The Consequences of Deception Essays

“Hamlet” and “Twelfth Night” are two Shakespeare plays of complete opposites. Due to one being written as a tragedy, and the other as a comedy, many comparisons can be drawn between the two plays, on themes and motifs that develop throughout the plays. One of the themes that is easily recognisable in the early stages of both plays, is that of deceit and disguise. In “Hamlet”, we learn early on that Hamlet decides to act as a madman in order to try and weed out a confession from his uncle about the murder of his father. Although he does not actually reveal to any other characters his plan until Act 1 Scene 5, when he tells Horatio that he plans to “put an antic disposition on”, the audience can recognise very early that Hamlet is going to show some kind of deceptive characteristics in order to execute his plan.

Another example of deception is when Maria, Olivia's servant writes a letter to Malvolio, Olivia's head servant and Maria's coworker. Maria deceives Malvolio by writing in Olivia's handwriting. In the letter she says that Olivia loves men in yellow stockings. "Remember who commended thy yellow stockings, and wished to see thee ever cross-gartered" (2.5. 143-145). Maria knows that Malvolio will follow this ridiculous deed because of this love for his lady Olivia. Sir Toby Belch says, "He shall think by the letters that thou wilt drop that they come from my niece, and that she's in love with him" (2.3. 154-156). Maria places the letter in her garden where Malvolio will definitely find it. Thinking Olivia will fall in love with him because of his clothing, Malvolio dress up in yellow stockings and goes to see Olivia. When Olivia sees Malvolio and the way he is acting, she isolates him for fear that he is insane.

One must always be weary of the truth because it is quite often manipulated to serve the needs of any person who requires that the truth be on their side. Quite often, the only way to discern the truth from the fiction is by way of a deceptive act, because an act of deception always exposes both its self and the truth to be two quite different things. Nowhere is this more true than in William Shakespeare's, Hamlet. One of the major themes in the play is in fact, deception. This central theme is expressed throughout the play in three major forms: the fear of being deceived, the act of deception, and the ultimate result of the deceptive act. The first facet of the deceptive

Deception According to Hyman (1989) deception implies that an agent acts or speaks so as to induce a false belief in a target or victim. Deception can occur in everyday life. Whether it is telling someone they look nice or not telling them that they look fat. This is an important process for forming relationships and general social interaction.

Self deception is the process or fact of misleading ourselves to accept as true or valid what is false or invalid. Self deception, in short, is a way we justify false beliefs to ourselves. There is no doubt that sometimes we are not realistic. Not all of our actions are rational or intentional. Sometimes we avoid reality, we deny the truth, and we fool ourselves. In some cases we may see the world the way we want to, and not the way it is. Self deception raises basic questions about the nature of belief and the relation of belief to thought, desire, and will.

Malvolio is a social climber, he feels that if Olivia would love him his status would be higher. But because of

Twelfth Night, written by William Shakespeare, is a comedy about love. Love can be things that are not always what they seem and or it can be foolish and it can also be a weakness. Foolishness and weaknesses are the most of what we see in the play, Twelfth Night, the audience sees that, yes there is a tragedy but, that is not what the play revolves around. The audience sees that later on in the play all the love that is being described is foolish as well as something a child would do. The love that is being described can not happen for a certain reason and when the characters find out that someone loves them and they were not just saying that they would do something for them, the character just sort of accepts it and let fate intervene and take place. Everyone in the world has a weakness or have done something foolish in their life. It only counts

Deception and disguise are two key themes in Shakespeare's 'Twelfth Night'. As in most comedies, Twelfth Night celebrates different forms of disguise and deception in order to make the play more entertaining. It also develops a strong connection between the main plot (with Viola, Orsino, Olivia, and the others) and the sub-plot (involving Sir Andrew, Sir Toby, Malvolio, and Maria). Disguise and deception appear in many different ways throughout the story.

In Twelfth Night, Feste asks the “most simple and at the same time most complex of questions,” “What is Love?” (The English Review). Some people believe that love is easy, effortless, and leads to fairytale endings. However, in Twelfth Night, Shakespeare shows the other side of love. Love is not a simple feeling, and it is a confusing emotion which leads to heartbreak, or pure happiness. These two polar opposites are derived from either true or false love. Shakespeare portrays the idea that love is not always easy, and differentiates between false and true love in Twelfth Night.

In Shakespeare’s play, Twelfth Night or What you Will, the characters are involved in a plot complete with trickery, disguise, and love. Each character is defined not by his or her gender or true identity, but by the role they are forced to take because of the complicated situation that arises. Unlike their gender, the speech the characters give an insight to their true personalities. In the Twelfth Night, the character Duke Orsino uses flowery and over-dramatic language, long poetic sentence structure, and melodramatic metaphors to display his overemotional romantic nature despite the different emotions in his various speeches.

Deceit and lies are rampant in William Shakespeare’s The Tragedy of Hamlet. It can be seen in the characters’ actions and words, as well as what they fail to say and do. It comes in various types of relationships -- between husband and wife, parent and child, siblings, and between lovers. Nearly every character in the play either deliberately spins a web of their own lies, uses another person for their trickery, or is used in another person’s deceitful plot. Each has different motives for their deceit -- to maintain power, to achieve their goals, to attain vengeance, or simply because it is necessary to function in this twisted society -- but all of them face a tragic ending no matter their initial intentions. In this play, deceit is so uncontrolled, intertwined, and multidimensional that it becomes impossible for either the characters or audience to ascertain what is true.

Maria and the conspirators decide to mislead Malvolio into thinking that Olivia is in love with him. Maria decides to lead him on by writing a letter, but means to be from Olivia. This love letter is meant to instruct Malvolio to do actions that Olivia despises. Maria is able to mislead Malvolio because she has the same print and seal as Olivia. Shakespeare is able to trick the characters and create many portrayals of them.

Deception in the play ‘much ado about nothing’ is demonstrated as an act of trickery to mould a victim’s thoughts in a certain way to satisfy the feelings of the villain, creating tension amongst the characters that is not necessarily bad, as it leads to outcomes that enhance the story line. Playful, Malice and self deception are the main themes that Shakespeare’s ‘much ado about nothing’ is based upon. It is through the dramatic techniques that deception is crystallised in the play creating an interesting and creative atmosphere for the audience to experience.

Disguise in humans is used not only for deceiving others, but also as a tool for hiding the true self and safely masquerading a persona whom society would otherwise not consider compatible with pre-defined roles strikingly similar to theatrical ones. Similarly, through disguise Rosalind has the ability to experience and develop a deep and loving relationship with Orlando without having to directly confront any of the risks involved with passionate love. The result here is that the disguise Rosalind used allowed for her to experience a loving relationship with Orlando from a safer position, resulting in her taking advantage of this opportunity to test Orlando’s dedication to her. Rosalind’s continuous inquiries about Orlando’s faith in love are a crucial example of this: “But are you so much in love as your rhymes speak?”. This type of safe experimentation transformed Rosalind into a more fearless, honest person in terms of the relationship with Orlando. The result was that certain aspects of love managed to evolve in this relationship, such as patience and maturity. An additional result was that Orlando himself was transformed in the process, changing from a more naïve person to a more self-assured, mature individual. The fact that this disguise allows for a deeper, more nuanced relationship to unfold from what would have otherwise simply been another love at first sight only scenario as in Romeo and Juliet, does not in my opinion undermine the whole notion of the saying

What are lies? A lie is defined as follows: To make a statement that one knows to be false, especially with the intent to deceive. There are several ways that lies are told for instance, there are white lies, lies of omission, bold faced lies, and lies of exaggeration. No matter what type of lie that one chooses to tell many people believe that lies do more harm than good.