The Concepts Of Knowledge And Happiness In Mary Shelley's Frankenstein

The unwavering desire for knowledge may cause the decay of relationships. This idea is displayed as Victor Frankenstein, the protagonist, continually desires to create human life from inanimate materials, which leads to the destruction of many of his relationships. Frankenstein, by Mary Shelley, exhibits how the constant desire for information may cause the deterioration of relationships through the decayed relationships Victor has with himself, his family, and society.

The idea of pursuing knowledge clouded Victor’s mind and when his creature is born he is shocked to discover that what he has created is far off his own expectations. Not only did the monster destroy his expectations of developing a creature that went beyond human knowledge, but it also affected his life, dignity, and fears. Victor himself admits to his own mistake when he says, “The different accidents of life are not so changeable as the feelings of human nature...but now that I had finished, the beauty of the dream vanished, and breathless honor and disgust filled my heart ” (36). Victor Frankenstein realizes what his obsession with pursuing an extensive amount of knowledge has brought him. His destiny to achieve the impossible with no regard for anyone or anything but himself shows that he is blinded by knowledge when creating the monster and is incapable to foresee the outcome of his creation. Victor’s goal was meant to improve and help humanity, but instead it leads to

After seeing the kindness shown by the family, the monster starts to show signs of kindness himself. He previously would steal part of their food storage to eat at night, but upon realizing that it was hurting the family, he stopped. Also, when he learned that gathering wood took up a large portion of their days, he would take their tools and bring back enough wood in one night to last them for a few days. From then on, the monster sought love. When he approaches Frankenstein he does not punish him for abandoning him, but instead implores him to make him a mate so that he can live in happiness. Though Frankenstein is unsympathetic and unloving toward his creation, we can still see he seeks love in the fact that he created the monster at all. He confesses his

From the beginning of time until now the limitless pursuit of knowledge reveals man’s weakness. Modern society provides humans with a wide variety of sources on how to gain knowledge, both good and evil. The thirst for forbidden knowledge beyond what man can essentially handle, causes a tragic life. The protagonist in the novel Frankenstein by Mary Shelley exemplifies the behavior of the ideal man grasping for more knowledge than he can truly bare; in turn this knowledge becomes tarnished. Shelley eludes to the Greek myth of Prometheus allowing the reader to delve deeper into the general theme that those who pursue an insatiable desire for knowledge, if not tamed,

Victor Frankenstein created life, a monster that was born into this world with no purpose, and no one to love. He did not even have a name, he was called a monster from the start. Just like a normal human baby, he came to life not knowing anything, and had to learn from his surroundings. Just like a person, he watched and learned from others, and tried to understand the world and the people in it. From that, the monster understood that he just wants to find a life for himself, and not be viewed as an evil monster, but there are many things that are preventing that. In the novel Frankenstein by Mary Shelley, the author portrays Frankenstein’s monster as a friend through details in his character and his outlook on life.

Victor Frankenstein finds himself exploring the world of science where “it was the secret of heaven and earth… the outward substance of things or the inner spirits of nature and the mysterious soul of man” that attracted him (Shelley 18). Victor thirst for knowledge comes from his study of chemistry with a zeal for the antiquated world of alchemy. It was the alchemy books that convinces him to go beyond what the normal human limits can do, that is, the answer to life. Through the books he thrives on learning about natural science and looked upon the alchemists works and “took their word for all that they averred, and became their disciple” (Shelley 25). His readings direct him toward the study of forbidden knowledge which ultimately set him up for failure as he became addicted to create life to the point where he robbed graveyards for limbs and committing many unholy acts to create his monster. His unchecked ambition proves to have devastating consequences as his irresponsibility causes the death of those he loves most and he himself falls under the ascendancy of his own

In Mary Shelley’s 1818 novel, ‘Frankenstein’, a recurring motif of ambition and the quest for knowledge is present among the characters of Victor Frankenstein, Robert Walton and the creature. Victor’s obsessive ambition is his fatal flaw, ruining his life and leading to the murder of his loved ones and eventually his own death. Robert Walton shares a similar ambition

Victor Frankenstein was obsessed with knowledge, and thought knowledge was the key to unlocking nature and become a pioneer in science and challenging God. “I have described myself as always having been imbued with a fervent longing to penetrate the secrets of nature” (Shelley, Frankenstein, 21). Victor always had to push boundaries, and his passion drove him closer to science and immorality and farther from his family and friends. Once Victor sees his abomination animated, his potential come alive, he wishes for nothing more than if it had never happened. He moves on to a new obsession – fleeing his past. It consumes him and his health.

In Mary Shelley’s novel, Frankenstein, Robert Walton, Victor Frankenstein, and Frankenstein’s Creation reach similar conclusions humanity by seafaring to the North Pole, delving into the dark depths of science, and observing the rejecting nature of humans. The three tragic heroes Walton, Frankenstein and the Creation are all character doubles in their initial enthusiasm for knowledge, inner dualist personalities, religiously glorified personal goals, possessive relationships and negative effects of gaining knowledge. The three character’s views of humanity are a microcosm of the culturally accepted importance of beauty, and how the culmination of knowledge can be blinding and lead to utter ruination.

Frankenstein by Mary Shelley has a simple origin, compared to other stories. While stories such as It by Stephen king started a several year process of creation, Frankenstein began simply as a campfire story Mary Shelley shared with her writer friends one evening. Although the origins of this novel are fairly simple, it provides an in depth psychological perspective on the darker side of human psyche through the shifting first person perspective. Usually these darker aspects are associated with the character’s personal struggles, but one specific theme in all the characters. The theme of obsession has been consistent and the central focus of the three main characters Victor, the creature, and Robert. With this central theme in mind the author, Mary Shelley shows that obsession leads to the characters suffering negative psychological and physical effects, as well as impair their decision making. This is depicted through the decline of physical and mental health through Victor’s struggles with his obsessions with knowledge and justice.

In the novel, Frankenstein, Victor Frankenstein shows the cruel karma that joins in the achievement of attaining knowledge. With countless examples to support this statement, the opinion of this reader holds strong with the opinion of Mary Shelly, that the power of knowledge, though incredibly tempting to grasp hold of tightly, can be a dangerous achievement that can lead to more destruction than it can recover.

Mary Shelley’s Frankenstein explores the concepts of knowledge and science and the dangers involved with the pursuit and investigation of these ideas. The novel conveys Shelley’s attitudes towards science by portraying it as having the capability to exceed the bounds of human restraint. Through the development of her protagonist Victor Frankenstein, the romantic and gothic aspects of her novel, the period of 1818 and the influences of the world she was living in that

All the deaths were due to the loss of companionship, which amplifies the role of nature in Frankenstein and reiterates the importance of relationships. This story calls to question the possibility of the creature taking his own life. “As I read, however, I applied much personally to my own feelings and condition. I found myself similar, yet at the same time strangely unlike to the beings concerning whom I read, and to whose conversation I was a listener. I sympathized with, and partly understood them, but I was unformed in mind; I was dependent on none and related to none. '

“But Sorrow Only Increased with Knowledge:” A Critique on Romantic Ideals in Mary Shelley’s Frankenstein

Ever since man stepped foot on Earth, the search for knowledge has been neverending. Within the past few centuries, man reached new heights never before dreamed of when it came to information and inventions. Mary Shelley’s Frankenstein embodies this quest for intellect. Victor Frankenstein, the main character, sets off on a journey to acquire as much education as possible, but by doing so ends up creating a shockwave of various effects. Thus, Frankenstein displays how the obsessive pursuit of and acquirement of knowledge leads to extraordinary accomplishments, such as new technology and inventions. However, at the same time, this impulse spurs nefarious actions and consequences.