The Consequences Of Moy Dick And Dark Romanticism In Moby Dick

Herman Melville wrote Moby Dick, which was based off of Melville’s voyages. This book was mainly based off of the Essex whaler ship that sunk on account of a whale attacking the ship. There were very few survivors that were rescued and they told the story of what had happened. Moby Dick was originally titled The Whale.

Published in 1851, the story of Moby-Dick is not just the tale of one mans search for control over nature, but also the story of friendship, alienation, fate and religion that become intertwined amidst the tragedy that occurs upon the doomed Pequod. The crew itself are an amalgamation of cultures, from the cannibal Queequeg, to Starbuck, "a native of Nantucket." The Pequod can thus be seen as a microcosm for immigrants and whaling within America. In Moby-Dick Herman Melville examines both the exploitation of whaling and the reality of being born outside of America.

    One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter.  However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville.  While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces.  However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the

Throughout his novel, Moby Dick, Herman Melville will often devote entire chapters to the thoughts and actions of specific characters. Two specific examples of this type of chapter are Chapter 36, The Quarter-Deck, and Chapter 42, The Whiteness of the Whale. The first of these chapters depicts Ahab addressing his crew for the first time in order to convince them to hunt down Moby Dick. The second offers insight to the fear that is brought upon by the mere mention of Moby Dick The significance and effectiveness of each of these chapters are enhanced by Melville’s use of rhetoric and style respectively.

A vengeful man, a native, and a man seeking enlightenment board a whaling vessel; this isn’t a joke, this is the United States of America throughout history and the members of the Pequod. Moby Dick is not just a tale about a whaling venture gone awry, it is a metaphor for what America was and is. The Pequod represents the country and government, while the 30 crew members (Melville 430; ch. 126) represents the United State citizens. This would have not been possible to consider in Melville’s time, but it is a true testament to literature being a living text. Melville wasn’t only writing about America in the 1800’s, he was writing about the natures of humanity, and the future of our society.

He constantly invests his time and jeopardizes his crew's lives in his effort to confront his faulty God.  Because of his need for religious comfort, Ahab turns the whaling voyage into a personal quest, using his crew as a tool for revenge.  Melville parallels his work to The Bible to raise the character of Ahab to a higher level.  The Bible is known to most readers around the world.  Its lessons and values teach people how to lead moral and virtuous lives.  Ahab's nature and obsession demonstrate his evil, but comparing him to the Biblical King who sinned against God and poorly ruled God's people makes Captain Ahab's evil represent an extreme of human nature.  In "declaring Moby Dick not only ubiquitous, but immortal (for immorality is but ubiquity in time)" (Moby 181), Melville shows how Moby Dick appears to be God-like.  As the real God watches over all his people no matter where they are, Moby Dick is found everywhere at the same time.

Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s

Moby-Dick is considered to be one of, if not the, best novels in American history. Harper & Brothers first published it in 1851 in New York. In England, it was published in the same year under the title, The Whale (“Moby Dick”). Melville explores topics and themes that were scarcely spoken of and never even seen in a novel. In the novel, the Pequod, which is the ship, is named after a Native American tribe that was exterminated when the white settlers arrived. It is a symbol of death and doom and foreshadows event that occur later in the novel. Melville brings some very controversial themes to light in the novel. Revenge is one of the main themes of Dark Romanticism and Melville uses it to drive every action taken by Ahab. This is seen early on in the novel as Ahab explains to the crew why he has a peg leg and that he wants to enact his revenge on Moby Dick (Melville 160-161). “Moby Dick is, fundamentally, a revenge tragedy. It’s about one man’s maniacal obsession with vengeance. It’s about finding an object on which to pin all you anger and fear and rage, not only about your own suffering, but also about the suffering of all mankind” (“Moby

His most famous book, Moby Dick, features the observant narrator, Ishmael, aboard the Pequot, a ship captained by the menacing one-legged Captain Ahab. Having lost his limb in a previous voyage to an enormous sperm whale named Moby Dick, Ahab scans the seven seas in manic search of revenge against the giant. Queequeg, Ishmael’s menacing best friend, and the rest of the crew are subjected to extreme jeopardy and later death due to Ahab’s monomaniacal disregard for bad omens and danger. The whale slices the boat clean in half and none survive to tells of its greatness except Ishmael.

Herman Meville’s novel Moby Dick delineates the audacious journey of Captain Ahab and his crew aboard the Pequod as they hunt for the infamous White Whale. With Ahab at the helm, the quest is one of revenge, as Ahab’s leg was taken by Moby Dick some years prior to this fateful voyage. However, throughout the journey, the crew of the Pequod questions the rationality of pursuing the most viciously lethal creature to ever inhabit the sea. Since Ahab knows fully well of his inability to slay Moby Dick without the help of a crew, he utilizes his immense rhetorical skill in order to convince them to continue on the path to their watery graves. His usage of hyperbole, diction, logical fallacies and personification allows the mad captain to reassure his crew that their journey will be a profitable one.

Moby Dick was published on 18 October 1851 in America and on November 1851 in England.

Can a whaling adventure provide insight into the shadows of fate and human nature? The white whale in Herman Melville’s, Moby Dick, is a dominant mark of human nature. The symbolism Moby Dick procures provides insight to the enigmatic decisions of Captain Ahab and his crew. Ahab’s pigeon-holes himself into believing his purpose for existence is a suicide mission to kill the whale; he is insistent that the whale represents everything wrong in the world. Melville’s reasoning for Ahab’s obsession with the whale is an analogy for seeking the meaning of existence. The motivations behind human behavior aren’t directly stated, however, Melville crafts the white whale as an allegory for vengeance, uncontrollable fate and perception of the natural world open to literal and figurative interpretation.

Melville's novel, Moby Dick, has only men. Melville's men's club sails a sea whose gender changes often and whose personality is resolutely enigmatic. The feminine in Melville¹s novel hides her face in a veil of stars and behind a cloud of words.

Many have the desire to control the uncontrollable, or change the unchangeable. This idea is shared through many novels and movies; one of those being Herman Melville’s Moby Dick-a narrated voyage of a whaling ship, the Pequod, and its captain, Ahab, whose one desire was to kill the great Sperm Whale, Moby Dick. As his whaling journey continued, still unsuccessful, Ahab’s character began to change. Many adjectives could be used to describe Ahab’s changing character, but three specific ones are as follows: obsessive, conceited, and manipulative. Ahab’s one desire changes him from an obedient captain to a madman.

Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.