The Connections between Holden Caulfield's Problems in The Catcher in the Rye

One of the hardships Holden must cope with is his inability to come to terms with death, in particular that of his younger brother, Allie. Holden seems to have experienced a

    Holden Caulfield, the main character in J.D. Salinger's novel, The Catcher In The Rye, feels that he needs to protect people around him, because he failed to protect his brother Allie from death. Holden feels that he has to care for those close to him. He watches over Jane, Phoebe, and even Mrs. Murrow when he meets her on the train. Holden tries to shield these people from distress. He does not want to fail anyone else.

The death of Holden’s brother Allie at a young age adds to Holden’s negativity as well as stopping Holden from accepting inevitable change. Allie dies immaturely of leukemia. “I slept in the garage the night he died, and I broke all the goddam windows with my fist, just for the hell of it” (p. 39). Holden is in the hospital because he broke his fist, and he was unable to attend Allie’s funeral. Holden has trouble accepting Allie’s death because he never said goodbye to Allie. His relationship with Allie is similar to his maturity. Just as Holden is unable to accept his brother’s death, Holden is not able to accept that

J.D. Salinger 's "The Catcher in the Rye" portrays a troubled teen in New York City. Over the few days the novel depicts, the boy displays his critical and unhealthy mindset. Eventually he has a mental breakdown. Through psychoanalysis of Holden Caulfield, one may suggest that Allie 's death, social development, and an identity crisis are large contributing factors in Holden 's mental breakdown.

Love also becomes an important aspect, each thrive for passion and affection from others and have someone they confide in. Holden places deep care into his younger sister Phoebe because they connect on many levels, both as childlike mind and in interest. He also longs for closure towards his deceased brother Allie. Holden worries about his parents thoughts, he respects them. He is concerned about his mother’s reaction to getting kicked out of yet another school. The only two people he feels he has truly connected with are his sister and Allie, often in times of need they are the first he contacts. Throughout his cycle of depression he talks aloud to Allie. (Quote: Holden: “I felt so depressed, you can't even imagine. What I did, I started talking, sort of out loud to Allie. I do that sometimes when I get very depressed.”) He shows he cares about Phoebe by constantly wanting to call and chat with her; he often talks about her. On the contrary he contradicts himself by finding an excuse to not call, or to not visit. By isolating himself he also goes against himself because he

He is not intensely preoccupied with academic achievement like many more modern teenagers, having failed out of several prestigious preparatory schools, but he is clearly intelligent and tends to dwell on“heavy” topics like death and loss of innocence. His cynicism and sensitivity, in addition to the trauma he experiences from losing his brother Allie, suggest that he has depression or another untreated mental illness, an interpretation which is common among readers and supported by Holden’s visit with a psychotherapist at the end of the novel. Despite the risks he faces through having an untreated mental illness, shown when he is warned that he is “riding for some kind of a terrible, terrible fall” through self-destructive behavior, the conformist culture and social niceties of the 1950s prevented him from being able to discuss his thoughts for a large portion of the novel. (186) This culture, specifically the “phony” prep schools, is clearly toxic for Holden and likely contributed heavily towards his negative mental state, and therefore the negative image he often has of

Holden’s first betrayal was that of his memory and innocence by an egotistical peer. At Pencey Prep, he roomed with a student named Stradlater; the epitome of a teenage jock. Stradlater was openly very vain; as Holden stated as he watched Stradlater gaze at himself in the mirror, “he was madly in love with himself. He thought he was the handsomest guy in the Western Hemisphere” (27). Because of his

Holden Caulfield encounters himself facing issues of acceptance of death, growing up, and parental neglecting that prevents him from completely understanding why it is that he is severely depressed. One of the hardships Holden must cope with is his inability to come to terms with death, of his younger brother, Allie. We often discover

Holden’s date with Sally Hayes exhibited his difficulty at cooperating with others. At first he gives us a dire impression of Sally, “I wasn’t too crazy about her, but I’d known her for years.” (p. 105) Later, he wants to marry Sally and says he is in love with her. The biggest mystery of all when it comes to women is with Jane Gallagher. Constantly mentioning Jane, Holden recalls playing checkers with her before he got sent to boarding school. When his roommate, Stradlater, has a date with Jane, Holden asks him a peculiar question, “Did you ask her if she still keeps all her kings in the back row?” (p. 42) Holden, jealous of Stradlater’s date with Jane, longs to see Jane but never has the courage to call her. Interactions with other people especially women perplex and overwhelm Holden. He therefore resorts to isolation, illustrating a characteristic of his mental state.

And so, Holden left school planning to spend some time on his own in New York City, where he lives. On the train to New York, Holden meets a mother of his fellow Pencey student. Though he thinks that this student is a complete “bastard”, he tells a woman made-up stories about her son. He lied to the woman. But lying to others is also a kind of phoniness, right? A type of deception that indicates insensitivity or even cruelty. Holden proves that he is just guilty of phoniness as the people he criticizes.

In The Catcher in the Rye by J.D. Salinger, Holden Caulfield’s life is composed of a great amount of contempt; he perceives society through pessimistic lenses, continuously dismissing its ways. Trying to veer off his path to adulthood, Holden often holds people accountable for their “phony” ways. He aims to “save” the children from such an outcome that he makes it his responsibility. The pivotal moment of which he transcends to maturity occurs is when he witnesses the children reach for the gold ring. Rather than blindly believing that he can save the children from sinking into the “evils” of the world and maintain their innocence, he ultimately decides to let them make their own decisions and grow up.

Holden is deathly afraid of conforming, growing up, and having to assimilate into the phony adult world. As a result he comes off as hypocritical as he is the most prominent phony in the novel. He constantly lies, refuses to connect with others and overlooks his own pain, letting it deeply impact his life. Holden is a compulsive liar; he does not have one honest conversation with anyone except his sister and Jane for the duration of the novel. When he is on the train with Mrs. Morrow, for instance, he claims his name is Rudolf Schmidt and preaches about what an amazing guy her son is, even though he is “the biggest bastard that ever went to Pencey, in the whole crumby history of the school.” (61) This shows that Holden falls victim to the same social conventions as everyone else. He says exactly what Mrs. Morrow wants to hear, despite the fact that he

Holden’s connection with his little brother Allie was very special to him. This is evident in the way he talks about Allie. He holds Allie up to these great expectations, saying “You’d have liked him” (Salinger, 1945-6, p.33) and convincing you how great he was and how intelligent and special he was. You are now able to connect and sympathise for Holden, because he has told you all about the things that mean most to him, and you can’t help but feel a little sorry for him.

When the reader looks back at Holden’s history they can make assumptions as to why Holden wants things to stay the way they are. The general assumption would be because Holden is very distant to people who are dear to him. He mentions his younger sister, Phoebe frequently but cannot connect with her in any way due to Holden’s enrollment in a relatively distant school. Holden also recalls his two brothers, Allie and D.B., whom he is exiled from in result of Allie’s tragic fate and D.B.’s migration to California. The death of Holden’s favorite person, Allie, results ultimately in the unstable mental condition that controls Holden. Holden’s fascination with children and their mentalities is driven from Holden’s mourning of Allie’s death. While Holden tries to resist changing, he is identifying himself with Allie. Critic, Hermit Vanderbilt, agrees that, “Obviously despairing at the cosmic injustice of such an early death, Holden falls into a schizophrenic disorder interested in keeping him from growing up and keeping the role of Allie alive.” (Vanderbilt 299). In addition to the laments of personal loss, Holden also desires a stagnancy of time because of his fear of losing his moral purity. This is shown when Holden speaks about how his older brother, D.B., has lost his moral standards in the pursuit of fame. Holden feels D.B. has strayed far from his truly respectable writing when D.B. “sold himself out” to the expectations of Hollywood. Holden refers to D.B. as a

Holden’s narration in The Catcher in the Rye poses a fundamental problem in critically analysing the story. Holden’s first person narration provides a one-dimensional, biased interpretation that manipulates the reader. This uncertainty of the authenticity of the narration through a pervasive hyperbolic tone is exemplified when Holden exclaims, “…my parents would have about two haemorrhages apiece