The Concert I Went To Was The Sue Palmer And The Motel

The artist chooses an upbeat and happy tempo that repeats throughout the song. He chooses this repeating tempo to draw the listener’s attention to the lyrics of the song. The slow, yet happy tempo paired with the artists bright and cheery voice creates a sense of ease and happiness within the song itself, and the audience.

Although I enjoyed the concert, it was very different than how I normally think of jazz. It sounded as if they're playing could've been improvisatory. Although I know that's not the case, at many parts it felt like there were three musicians playing separate pieces that didn't go together. It felt very free, and possibly purposely made to be unique. As they announced titles, they would indicate where the song comes from. Sometimes, they would indicate one of their band members and sometimes it would their version of someone else's song, such as their song “The Robots.” You can see the personalities of the musicians as they play and in their songs. The drummer, Dave King, wrote one of their songs “Keep the Bugs Off Your Glass and The Bears Off Your Ass” and was the most freestyle player. He seemed to have fun, and looked like he was completely free as he played. After relistening to the songs at a later point, I can confirm that not just his playing, but the entire song wasn’t exactly the same, which leads me to believe they do a lot of freestyle typical in jazz. Specifically, Dave King was very humorous throughout the concert. He would tell jokes the entire time between songs, and told a story about his big dream to give out ice cream at their concerts one day. Out of all of them, his personality and playing shined out the most. The performance showed clear elements of jazz and popular music as they played, using syncopation, freestyle, and melodies to musically communicate with the

The pieces were quite odd for me at the first time, first hearing, but I got used to it at the end of the each piece. “The Gospel Train” and “Little David, Play On Your Harp” were African-American Spiritual songs, which I kind of enjoyed, because I was also, very spiritually active. The last song, “Precious Lord Take My Hand” was very calming songs. I liked the lyrics of the song. The lyrics were very touchy that it made me ponder after the applause.

The music played throughout all of the concerts adhered to be diverse. The instruments, the individuals performing, and the conductor all proved to be outstanding. The concerts proved to be interesting as I witnessed them, first hand.

First, the overall tone in all three pieces was phenomenal, but there were a couple spots during the performance that were not as amazing as the rest of the performance. In the first song, Hamilton by Jerry Brubaker, it was hard to hear certain sections

When listening to “The Santé Fe Jazz Combo,” you get a mellow feeling that courses through your body. Their opener “Recorda-Me,” which was my favorite piece, featured solos from Dr. Hamilton on Piano, Spencer Hoefert on Guitar, Ben Salhanick on Bass, Doc B on Alto Sax, Wyatt Thomas on Trombone, and Noah Woolard on Drum Set. The song had a moderate swing tempo that kept your feet tapping up until the solo. First, the brass rang through their part, then the electric instruments. Next came the bass; he was strumming so fast but he was barely audible. The pianist busting through with a tricky piano rift and the drummer finished it off with an intense solo. Every rim-shot sent a jolt into the air like lightning and the buzz rolls sounded like thunder. Noah’s part reminded me why I love playing the drums.

Going to the jazz performance at the Bechtler showed me a different side of the community in Charlotte coming together. At the Bechtler Museum host, an annual night of jazz the theme for this performance was Jazz Night for Lovers. They had two shows, which both sold out. The line to get in was so long and full with young couples and older couples as well. Once were allow inside the venue everyone took there sits and watched as a beautiful 14-year-old girl sing her heart to the crowd. The crowd loved her and her performance. Things got even better when the jazz band got on stage and there special performer.

The melody sounds somber and serious and the energy of the dancers suddenly changes. A spoken word takes place and all of the dancer begin to tell their stories of pain and struggle through movements. The spoken word talks about the journey of men and women who overcame social injustice. In the dancer's movements you could clearly see how they correlated together. Movements were powerful and restraint at the same time giving the audience the idea of the women were pushing through something that was bearing them down. There was a lot of expansion in the chest, back, and arms followed by contractions in the body. As soon as the spoken word was finished the mood of the piece change again and the pianist began to play a upbeat tune that brought the dancers back in to a more positive and high spirit. A lot of polyrhythms take place as the dancers jump high and move their arms back and forth moving throughout the space. This happens in unison at first and then solos, trios, and duets happen in this section of the dance. The expression on their faces add charismatic charm to this piece. Their expressions continue to move them into different emotions and feelings that are relatable to everyday

My favorite part of the concert was the second part. The group played a song called “Body and Soul.” The guitarist played slowly before the others joined. They created a relaxed atmosphere with an old-school effect. All the notes were legato except the melodies of the drum which was staccato. The combination added character to the piece and made it entertaining. At 19:00, the pianist played briskly but beautifully, then the guitarist did the same. The notes became high pitched and the tempo and dynamics increased. After the guitar stopped, everything went into decrescendo and the melodies from the bass and drums became choppy (staccato). Overall the piece surrounded the theme of dependence and how it affects one’s happiness or strength. The piano and the guitar brought the happy aspect to the piece and without it, everything weakened and became uncoordinated. Initially it celebrated peace,

On Tuesday, April 12th 2016 I went to Chris Jazz Café to see a live Jazz performance from three young artists; Dave D’Arville the Temple Jazz Guitarist, Alex Cross the Pianist, Mat Campbell was on the Bass and Phil Arrington was on the Drums. The show started at 7 pm and ended at 10 however, at 8:30 there was an intermission. Chris Jazz café was on a little block called Sansom Street, at first it was hard to find because the hotel parking sign covered the Jazz sign. When you first walk in, the hosts greet you and ask if you want to sit near the stage or in the back a one of the high-top tables. The atmosphere of the place was really nice, it was good vibes and so relaxed; the café felt safe to be alone that evening.

This song because of it's weird toon and how the song can change from spooky to weird. The instruments that are played,(mostly percussion), make the song great. It makes the song more alive. There is not one bit of silence in the song because there is always an instrument playing. The song holds a lot of surprises too.

The ensemble was more colorful with the addition of guitar solos as well as saxophone solos. Although having many solos, the ensemble came together as a whole for this song and heightened the melody by blending well when there wasn’t a solo. This piece was the

The next song on the playlist was called “Everything Happens To Me”. The texture to this was very soft as well. The instruments were playing off each other but it was still a freestyle type of song. I think jazz is generally played like freestyle. There was no melody to this song. The rhythm was not existent as well. It was more of a free flowing song. This song had a very quiet dynamic. It sounded very romantic like something out of a movie. The tempo of the song was very slow and mild but the trumpet was going very fast. The cello and the drums had a portion of the song where they fed off each other’s energy and the trumpet was doing its own thing.

The first formal small jazz concert was held at the Maum Café on Sep. 25th, 2008. There were many music performances have held at the Maum Café but Zino Park, leader of the band, and manager of Maum Café agreed to arrange a formal jazz concert for the first time. The main theme of this concert was “Smooth Jazz with Zino Park at Maum”. Before the concert began, the band members introduced themselves to the audience. The names of players were:

Beginning with sudden, energetic burst of violins, piano, electric guitar, electric bass, and a drum kit, the song’s intro is heavily syncopated and rhythmically varied. After a short call and response section between the piano and rest of the band, every instrument in unison performs a rising, 8th note riff that connects to the verse. It is here when the vocals come in where the intro’s powerful energy slides into a less driving, more mellow mood. The intro grabs the listener’s attention, but once the lyrics come in the music slides back to allow the singer to be dominant.