The Contradictory Spectatorial Address Of Some Like It Hot

Check your intuitions—neither dismiss them, nor trust them blindly. In the play, Twelve Angry Men, the Jurors are always checking their intuitions. The Jurors’ intuitions are going to change whether the accused is guilty or not. The judge says, “If there is a reasonable doubt in your minds as to the guilt of the accused—then you must declare him not guilty.

In “A Century of Cinema”, Susan Sontag explains how cinema was cherished by those who enjoyed what cinema offered. Cinema was unlike anything else, it was entertainment that had the audience feeling apart of the film. However, as the years went by, the special feeling regarding cinema went away as those who admired cinema wanted to help expand the experience.

Does a man who brutally murdered four humans-for the sole reason that he had the power to-deserve any ounce of sympathy? “In Cold Blood”, Truman Capote uses “pathos” to appeal to the emotions of the readers about the two murderers, Perry Smith and Richard Hickock. Capote certainly sympathizes with and portrays one of the cold-blooded murderers in a positive light and portrays the other murderer as a despicable and disgusting human being. For instance, Capote utilizes righteous and simple diction to advocate Perry’s emphatic nature with choices like, “compassion” and “uncharitable”. Furthermore, the author’s piteous tone emphasizes the tragic and hopelessness of Perry’s life with choices like, “You think I like myself?” and “”. In addition, Capote’s tone and diction paints Dick as a tasteless, vicious creature who deserved to take the full blame of the murder. Lastly, there are several rhetorical strategies that author employs to encourage the audience to sympathize with Perry and to hate and despise Dick.

Rhetorical Analysis Essay: Gay Culverhouse Concussions have become a high priority head injury at all levels of football, but is being spotlighted on the National Football League (NFL) and a well-known issue among retired players who are now suffering the long-term effects of their years as football players. Today when we see a famous football player our attention is on the six figure contracts, million dollar houses, and fast cars. We don’t see the enormous pressure these players are put under and the hardships they put their bodies through every day so their families are taken care of for the rest of their lives. Gay Culverhouse, the former owner of the Tampa Bay Buccaneers, has become an activist for former players through her book, Throwaway Players: The Concussion Crisis: From Pee Wee Football to the NFL. The book is filled with emotionally pulling stories and tons of statistics.

Although the best reasons for “going to the movies” are to be entertained and eat popcorn, understanding a film is actually quite complex. Movies are not only a reflection of life, they also have the capability of shaping our norms, values, attitudes, and perception of life. Through the media of film, one can find stories of practically anything imaginable and some things unimaginable. Movie-makers use their art to entertain, to promote political agendas, to educate, and to present life as it is, was, or could be. They can present truth, truth as they interpret it, or simply ignore truth altogether. A movie can be a work of fiction, non-fiction, or anything in-between. A film is an artist’s interpretation. What one takes away from a film depends upon how one interprets what has been seen and heard. Understanding film is indeed difficult.

Throughout this course, you have been compiling a blog and writing essays that analyze various elements of film such as theme, cinematic techniques, and genre. It is now time to combine those elements into a comprehensive analysis of one movie.

Whenever books are adapted for film, changes inevitably have to be made. The medium of film offers several advantages and disadvantages over the book: it is not as adept at exploring the inner workings of people - it cannot explore their minds so easily; however, the added visual and audio capabilities of film open whole new areas of the imagination which, in the hands of a competent writer-director, can more than compensate.

In contemporary film making, “Hollywood-ization” generally refers to the re-creation of a classic work in a form more vulgar and sexually explicit than the original in an effort to boost movie attendance. After all, sex and violence sell. However, from the mid-1930’s to the 1950’s, “Hollywood-ization” referred to the opposite case where controversial books had to be purified to abide by the Production Code of 1934.[1] This occurred to many of James Cain’s novels as they moved from text to the genre of “film noir.” As has been said about Cain’s The Postman Always Rings Twice, “The property, bought several years ago, was kept in the studio’s archives until now

Bart Layton built this doc not from one perspective, but from a collection of them. Some stories, like “The Imposter” need a panoptic approach to connect the audience to the film. The themes of manipulation, identity and love are the main themes conveyed by Layton. These themes are communicated through sounds and visual imagery.

The PBS article on film adaptation discusses the challenges of adopting a novel into film and the changes film makers must make. Most novels and stories have been turned into films. The “narrator mediates the meaning of what we read”, but in films the narrator is gone. The movies give the audience exactly what should be seen, and with words the reader has to use their imagination to see the movie in their head. Instead of being able to make up the film all together, the filmmaker has to re fashion the story in their own way. The filmmakers have to put their own traits or to solve problems they perceive in the original book. The filmmaker wanted to toughen the characters sense of hatred for the use of the viewing screens, which makes the different themes in Ray Bradbury’s “The Pedestrian ,” evident in the short story and the film adaptation.

Since the 1940’s, movies have predominately portrayed women as sex symbols. Beginning in the 1940’s and continuing though the 1980’s, women did not have major roles in movies. When they did have a leading role the women was either pretreated as unintelligent and beautiful, or as conniving and beautiful: But she was always beautiful. Before the 1990’s, men alone, wrote and directed all the movies, and the movies were written for men. In comparison, movies of the 90’s are not only written and directed by women, but leading roles are also held by older and unattractive women. In this paper I will show the variations and growth of women’s roles in movies from the 1940’s though the 1990’s.

The third chapter will mainly discuss Woody Allen?s The Purple Rose of Cairo (1985) to examine how a theme about cinema-goers reflects a desire from the filmmaker and the audience. The film fabricates a fantasy where the protagonist of a film called ?The Purple Rose of Cairo?, Tom Baxter (enacted by Jeff Daniels), ?steps? out of the film during a screening. He joins Cecilia (starred by Mia Farrow), a frustrated waitress and aggrieved wife who has watched this film countless times, and starts an adventure in the real world. Confronting the chaos caused by Tom arbitrarily leaving the screen, Gil Shepard, an actor who impersonates Tom, comes to persuade Tom to return to the film, while pursuing Cecilia at the same time. In the end, Cecilia chooses to stay in reality but ends up alone due to Gil abandoning her for his career in Hollywood.

The movie The Hot Chick is a 2002 comedy film that focuses on a high school girl named Jessica Spencer who tries to find a way to get her body back after it is switched with a man named Clive Maxtone. Jessica is the typical popular, cruel and spoiled high school girl that one night switches bodies with a gas station robber Clive, due to a pair of earrings Jessica stole from a occult shop that day, one of which ends up in Clive's hands. She wakes up dazed and confused trying to figure out what might of caused this. Throughout the movie Jessica tries to find a way to get her body back while learning first-hand the pros and cons of being a man, while at the same time Clive takes advantage of the situation to commit a crime so he can blame it on

“…it was funny coming into the hotel and the very deferential clerk not knowing that I was not only thousands, nay tens of thousands in debt, but had less than 40 cents cash in the world and probably a $13. deficit in the bank.” This entry in Scott Fitzgerald’s Notebooks, about the time he spent in Hendersonville, North Carolina – washing his own linen and living on canned meats and food (Cody) – is a good summation of the state he was in when he began to write his “Crack-Up” essays. Persuaded by Esquire editor Arnold Gingrich to write something to earn his advance from the magazine (Bitonti), Fitzgerald did just that and “The Crack-Up,” “Pasting it Together,” and “Handle with

Whether you fancy reading a book or watching a film, whether you consider yourself a bookworm or a movie enthusiast, or perhaps both or even something else entirely; there is bound to be something suitable for your tastes and preferences. In our day and age, many books often get adapted into films. This change of discourse undoubtedly affects the way we perceive the piece. An example for a book that has been adapted into a movie is the young adult novel “The Fault in Our Stars” by American author John Green.