The Construction of Fallingwater Frank Lloyd Wright Essay

Russel Wright is an American industrial designer and architect that lived during the early to mid twentieth century. Many of Wright’s ideas and designs were considered to modern at time, drawing influences from not only ingenious designers like Frank Lloyd Wright but nature as well. Wright’s influences would lead him to create a design style unlike any at the time; a style that would eventually become almost standard in many homes in the United States. The designer Russel Wright and his wife, Mary Wright together published a guidebook known as Guide to Easier Living. In it contains numerous suggestions and thoughts on home architecture, interior design, as well as product design. Many of the thoughts and suggestions conveyed in the book can be seen in present-day design and architecture. Wright’s book also laid the groundwork for his home, Dragon Rock, which of itself possesses elements of design that are seen in today’s homes. Russel Wright’s Guide to Easier Living is clearly a response to interior design at the time; containing numerous design ideas, Wrights guide influences Wright’s own future works.

“Frank Lloyd Wright was a modern architect who developed an organic and distinctly American style. He designed numerous iconic buildings” (biography.com). Frank Lloyd Wright was instrumental in developing the “Prairie Style” of architecture. In 1893, when Frank Lloyd Wright founded his architectural practice in Oak Park, a village in Chicago, he had no idea that his Oak Park Studio

These impossible lengths of the building gives the reader insight on how powerful Burnham is with architecture. Burnham’s mind “pioneered the erection of tall structures” (13). that gives the visual image that Burnham made the first tall buildings of his generation, a huge accomplishment for an architect. Larson uses Burnham as the “leading architect”

Without a doubt, Frank Lloyd Wright was one of the greatest architects in American history and the greatest architect of the 20th century. Nature was his muse and his architectural structures embodied organic qualities. He took full advantage of the technological advances of the 20th century but redirecting the concept of space and employing new techniques; Wright was known for his modern and innovative designs. He believed that, “architecture was not just about buildings, it was about nourishing the lives of those sheltered within them”. Wright is not only one of the most well known architects in America but he is also thought of as one of the most influential architects in the world.

Frank Wright (1867-1959), is an American architect born on June 8th in Richland Center, Wisconsin (Biography.com n.d.). A modern design, he produced an organic and clear American style (Architectural Digest n.d.). Wright founded his own firm and developed the Prairie School- single-story homes with low, slanted roofs and extended rows on the windowpane, using the available materials from local business and clean and not painted wood (The Editors of Encyclopedia Britannica 2017). The Robie House (Figure 1) located in Chicago and Unity Temple placed in Oak Park (Biography.com n.d.). Wright was known mainly in Europe but not in the United States. In 1913, Wright designed his home on his maternal ancestors land in Spring Green, Wisconsin (Architectural Digest n.d.). This home was named Taliesin, sadly it got burnt down twice and he still remodeled it again (The Editors of Encyclopedia Britannica 2017). Wright wrote two books in 1932: “An Autobiography” and “The Disappearing City,” both are known as architectural literature (Biography.com n.d.). In addition, to publishing the two books, he

A review of the house itself suggests that an architectural hierarchy of privacy increases level by level. At first, the house seems to foster romantic sensibilities; intrigued by its architectural connotations, the narrator embarks upon its description immediately--it is the house that she wants to "talk about" (Gilman 11). Together with its landscape, the house is a "most beautiful place" that stands "quite alone . . . well back from the road, quite three miles from the village" (Gilman 11). The estate's grounds, moreover, consist of "hedges and walls and gates that lock" (Gilman 11). As such, the house and its grounds are markedly depicted as mechanisms of confinement--ancestral places situated within a legacy of control and

Frank Lloyd Wright was born in the year 1867, in Richland Center, Wisconsin. Both an architect and writer, he is considered a genius of the American architecture (Kaufmann 1). Wright went to the University of Wisconsin at Madison for a few terms where he took engineering courses (Kaufmann 3). He finally left Madison after a few years and found work with J.L. Silsbee, in architectural detailing. After a few years he opened his own architectural practice. One of his styles that became the residential design of the 20th century in the United States was the Prairie Style. The Prairie architecture was known for its revolutionary approach to the building of modern homes. Wright built about 50 prairie houses in ten years. Two of his major works that stand out is the Guggenheim Museum located in New York and the Marin County government Centre located near San Francisco.

Many of those buildings were being developed in his mind while he was growing up and spending summers on his uncle’s farm. It was during this time that he developed his love for Nature, to be a part of it. His love for Nature is dominant in his earlier works dubbed the “Prairie Houses”, but can also been seen in his later works such as Johnson Wax and the Guggenheim Museum. When Frank Lloyd Wright was just sixty-eight years old, he was commissioned to design a house for Edgar Kaufmann. Wright and Kaufmann went to the property to survey the location for the house. Kaufmann liked to spend time at the water falls on his land so that is where Wright decided to build it. Wright figured if Nature could place the boulders over a waterfall, than he could build a house over one. It took Wright only three hours to draw the plans for the house. The house consists basically of concrete slabs balanced on the boulders above the stream, and the walls are slabs of the natural rock surrounding the house. The house includes a pool that is built under the house and is fed by the passing stream. Every aspect of the house embraces the Nature that it co-exists with, and the house appears to fade into its surroundings.

We can notice clearly in this house how Sullivan’s teaching and Japanese prints influenced Wright’s design. In general for the Prairie houses, Frank Lloyd Wright used all of those influences to had a radically different idea of the function and appearance of residences. The use of horizontal lines is crucial in this design because they define how the volumes and other elements of the house are displayed, making it look longer and lower than other type of dwellings. Sullivan’s idea about the importance of a building’s interior can be seen in this house design because Wright actually took that and extended the interior outside the house. Moreover, Wright started experimenting with materials that allowed him to materialize his

In 1887, Wright worked with Louis Sullivan in Chicago, a well-known architect of the time who also wanted to separate from European style, until 1893. After Wright had stopped working with Sullivan’s firm, he made what is considered his first masterpiece, his home in Oak Park, Illinois known as the Frank Lloyd Wright home and studio. This structure was also his first work designed with his “Prairie” style. This style involved single-story homes with many horizontal lines, spacious living areas, and many casement windows. They were built with nearby materials and the wood used was not painted, expressing natural beauty. Wright later designed many more of his works in this styles, such as the Robie House and Unity Temple. In later years, he designed more well-known buildings, such as Taliesin, his home in Wisconsin, and Fallingwater, a building built on a waterfall in Pennsylvania. Later, he built public buildings, for instance, the Monona Terrace Civic Center, the SC Johnson Wax Administration, and the Guggenheim Museum. Wright also designed Tokyo’s Imperial Hotel in 1915, which he stated was “earthquake-proof” and, later, ended up being the only building involved in the 1923 Japanese earthquake to remain unscathed. Wright had also designed Usonian houses, which were the predecessors of today’s ranch-style homes. These homes had natural heating and cooling, and included carports, which were invented by Wright. All in all, Wright designed more than 1,100 structures. Frank Lloyd Wright died on April 9th, 1959, at age 91.

Internationally, Frank Lloyd Wright was a prominent figure in mid-century modern architecture (as was Mies van der Rohe, Walter Gropius and Le Corbusier)

“Human houses should not be like boxes, blazing in the sun, nor should we outrage the Machine by trying to make dwelling places too complementary to Machinery. Any building for humane purposes should be an elemental, sympathetic feature of the ground, complementary to its nature-environment, belonging by kinship to the terrain.”

Wright created the philosophy of "organic architecture," the center principle of which maintains that the building should develop out of its natural surroundings. From the outset he exhibited bold originality in his designs for both private and public structures and rebelled against the ornate neoclassic and Victorian styles favored by conventional architects. Wright believe that each building should have its own identity and it should be determined in each case by the particular function of the building, its environment, and the type of materials used in the structure. He used various building

For Wright, the church was meant to be a temple for man to worship god, which coincided with Wright’s decision to abandon the typical New England Unitarian, white steeple, architectural style for a more modern concrete aesthetic. Also the church 's budget was relatively low for a project of this scale, approximately $40,000. In harmony with Wright’s philosophy of organic architecture, the concrete was left uncovered by plaster, brick, or stone. Wright’s sensitive handling of materials was a defining feature of his architecture from early in his career. “Bring out the nature of the materials, Wright insisted, let their nature intimately into your scheme. Reveal the nature of wood, plaster, brick, or stone in your designs, they are all by nature friendly and beautiful. No

To what extent may Wright’s Rosenwald school have elevated cultivation by virtue of his perception of an ‘organic’ architecture?