The Comparison of a Woman to a Flower

Spring is the season of growth, revival and beginnings. In the poems “Spring and All” by William Carlos Williams and “For Jane Meyers” by Louise Gluck, the poets talk about this very season. In fact, the two poems are contradictory, in that, Williams writes about the bleakness of winter and the awakening of spring. On the other hand, Gluck’s romantic poetry associates the natural renewal of spring with bereavement and death. Both poets use abundant imagery, symbolism, metaphors, different tones, and similes, to affirm their contending attitudes towards the season. Consequently, although the poems are about the same subject, the demeanor of the poets are varied.

Throughout “Love Should Grow up Like an Wild Iris in the Fields” Susan Griffin provokes the readers to think twice about why they consistently enslave themselves with the burden of daily monotony, instead of enjoying the simplicity of love. Griffin uses two metaphors in her poem when describing love, as a flower, as well as the iris of an eye. Her comparisons are both interesting as well as accurate.

Author Natalie Goldberg “specifically” follows the advice she gives writers in this essay by continuing to addresses each tree and piece of nature by it’s name while talking about her own experiences in life and literature . When Goldberg tells the story of how she decided to try and learn the names of plants and flowers in her environment, there’s not a single point in which she stops following her argument in this piece. She explains, how she saw “maple, elm, oak,and locust” (Goldberg 310), while continuing to talk to different gardeners about what kind of organisms they were working with. Goldberg does a similar thing when referencing poet William Carlos Williams’ work, by telling the reader the names of all the different pieces of nature

The title itself gives us important clues about this poem. From the beginning before even reading the first line of the poem, we know that it will be a sad story. The widow being someone who has experienced a loss and lament is a word used for passionate grief and sorrow. Springtime is a time of growth and rebirth, the affirming of new life. Williams’ title may lead us to believe that the widow is in the early stages of life without her husband and the early stages of grief. This may be her first spring without her husband. She is exploring the overwhelming feelings of grief over losing her husband, comparing her grief to the new life or blooming of her yard.

Furthermore, the woman was never recognised as an equal in the world; with a “mane” for hair she is immediately relatable to an animal. When this connection is made, the woman is perceived as some strange creature; a mere mimicry of a real human. Harwood’s description of is a taste of how society views women; not quiet human. Now equipped with darker views of the flower filled day; the contemporary day reader is pondering to whether or not this vile practice is still belittling women of today.

At this point the poet uses symbolism substituting a flower for his mother. This is an appropriate symbol as, like his mother, a flower is feminine, delicate and

Marie is truly one of kind poet who displays a unique sense of awareness and ability in helping us understand what things were like in the twelfth century. Even though the heart of her poems is about courtly love, the way she depicts the characters is special in a sense that she can achieve a lot more than one would imagine. Examples of this can be seen in her poems, The Lay of the Honeysuckle and The Lay of the Nightingale, especially when we keen on the characters of these poems.

In the poem “To Paint a Water Lily” by Ted Hughes, the speaker conveys his attitude toward nature as perplexing, complex, and deceiving. He also expresses his opinion of the artist and the difficulties brought on by him trying to paint and recreate not only the picture of a water lily and its natural scene, but also capture the intense environment that is both peaceful and full of constant activity. The author achieves this through literary techniques such as: imagery and juxtaposition.

The setting of Alice Walkers short story” The Flowers” is important for us, the readers to obtain a perspective of how life was like growing up for a 10 year old African American girl by the name of Myop. The title of the story is “The Flowers.” When you think about flowers, you instantly compare them to being beautiful, pure, and innocent. The title of the “The Flowers” is a symbolism that correlates to Myop who is the protagonist of the story. Myop is just like a flower in the beginning of the story. She’s a pure and innocent child but that pure innocence changes when she discovers something that’ll change her life forever.

“The courtly lady…possesses a curiously hybrid gender. While maintaining stereotypically female sexuality, she also holds, in principle at least, the status of a feudal lord.” Burns’ statement insinuates a reversal of power dynamics between man and woman in the courtly love lyric, implying that the woman’s stereotypical beauty and sexuality in courtship, is a gateway to subverting and overpowering the lovesick male, making her a superior lord. The Amour Courtois lyric is deemed inconsistent with the representation of woman as an empowered “feudal lord” due to the sheer objectification of femininity and beauty. Poets such as Geoffrey Chaucer and William Dunbar commend a woman’s aesthetic appeal or satirise the lack of it, thus elevating medieval misogynistic expectations of physical beauty as a feminine necessity that objectifies women under the control of man’s advances. Throughout courtly love lyrics female beauty is a purely frivolous and superficial trait lacking predominant depth, to render woman as a “lord” would be poetically conflicting as the only power exemplified by female subjects in courtship is through the idolisation and sexual lust of the male devotee.

In Robert Frost’s “Tuft of flowers”, the connection of man and nature leads the composer to make an emotional discovery. Frosts unorthodox rhyming style of having 5 iambs in each line makes the poem unique and its quest to realising discovery unique. With that in mind by choosing an unusual form, Frost makes the idea apparent to me in a way that is memorable. Also Frost contrasts the flower with the cut grass shows that he has encased a connection between them and himself as he recognises the beauty of the flower in “…and led my eye to look/At a tall tuft of flowers beside a brook” this new understanding lead him on the path of finding the emotional discovery. Through this poem, Frost showed me that discoveries can lead to refinding yourself and finding new perceptions and by demonstrating this idea he has further my understanding of discovery through the notion of making it memorable.

In addition, the feminist view of sexuality is evident throughout Rossetti’s poem. Laura and Lizzie’s magical experience portrays the pursuit for sensual awareness while struggling between physical identity and spiritual salvation. Furthermore, “She clipped a precious golden lock, she dropped a tear more rare than pearl, then sucked their fruit globes fair or red, sweeter than honey from the rock” (ll. 126-29) and “sucked until her lips were sore” (l. 136). With blatant sexual undertones, this pivotal moment signifies the character’s transition from maiden to woman or innocence to experience. Additionally, this exchange could be a metaphor for Laura’s relinquishment of her sacred virginity. As Laura falls sicker and slowly begins to deteriorate, Rossetti illustrates the consequences of succumbing to the temptation of men’s deceit and the importance of remaining pure. With use of vivid imagery, Rossetti further emphasizes the animalistic and uncanny

Through nature, these colors bring emotions, Death brings emotions of sadness and sympathy, but beauty brings happiness and joy. Firstly, the neighbors notice that in the garden belonging to Rappaccini, on a shrub lay a cornucopia of purple flowers “Enough to illuminate the garden, even if there had been no sunshine”(Rappaccini’s Daughter, 669). The beauty in these flowers attract a flood of sunlight, because the sun (nature) sees them as beautiful. The flowers bring happiness to whomever may view them because the sun directed its own energy on them to make them more beautiful. Similarly, in the garden’s fountain water ”continued to gush and sparkle into sunbeams as cheerfully as ever”(Rappaccini’s Daughter, 669). The sun shines on the free flowing water like how Romantics view nature as free. The waters beauty becomes intensified by the beams of the sun which can bring happiness to those who view them. Thirdly, when Rappaccini’s daughter decides to visit the garden she becomes illuminated by the sun like a flower. A suitor spots her in the sunlight and much like a flower in nature would bring one happiness, she brings him happiness.

By analysing the structure (shift from external to internal landscape), language (tenses, pronoun), and presentation of the experience of seeing the daffodils, I seek to demonstrate that feelings of the sublime are only evoked when the narrator’s imagination participates in the scene he has internalized in his memory. While the first three stanzas exemplify a merely physical stimulus and response mechanism to nature, the last stanza shows how active poetic imagination enables man to recreate and amplify emotions encountered, thus resulting in feelings of the sublime. Why does the observer not recognise the ‘wealth’ the scene brings in that moment? How does poetic imagination connect the physical eye and the inner eye to allow for sublime, transcendental experience? Hess argues that the poem “depend[s] for [its] power on the narrator’s ability to fix a single, discrete, visually defined moment of experience in his mind, to which he can later return in acts of private memory and imagination” (298). An example of the recapturing of emotions is seen where “gay” (I. 15) is recaptured as “pleasure” (I. 23) at the end. Active imagination, which draws inspiration from memory of the initial encounter, is now a permanent possession that

In the second stanza, the poem compares his love to a plant that does not bloom. The flowers are hidden deep within the plant. The text is expressing that while most would not appreciate a flower that does not bloom, the love described here goes far beyond that of anyone else’s. Inner beauty is admired. The narrator is not ashamed of his love. Yet, he feels as though he cannot compare her to anything of this world. He is entirely consumed by the spirit within her.