The Concept Of Iago By William Shakespeare

Iago claims to “hate the Moor” (Act 1, sc 3, line 368) so he wants to

8ahlmeier 5characters so well, Iago uses ethos to effectively ;udge which method of persuasion to use based on a character’s 0ualities, flaws, motives, and desires, and Iago’s relationship to him or her.Iago easily evokes "assio’s emotions through pathos. #e recogni%es the honorable and valiant virtues "assio e2hibits and uses these virtues to fashion "assio into a pawn. Iago, knowing alcohol to be the counteragent of "assio’s virtues, encourages the sport of drinking to the point where "assio rela2es his conduct and allows his emotions to overcome him, breaking out in a fight which causes him to forfeit his position as officer !II.iii.465-$. "assio has a strong desire for redemption and reinstallation, and Iago suggests "assio beseech

Iago as Evil in William Shakespeare's Othello "Othello" is famously regarded as one of Shakespeare's greatest tragedies. It explores the downfall of a great general Othello through a series of unlucky circumstances. Othello's character shows a man of high status whose job, marriage and life is ruined because of his insecurities by a man named Iago. Iago (Othello's ensign) is able to manipulate Othello,

This next part of Iago’s character plays an equally important role in the play. An article says that a “... superb ability of Iago is that he has an acute eye for his victim's weaknesses and exploits them mercilessly.” (“Villainous Role of Iago in Othello”). Iago is able to use the characters weaknesses against them for his own selfish reasons. While the audience is aware of Iago’s plan, the other characters are oblivious to his evil

Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.

Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective,

Their friendship is a vehicle for Iago’s revenge. Iago is also very focused on himself. He is so wrapped up in himself and his anger that he does not care who he hurts. Most of the deaths in the play are collateral damage of Iago’s vengeance. Iago’s greatest characteristic is his outstanding knowledge of how people think and behave. This is his most useful skill. This ability is used throughout the events of the play to coerce the other characters into destroying each other. Iago does all of this without his fellows figuring out much about him or his motivation, though Iago himself does not seem to know his motivation.

Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs

Iago is undoubtably the villian in William Shakespeare's 'Othello', however the reason behind his evil deeds are less clear. There are many possibilities as to why Iago betrayed his superior Othello. Was he simply envious of Othello's status or did Iago plot to destroy Othello for his own enjoyment?

Iago's plans are carried out by causing sexual jealousy. The successes of his plans depend on "his pose of unswerving honesty - a pose which none of the other characters, not even his wife, is able to penetrate" (Scragg 52). The other people involved in Iago's plan have no idea what is about to happen to them. Iago uses their ignorance to destroy all of them. " All are oblivious of the false mind behind the ‘honest' mask and of the many specific machinations by which they are victimized" (Evans 116). Even though Iago is accused of all these evil deeds, that are not revealed until the end of the play, it can still be reduced to look like a minute act. "Iago can be reduced to a resourceful intriguer who exposes the hero's weakness to ridicule and devises an appropriate punishment," says Mehl in Shakespeare's Tragedies: An Introduction.

Iago is a complex and crucial character in Shakespeare's play. Throughout the play you can witness Iago's two faced nature as he pretends to help the other characters; in reality he is only deceiving them all to benefit his own selfish desires. In Iago's first Soliloquy you get the first implication that he is only using people for his own gain. As he plots his ploy "to get his [Cassio's] place and to plume up my will in double knavery," he demonstrates his apathetic nature towards others because he only uses them as his own marionettes. He exhibits the motif of jealousy since he is jealous of the fact that Cassio obtained the promotion instead of him and is determined to rid him of his promotion.

While Iago's death does not come soon enough to prevent tragedy (which would promote a simple message of good always triumphing over evil), it does provide a sort of repayment for those that have died in his name. The final element of catharsis in the play occurs in Othello's last words. Even in the prospect of death, Othello is shown to be a proud and honorable human being. If tragedies are meant to explore the best of humanity, then there exists no better character than

     Iago, the villain in Shakespeare’s Othello, is a round character of great depth and many dimensions. Iago works towards an aim that is constantly changing and becomes progressively more tragic. Yet, at times, "honest" Iago does actually seem honest. This essay will explore the complex character of "honest Iago.

Tragedy can expose humans fallibility and weaknesses. Traditionally, a tragic hero is established into three parts: hamartia, a hero’s tragic flaw; peripeteia, the change in the hero’s fortune; and catharsis, a hero’s tragic ending. In William Shakespeare’s Othello, Shakespeare illustrates how a General, Othello get manipulated by his subordinate, Iago.Iago tells Othello that his wife, Desdemona is having an affair with his friend, Cassio. Othello deeply believes in Iago’s lies, and kills Desdemona and Cassio. In William Shakespeare’s Othello, Shakespeare uses hamartia, peripeteia and catharsis to show that Othello is a tragic hero. Ultimately, through Othello’s tragedy the audiences learn that one’s gullibility can lead their tragedy.

In William Shakespeare's Othello, the character Iago is presented as the villain of the play. Shakespeare presents him as a selfish character, with jealousy and hatred, intelligent at the same time. He has a very specific language, we realize that because he can be played in many different ways but the language is different, especially when he speaks about Othello. When we first see Iago interacting is through a soliloquy.