The Concept Of Orientalism

Enstad mentions words such as “invisible” (57, 58), “unanticipated” (61), and “threaten” (60). These words indicate the unknown which stirs a sense of terror among her readers. The unknown remains a mystery, and there is no way to predict its movements. By doing so, she underscores the direness of the spread of this toxicity by pushing against this fear. Enstad even blatantly acknowledges the emotions she’s evoking by jeering that after reading her essay, readers might want to “sanitize one’s own environment” (63). As an author, she empathizes with her audience’s thoughts on her essay which allows her to relate to her audience thus, igniting a need to take charge and further analyze this toxicity that plagues Americans. It is common for a community of people to begin scrambling for solutions to an issue when the danger is imminent compared to a future problem. On the other hand, Kim’s article not only brings together a community for a common cause like Enstad’s but, she appeals to a different emotion through her use of a history strand. Kim’s history strand consists of phrases such as “imperialism” (3), “political turmoil” (4), and “immigrant” (4). She motivates her Asian American audience to unite due to the shared histories of the community. The cultural roots of Asian Americans are not often portrayed in American media and is not commonly discussed. Kim

Throughout the course of history it is apparent that racism is present in most societies. During times of war people of a certain race may choose to segregate themselves in order to become the leading power in their society. In his book, War Without Mercy: Race and Power in the Pacific War published in New York by Pantheon books and copyrighted in 1986, John W. Dower presents arguments for both the United States and Japan which constitute similarities in the belief of a superior race as well as illustrates contradictions on how each side viewed the war.

In “From a Native Daughter,” writer, activist, and Native Hawaiian academic, Haunani-Kay Trask recounts her personal feelings along with her people’s feelings with how the ‘haole’ (white) people overwhelmed and distorted the historical context of the native Hawaiian inhabitants. Trask’s purpose is to convey the message that the native Hawaiians’ ancient culture is described as oppressive and tyrannical by white historians, rather that it was a society that functioned efficiently before the Europeans seized the land. She adopts an affectionate yet blunt tone throughout the course of the selection in order to contend

What this novel does not touch on is the harsh levels of discrimination that some Asian-American families faced during the 20th centuries, some people telling at them to go back to Vietnam, Korea, or wherever they came from, some refusing service, perhaps throwing them out for being different, similarly to how African-Americans were treated during that time, and similar to how some Muslims are being treated today. However, more insidious than moments of outright hostility, and maybe more powerful, are the constant weak reminders that you’re different, that you’re not one of them. The “sign at the Peking Express” (Ng 193), the “little boys on the playground, stretching their eyes to slits with their fingers” (Ng 193), you even “saw it when waitresses and policemen and bus drivers spoke slowly to you, in simple words, as if you might not understand” (Ng 193). All these tiny things, these little reminders that you’re not the same as everyone else around you, may have more impact on the people being discriminated against than blatant in-your-face

The autobiography illustrates personal experiences of discrimination and prejudice while also reporting the political occurrences during the United States’ involvement in World War II. After the Japanese bombed Pearl Harbor, the United States government unleashed unrestrained contempt for the Japanese residing in the nation. The general public followed this train of thought, distrusting the Japanese and treating them like something less than human. In a country of freedom and justice, no coalition stepped up to defend the people who had lived there most of or all of their lives; rather, people took advantage of the Japanese evacuation to take their property and belongings. The government released demeaning propaganda displaying comical Japanese men as monsters and rats, encouraging the public to be vigilant and wary toward anyone of Japanese descent. The abuse of the Japanese during this period was taken a little too lightly, the government apologizing too late and now minor education of the real cruelty expressed toward the nation’s own citizens. Now we see history repeating itself in society, and if we don’t catch the warning signs today, history may just come full

Takaki’s book, A Different Mirror, offers the multicultural history of the United States. This book provides the reader with the American experience of Native Americans, African Americans, Mexican Americans, Irish Americans, Chinese Americans, Japanese Americans, and Jewish Americans. During this time, America demonstrated manifest destiny and the Master Narrative. They were led by the belief of “white purity,” which these ethnic groups threatened. America exhibited supremacy over all of these ethnic groups. Takaki’s work allows me to become aware of the history and the outcomes of manifest destiny and the Master Narrative.

In his 1986 commonly known book, “War Without Mercy: Race and Power in the Pacific War”, American Historian, John W Dower, examined and explained the relationship in Japanese and Americans during World War II and studies links between culture, stereotypes, and ultimately the high levels of violence. From the start he mentions that “World War Two changed the face of the globe”. He further explained that during the Second War, society had to witness the rise and fall cycle of the empires and what it did to everyone. Dower’s statement of “… racism remains one of the great neglected subjects of World War Two” is definitely the most relatable and true quote from the entire piece. This is a large aspect that the world and society views from and that is why it is such a popular topic throughout the entire text. Even in today’s society, more parts of the world than others, racism still controls how we treat people, who we hire for a job, and what we say in certain environments. He goes on to mention the racist code words and imagery that came with the war in Asia and makes remarks in regards to the “dominant perceptions of the enemy” on both sides of the war. Part One of the book focuses on the relationship between the two whom are at war and the correspondence and differences between the “Enemies.

Throughout the book, the racial tensions between the people of Japanese descent and the people of Caucasian descent are clearly evident. After World War Two, relations between Americans and Japanese Americans are strained, since the Japanese were placed in internment camps for the war. Ever since then, the people view themselves as two separate groups of people, and not as a whole population. In the trial, one fisherman makes a racist remark at Kabuo. ‘"Suckers all look alike," said Dale. "Never could tell them

Paradise Remade: The Politics of Culture and History in Hawaii. Philidelphia: Temple Universtiry Press 1993. Print.

The people of Hawaii and other Pacific Island Nation groups have experienced great injustice from their colonial powers and the acts of imperialism. Lands were seized, cultural practices banned, language lost, and people were even forced to move away from their homes for the purpose of bomb testing. The United States and other countries abroad sent out representatives to do their work for them; in return their future actions would be justified in describing the Hawaiians and other Pacific Islanders as savages that need to have wider powers enforced upon them; thus resulting in a tangled web of political mythologies.

The Hawaiian culture is both diverse and unique, with its own language, traditions, and beliefs. Despite these multi-faceted characteristics, certain broad stereotypes about the culture persist in the non-Hawaiian population. My paper will explore where race, prejudice and cultural stereotypes come from and how both Hawaiian and non-Hawaiian cultures reinforce these stereotypes.

→ The author shows the racism in American from a lot of sources; such as cartoons, official documents, advertisements, movies, and songs. The mass media drew Japanese people as an immature children (p.142) and animals. Especially, cartoons depicted the Japanese as monkeys, apes, rats, bugs, beetles, lice, and other kinds of creatures that had to be wiped out. (pp. 181-189) An example is that one restaurant sign on the West Coast said "This Restaurant Poisons Both Rats and Japs". (p. 92)

How the United States and Japan integrated “previously despised populations into their nations in unprecedented ways, while at the same time denouncing racial discrimination and even considering these peoples as part of the national populations and, as such, deserving of life, welfare, and happiness” (Fujitani

In brief, this study discusses about the representation of orientalism idea which is portrayed in the film Avatar. The film tells about the conflict between human and native people in Planet Pandora, where human exploits the land and oppresses the native. This study explores in what way the idea of orientalism is represented and how both narrative and non-narrative aspects of the film helped in delivering that representation.

I want to research whether portrayals of Orientalism in the media are used to retroactively justify decisions such as imperialism or the Vietnam War. I chose this topic because I found Edward Said’s theory of Orientalism very thought-provoking and wondered if it can apply to contemporary society. In addition to that, I have not seen a lot of contemporary analysis on Orientalism of Southeast Asia. My initial inspiration was when I watched the film No Escape, which seemed blatantly racist and problematic. I narrowed and refined my topic by further researching the concepts of Orientalism and otherness, and considered how they could be applied to this film. Sources that have been key in defining my research topic include scholar articles on Orientalism