The Consequences Of Racial Identity In Larsen's Passing

Slavery was abolished after the Civil War, but the Negro race still was not accepted as equals into American society. To attain a better understanding of the events and struggles faced during this period, one must take a look at its' literature. James Weldon Johnson does an excellent job of vividly depicting an accurate portrait of the adversities faced before the Civil Rights Movement by the black community in his novel “The Autobiography of an Ex-Colored Man.” One does not only read this book, but instead one takes a journey alongside a burdened mulatto man as he struggles to claim one race as his own.

Nella Larsen was an American writer of the Harlem Renaissance. One of her novels, Passing, took place New York society during the 1920s. The story surrounds the reunion of two women, Clare Kendry and Irene Redfield and their struggles they face because of ‘passing’. Through Passing, Nella Larsen demonstrates the challenges that the gender constructs during the time as women are powerless against race and men.

In Zora Neale Hurston’s essay “How It Feels To Be Colored Me”, her racial identity varies based on her location. Towards the beginning of her life when Zora was in her own community she could be a lighthearted, carefree spirit. However, when she was forced to leave her community, Zora’s identity became linked to her race. In this essay I will demonstrate how Zora’s blackness is both a sanctuary and completely worthless.

Nella Larsen’s Passing uses the two main characters to explore how the idea of racial identity is not a discussion that is black and white, but rather one that is grey. The story is utilized to demonstrate how some individuals of black complexion fell trap to societal standards, causing them to abandon their own race in search of better life. But, in all actuality, the text argues that the pursual of another identity ultimately causes an individual to lose their own self identification.

The memoir “How It Feels to Be Colored Me” by Zora Neale Hurston, was first published in 1928, and recounts the situation of racial discrimination and prejudice at the time in the United States. The author was born into an all-black community, but was later sent to a boarding school in Jacksonville, where she experienced “race” for the first time. Hurston not only informs the reader how she managed to stay true to herself and her race, but also inspires the reader to abandon any form of racism in their life. Especially by including Humor, Imagery, and Metaphors, the author makes her message very clear: Everyone is equal.

Nella Larsen’s Passing challenges the traditional ideology of ethnic, racial, and gender integrity, transforming the concept of an “acceptable”- definition of identity, which both individuals and society can appreciate. By developing exceptionally round characters whom are unstable and volatile, Larsen builds monologues to display how easy it is to lose one’s identity. Clare Kendry, challenges the stereotypes, society has ascribed to her. Leaving her in a limbo for identity white-or-black, however, she never has the chance to align to a particular identity because of her mysterious death, while Irene Redfield, becomes obsessed and envious of Clare, destroying her own sense of self by committing psychological suicide, in terms of assimilation

The Harlem Renaissance was a turning point for many African Americans. A vast amount of literature was created specifically for this group during this era. It was a period when the African American "was in vogue" and "white thinkers and writers were devoting a considerable amount of attention" to them (Taylor 91, 90). For the first time, African Americans were being told that it was okay to be proud of who they were. This new consciousness and self-awareness was prominent in many works of literate, but several writers began exploring the darker side of this movement with literature that concentrated on the negative aspects of race relations in America. Nella Larsen's novel Passing concentrates on this

Dana finds herself travelling between her present day life in 1976 and her ancestral plantation of 1815 – two time periods that represent two opposite concepts of her identity as an African-American woman. In the beginning of the novel, Dana’s identity is constructed strictly through the lens of her experiences as a modern African-American woman, and she defines herself solely through these contemporary constructs and experiences. Her experiences of time travel cause her to alter her self-identity from that of the modern woman to one based on her life as a slave in antebellum Maryland, experiencing and overcoming racial and gendered oppression. Essentially, we follow Dana as she attempts to reconcile her historical, fragmented reality. This fragmented sense of self creates a double-consciousness for Dana,

According to the Nella Larsen’s novel, Passing is the ability of an African American women who are born with ivory skin to pass or act as white for various reasons such as; security, privileges, impartiality, and so on.

Nella larsen's passing disrupts the traditional conception of racial, ethnic and gender integrity. Larsens has revolutionized the idea of acceptance of one's self identity.Larsen wrote this novel in the height of the Harlem Renaissance . An era that is known for its growth and expanse in the artistic explosion that happened in Harlem between the end of World War I and the middle of the 1930s. During this period Harlem was a cultural center, drawing black writers, artists, poets, and educated people. Many had come from the South, running away from its terrible mistreatment and social class system in order to find a place where they could freely express their talents. It involved racial pride, fueled in part by the aggressiveness of the "New Negro" demanding civil and political rights. The Renaissance incorporated jazz and the blues, attracting whites to Harlem, where couples danced. While it may have

By the end of Wallace Thurman’s novel, “The Blacker the Berry,” the main character Emma Lou has a revelation about herself. Her whole life she thought her dark skin color prevented her from good opportunities. She was hyper-sensitive towards her color and tried to make up for it by fitting in with the right type of people. She has economic freedom and have fit in with the right type of people. Emma was desperate to fit in with type of people that treated her inferiorly, but once she came to terms with the strength of her African American background, she is able to identify with who she is, a black woman.

During the childhood of “the Narrator,” he experiences mixed reactions to the notion of “passing” one’s identity. The Narrator’s mother, having never told the young boy of his African-American blood, forces the Narrator to unintentionally pass as a young, “perfect little aristocrat” (7). The Autobiography of an Ex-Coloured Man moves quickly to introduce newfound discoveries made by the Narrator. For example, at this point in his life, he is unable to comprehend why “Shiny,” the best student, is seen as inferior due to the color of his skin. The Narrator does not understand such complex ideologies saying, “he was in some way looked down upon” (14). Here, Johnson’s use of the metaphor of passing is more of an indictment on the Narrator’s ignorance when it comes to race. A notable encounter with passing

Passing” by Nella Larsen is a great piece of art, that is mostly concentrated on the act of passing as a member of other race in order to assimilate with them and cover their own race. I have to be honest through reading the book I developed love hate relationship because how this book was structured. It is filled with really charismatic personalities such as Claire Kendry or Irene Redfield but at the same time I was really frustrated how they behave themselves regarding their race. For someone who never had any conflicts regarding race it was really hard for to rationalize Clare’s or Irene’s actions that involved covering their own identity to benefit from it either socially or financially. Book still lacks clarity in most of the cases that happen in story, for example ending where Clare dies but it might be also seen as way for reader to think and guess who might be the murderer. Even though this story takes place in the early 20th century when the African American society was still harshly treated by white society, I think we can still see a lot of racial conflicts that happen nowadays among all races that live in big cities such as New York or Paris and etc. Also, depiction of how race might be sign of belonging to specific class was interesting topic. Most importantly what frustrates me most in the story is how racial difference is troubling or forcing characters act in specific ways. By that I mean how Clare went extra mile and even married a white bigot John Bellew

L. Hughes’ short story ‘Passing’ is driven by the conflict between the morals of having to behave like a white man and being African American by birth. The main character has a conflicting identity. ‘William Faulkner reminds us that in addition to a conflict of wills, fiction also shows “the heart in conflict with itself”’ (Burroway, J. 2011 pg. 249). This is particularly evident when the narrator, Jack says, ‘that’s the kind of thing that makes passing hard, having to deny your own family when you see them…you and I both realise it is all for the best, but anyhow it’s terrible’ (Hughes 1971 pg. 51). The main character is seen to although understand the privilege he has, also feel guilty about ignoring who he is by birth. David Lodge describes ‘…The beginning of a novel is a threshold, separating the real world we inhabit from the world the novelist has imagined. It should therefore… “Draw

Identity is who a person is or how they see themselves, but is this something they are born with or is it something they learn over time? Can this identity be changed? Or is it permanent once set? Identity is a major theme in Toni Morrison’s Sula. Scholars discuss the different identities that the characters possess, but tend to fail to mention character development or lack of character development. Character development or lack thereof is usually an important literary move in most writing. This development provides a deeper understanding of characters in addition to a deeper understanding of themes throughout the literature. Sula focuses mainly on the lives of Sula and Nel, which makes tracking their character development easier to track and observe their identity and sense of self. Identity is a major, yet easily overlooked theme in Sula.