The Concert Is Berlioz's Symphonie Fantastique

The music concert this review covers is the Plano Symphony’s rendition of the Beethoven’s Choral Fantasy in C minor and Symphony No. 9, The Choral, in D minor. The concert was held at a church in April 16, 2016, and it was a sold out performance. Since it was a night simply dedicated to Ludwig van Beethoven, the symphony titled the concert as “Best of Beethoven.”

As noted by Robert Hughes, "Beethoven was not only the embodiment of all that was before him, but also of that which was yet to come" (Hughes 486). The truth of this may be seen by comparing Beethoven's 5th Symphony in C Minor to Haydn, the father of Symphony, and his 95th in C Minor. While Haydn's symphony is both playful and dramatic, Beethoven's symphony is grander both in terms of scale and vision. He expands the size of the orchestra to incorporate the sounds swirling around, underlying, and depicting the arrival of Fate in a rhythm-driven, thematic symphony that takes Haydn's form and runs with it as though to the top of a mountain peak. This paper will analyze the symphonies by movement, according to form, size, structure, tonalities, melodies, orchestral sound and overall mood and effect.

Ludwig van Beethoven-Symphony No. 9 performed by the Frankfurt Radio Orchestra on May 9, 2016, was an amazing concert to view with the many pitches and ranges of the instruments and vocalists. I enjoyed the concert more than I thought would. As I am writing this report, I am listening to it once again. This concert report reveals what I saw and heard during the concert with any significant observations.

The development of symphonic music during the Classical Period is greatly responsible for shaping today’s orchestral music landscape. Beethoven’s Fifth Symphony is often considered to be the cornerstone of the symphony genre evolution. While his grand gem is somewhat revolutionary and unique to a certain extent, such as ‘expanding the brass section in the final movement.’ [1] On the other hand Berlioz’s Symphonie Fantastique is filled with minor references to Beethoven’s Fifth Symphony

Born in 1803, in the village of La Côte-Saint-André, France, Hector Berlioz produced some of the most invigorating and exciting music of the Romantic period (Holoman, 1, 6). Romanticism primarily focused on subjectivism, therefore people were concentrating more on their emotions and spirituality and less on logical explanations for the problems of humanity. Those of the Romantic period valued nature and depended upon the creativity of artists in order to gain a deeper and different outlook on the world, one that was not strictly rational. Of all the Romantic art forms, music, especially

Many composers use various techniques in which they communicate the distinctly visual. John Misto’s ‘The Shoe-Horn Sonata’ and Alexander Kimel’s ‘The Action in the Ghetto of Rohatyn, March 1942’ represent significant issues in our world by using various literary and dramatic techniques. Through using these techniques it is evident that the composers of these texts allow the audience to ‘see’ with our eyes as well as with our minds. The many literary and dramatic techniques have the ability to create a visual that

For the second and final concert report, I listened to the performance of Beethoven’s 9th symphony, as played by the Chicago Symphony Orchestra. Beethoven lived in Germany during the late 16th and early 17th centuries, and was an influential figure in the transition between the Classical and Romantic eras in western music. The performance requires a large number of instruments, with woodwinds, brass, percussion, strings, and even a choir during the 4th movement.

The name of this work is Act One: Youtube Symphony Orchestra @ Carnegie Hall. It lasts for about one hour. This is the first symphony orchestra of its kind. Many things set it apart from all others. Approximately three thousand people from all corners of the globe sent in video tape auditions of their musical talents. From this a total of ninety six people were chosen by " Youtubers". The orchestra consists of both male and female musicians. The attire is all black and formal, such as dresses, suits, etcetera. From certain angles, one can see that the music hall is packed with people. The dim lighting gave great and appropriate ambiance.

Performance features of the performances were directed straight to the people. The amount of credit the audience gave the actors, determined the energy of the charcters. For example, if a crowd cheered Arlecchinos antics on, he would play this up by continuing it for a longer period of time. Such was the improvising nature of commedia conventions.

This concert is performed in the Avery Fisher hall within the Lincoln Center in New York City. It was performed on July 29, 2008. The orchestra that is performing is the 42nd Mostly Mozart Orchestra. The conductor is Louis Langrée. The two pieces being performed in this concert is Mozart's Symphony No. 40 and Mahler’s Das Lied von der Erde.

Hector Berlioz wrote the Symphonie fantastique at the age of 27. He based the program on his own impassioned life and transferred his memoirs into his best- known program symphony. The story is about a love sick, depressed young artist, while in his despair poisons himself with opium. His beloved is represented throughout the symphony by the symbolic idee fixe. There are five movements throughout symphony. The program begins with the 1st movement: Reveries, Passions symbolizing the artist's life prior to meeting his beloved. This is represented as a mundaness and indefinable searching or yearning, until suddenly, he meets her and his longing abruptly ceases and is replaced by volcanic love. The

I attend the concert “UA Philharmonic Orchestra” on Friday, October 10, 2014 at 7:30 p.m. The performance location is Crowder Hall, School of Music, University of Arizona. This hall has 544 seats. The concert has two programs. The first program will feature Ludwig Van Beethoven’s Symphony No. 1 in C Major conducted by Matthew Spieker. The second program is "Dance of the Tumblers" from “The Snow Maiden” by Nikolai Rimsky-Korsakov and "Danzón No. 2" by Arturo Márquez. The conductor is Ace Edewards. He is a doctoral student. The two programs are instrumental music. The group of the instruments used in the performance is: group of violin, group of viola, group of violoncello, group of bass, group of flute, group of oboe, group of clarinet, group

The 19th Century saw many composers come to light as they made a mark on the art music world. Unknown at the time, they would soon be remembered for their work in decades to come. As music developed so did the various ways to portray the piece that was being played. One type of art music that emerged at the time was ‘programme music’. This was defined as where the “composer intends to guard the listener against a wrong poetical interpretation” . In other words it was a way to correctly convince an audience of the story with a number of movements. Composer Camille Saint – Saens was one of the many who did this exceptionally well. Throughout his lifetime, 1835 – 1921, he was known to be one of “France’s most gifted musicians” . Many of his works are still used today and have helped inspire many in not only the musical world, but outside of it as well.

At the Salzburg Festival in 2005, Valery Gergiev conducted the Vienna Philharmonic Orchestra in its performance of Nikolai Rimsky-Korsakov‘s Scheherazade, Op. 35 (Classical Music db 1). He is a highly achieved, accomplished and revered conductor and is considered to have “attained a level of worldly power perhaps unmatched by any living classical musician” (qtd. by Alex Ross 1). All the wile, this orchestra is considered to be one of the premium orchestras in the World (Moderato 1). Between the two, a performance is created that instantly catches one’s attention with its gentle opening by trumpets, followed by a cello solo, and then the flutes follow with their soft, fluttering sound that makes the listener gently sway with the music. Images of a soft ocean breeze come to mind and its audience is mesmerized.

Music is a very powerful tool. It has the power to bring happiness or sorrow. It can stir up old memories that someone has forgotten. In Berlioz’s case he uses one of his most famous pieces, Symphonie Fantastique to tell a story. Berlioz combines the use of instrumentation, rhythm and dynamics in a stunningly effective way that conveys to the listener a tragic tale of an artist, whose true love didn’t reciprocate his feelings leading him down a path of self destruction.