The Consumption Of Lynching Images By Leigh Raiford

In the words of Miss Ida B. Wells: The student of American sociology will find the year of 1894 marked by a pronounced awakening of the public conscience to a system of anarchy and outlawry which had grown during a series of ten years to be so common, that scenes of unusual brutality failed to have any visible effect upon the humane sentiments of the people of our land. She is depicting a period of time in American history stained with the blood of hundreds of free African American men, women and children. These people were unjustly slaughtered through the practice of lynching within the South. Wells was an investigative journalist and was involved in exploring, reporting, publishing literature on, and eventually campaigning against the

In the late 19th century, lynchings were commonplace occurrences, especially in Southern states. The lynchings were publicized in newspaper ads and were so accepted that postcards showing pictures of the event were sold as souvenirs. Apologists claimed that the lynchings took place to punish criminals for their crimes and to protect white women from black aggressors. To counter the claims that resulted in these “punishments,” many activists, including Ida B. Wells, wrote speeches depicting the harsh and racist reality of lynchings. In 1909, Wells gave a speech at the National Association for the Advancement of Colored People’s first annual conference in Atlanta, Georgia, in which she condemns lynchings and their public acceptance. By offering

First, ask yourself how would you feel after hearing the news that one of your family members had been lynched? Throughout the chapters 1-8, we can experience and observe the disheartening history of violence and lies. It is additionally an irritating depiction of a partitioned country on the very edge of the social equality development and an eerie contemplation on race, history, and the battle for truth. Throughout history, the conditions of the lynching, how it affected the legislators of the day, quickened the social equality development and keeps on shadowing the Georgia people group where these homicides occurred. During the 1900s until 19600s various African-Americans experienced various harsh conditions of violence, never being granted the right to vote and being segregated from whites based on their race and skin-color from their white masters. In general racism between whites and blacks can be seen throughout the globe during the era of slavery

The article “Regarding the Aftermaths of Lynching” is one written by Kidada E. WIlliams, that helps explain why it is important to be interested in what happens after an individual is lynched. This is indeed Williams’ argument, which is later elaborated more on in the article. Her argument is arguable due to the fact that, even though Kidada believes that lynching should be researched, every scholar does not. Williams has stated that lynching is wrong and immoral, but there are obviously individuals that do not agree.

One common theme throughout the reading is that “…systemic racist attitudes and negative depictions of people of colour by whites persist” (Feagin & Elias, 2013, p. 937). The historical trajectory of research methods are deeply rooted with systemic forms of racism, which is reflected in literature that was published centuries ago and can still be found in current literature today. Some of the articles that were assigned reference opinions and other forms of literature that state that white Americans believe that race and racism are a thing of the past, while others continue

Let’s examine the reality of violence during the Reconstruction Era. In the document, “Southern Horrors- Lynch Laws in All its Phases, by Ida B. Wells-Barnett we see countless examples of the continued violence in the south against African-Americans. The slogan “This is white man’s country and the

Wexler’s attention to these details ensures that the lynching victims are more than flat “symbols,” constructed by a foreign and long past semiotic system, to the reader. She writes, for instance, of George Murray, or Dorsey, who had “returned [to Monroe] from the army” (167), after “four and one-half years” of service, in September 1945, that he was a man who had “love for music,” “skill as a farmer,” and a memorable smile (99). In this respect, Wexler accomplishes the same empathy for an innocent victim as the NAACP, in 1946, might have done, and in similar style—as she contends, in parallel fashion to the deceased victims’

‘Fire in a canebrake’ is quite a scorcher by Laura Wexler and which focuses on the last mass lynching which occurred in the American Deep South, the one in the heartland of rural Georgia, precisely Walton County, Georgia on 25th July, 1946, less than a year after the Second World War. Wexler narrates the story of the four black sharecroppers who met their end ‘at the hand of person’s unknown’ when an undisclosed number of white men simply shot the blacks to death. The author concentrates on the way the evidence was collected in those eerie post war times and how the FBI was actually involved in the case, but how nothing came of their extensive investigations.

The argument that the author is trying to prove is that there has been numerous of lynching events in America but it has progressed into different levels over the years to prevent African- Americans from getting a voice in America’s society. Such as, using lynching as punishment for people’s actions that were not accepted to the public community, a source of intimidation and protection of white women. Majority of white men and women tried every way to keep African- Americans at the bottom of society. Like, when blacks were free from slavery however were still not able to participate in politics, go to the best schools and were only able to work for the low paying jobs. Blacks

Recently, an L.A. Times article (dated 2/13/00) reviewed a new book entitled "Without Sanctuary", a collection of photographs from lynchings throughout America. During the course of the article, the author, Benjamin Schwarz, outlined some very interesting and disturbing facts related to this gruesome act of violence: Between 1882 and 1930, more than 3,000 people were lynched in the U.S., with approximately 80% of them taking place in the South. Though most people think only African Americans were victims of lynchings, during those years, about 25% were white. Data indicates that mobs in the West lynched 447 whites and 38 blacks; in the Midwest there were 181 white victims and 79 black; and in the South, people lynched 291

During the nineteenth century, lynching was brought to America by British Isles and after the Civil War white Americans lynching African American increased. Causing and bringing fear into their world. In the Southern United States, lynching became a method used by the whites to terrorize the Blacks and to remain in control with white supremacy. The hatred and fear that was installed into the white people’s head had caused them to turn to the lynch law. The term lynching means to be put to death by hanging by a mob action without legal sanction. So many white people were supportive of lynching because it was a sign of power that the white people had. “Lynching of the black people was used frequently by white people, their is no specific detail of how many times they had done it, but lynching of black people has lasted from 1882 to 1968. Lynching also is in fact a inhuman combination of racism and sadism which was used to support the south’s caste system,’’(Gandhi).

They would send these pictures out like postcards as a reminder of what happened to people when the befriended blacks or blacks, that went against what the mob thought was right. Lynchings almost always occurred when there was a trial that involved a black person that went against a white person. These lynchings were used by the mob to control the court system. The person on trial would not have the chance to be proven innocent if they were dead. The mob did not always get what they wanted. Sometimes the police would be able to keep the prisoners in a different county until their trial.

Hughes’s descriptive writing prompts the reader to visualize strong images of oppression in America. The speaker provides an image of an extremely suppressed group of people in the statement: “I am the red man driven from the land” (Hughes 21). This simple phrase creates a picture of the Native Americans being driven from their lands and forced to live on undesirable land, and, as a result, this invites the reader to acknowledge their severe oppression. Similarly, the speaker mentions the people who were “torn from Black Africa’s strand” (Hughes 50). This generates an image of boats packed with a depressing amount of broken people, waiting to be sold into slavery. These visual examples portray the severity of the situation that many Americans found themselves in. These

The great majority of people lynched between 1882 and 1930 were black. During that period there were almost 4800 recorded lynchings in the United States. There were many more, no doubt, but we know about 4800. 3400 victims of this mob justice were black. The period from 1889 to 1893 accounted for the worst years. 579 blacks were lynched as opposed to 260 whites. That is a ration of 2.2 blacks lynched for every white. This is a significant difference already, but only part of the story. By the end of the century the racial nature of lynching had revealed itself, completely and unmistakably. Between 1899 and 1903, 543 people were lynched in the United States -- men and women. Of that number only 27 were white. That is a ratio of 22 blacks lynched for every white.

Many are unaware of the effects that race has played in their lives over the years. Some may not understand its implications, but are very oblivious to it. Race can influence such things like attitude and behavior. Nowadays being white or black means something more than just a Crayola color. No longer are they just colors, they are races with their own rules and regulations. People of color have been inferior to the white race for centuries. In their own way Zora Neale Hurston shows this concept in her story “How it feels to be Colored Me” as does Richard Wright in his autobiographical sketch “The Ethics of Living Jim Crow”.