffrey Chaucer’s The Canterbury Tales, he uses the fabliaux style writing to portray how they viewed women in the medieval period. He shows how a fabliaux can actually be a satire of a romantic scene. Chaucer displays the fabliaux style writing in the stories of The Reeve’s Tale, The Merchant’s Tale, and The Miller’s Tale.