The Contrasting World Views in William Blake’s “the Lamb” and “the Tyger”

such a terrifying beast?” and “Who is God who dares to make such a terrifying

The creature feels abandoned by his creator, Victor, and proclaims to him: “Remember that I am thy creature; I ought to be thy Adam, but I am rather the fallen angel” (Shelley 87). Shelley refers to the creature as being abandoned by Victor just as God abandoned angel Lucifer after he committed terrible sin. The reference to Adam in the Bible is a reoccurring theme which reflects how Victor’s abandonment of the creature caused him to do harm. Victor brings his monster into the world as an innocent creature, or so the creature believes. However, society rejects the creature because of his appearance and he is corrupted to a life of misery, thus losing his innocence. Shelley uses this allusion to prove that as humans (or creatures of similar nature, in this case) experience the corruption that exists in the world, their innocence is lost.

In the poems "The Lamb" and "The Tyger," William Blake uses symbolism, tone, and rhyme to advance the theme that God can create good and bad creatures. The poem "The Lamb" was in Blake's "Songs of Innocence," which was published in 1789. "The Tyger," in his "Songs of Experience," was published in 1794. In these contrasting poems he shows symbols of what he calls "the two contrary states of the human soul" (Shilstone 1).

In “The Lamb” by William Blake, you will see that, if analyzed closely, the lamb is a personal symbol which signifies God himself. The innocence of a child is like that of a lamb, and serves as a model for humans to follow. In the first stanza, the speaker is the child who is also the teacher. The child asks the lamb who gave him life and all his needs, along with a voice so "tender”. Then, the child declares that he will tell the lamb who their creator is. The creator shares the same name as the lamb, which is a reference to Jesus Christ. The end of the poem is giving way to a blessing which, gives an expression of the child’s adoration at the connection the lamb makes in child,

Just like the “lamb” that was born into this world through a virgin and was sacrificed for all mankind, this same “lamb” made us and called us by his name. In his poem "The Lamb," William Blake clearly uses repetition, personification, and symbolism to describe his religious beliefs and how a pure sacrifice is portrayed by a little lamb. Laura Quinney’s book, “William Blake on Self and Soul,” shows the religious side of Blake when it says, “Blake makes this argument in his address “To the Deists,” where he insists “Man must & will have Some Religion; if he has not the Religion of Jesus, he will have the Religion of Satan” (Quinney, 2009). Blake uses his religious view to show us he believes that our creator is the Lamb of God. He distinctively uses the innocence and purity of a little lamb and how its creator clearly takes care of it. The lamb is fed, given water by the stream and a bidden a blessed life.

The Songs of Innocence poems first appeared in Blake’s 1784 novel, An Island in the Moon. In 1788, Blake began to compile in earnest, the collection of Songs of Innocence. And by 1789, this original volume of plates was complete. These poems are the products of the human mind in a state of innocence, imagination, and joy; natural euphoric feelings uninhibited or tainted by the outside world. Following the completion of the Songs of Innocence plates, Blake wrote The Marriage of Heaven and Hell and it is through this dilemma of good and evil and the suffering that he witnesses on the streets of London, that he begins composing Songs of Experience. This second volume serves as a response to Songs of

William Blake’s 1793 poem “The Tyger” has many interpretations, but its main purpose is to question God as a creator. Its poetic techniques generate a vivid picture that encourages the reader to see the Tyger as a horrifying and terrible being. The speaker addresses the question of whether or not the same God who made the lamb, a gentle creature, could have also formed the Tyger and all its darkness. This issue is addressed through many poetic devices including rhyme, repetition, allusion, and symbolism, all of which show up throughout the poem and are combined to create a strong image of the Tyger and a less than thorough interpretation of its maker.

Allusion is also an important part of this poem because of the way the author uses it to connect to the outside works that may also encourage the reader to think in a certain way that goes along with the themes of the poem. The first allusion, found in lines 7 and 8, are to the Greek gods Icarus and Prometheus. This allusion requires the readers to think about gods and religion, which is a major part of the theme of this poem. Another allusion I see is in line 20, which refers to another one of Blake’s poems, “The Lamb.” This allusion is significant because the speaker asks, “Did he who made the Lamb make thee?” (20) And he wonders whether or not the same creator who made something so gentle and pure could also make such an evil animal. The allusion itself brings the reader to think about the other poems and to contrast the two completely

Thesis Statement: The Lamb written by William Blake is a beautiful spiritually enriched poem that expresses God’s sovereignity, His love for creation and His gentleness in care and provisions for those that are His .

In order to exist in nature and in human, innocence requires experience. The author, William Blake divided his poems into two volumes which are Songs of Innocence and Songs of Experience. “The Lamb” is the poem from Songs of Innocence and “The Tyger” is from Songs of Experience. In “The Lamb,” Blake writes in an incomplex, childlike way asking an innocent lamb who made it. In “The Tyger,” Blake asks who could have possibly made something as formidable as the tiger. William Blake uses archetypes in his poems “The Lamb” and “The Tyger.”

Through this, Blake is showing the hypocrisy of religion, a theme commonly shown throughout “Experience.” Throughout “Innocence” a simple, child-like portrayal of religion is explored. This could show Blake as primarily a religious poet as there are common, simple themes running throughout many of his poems in “Innocence.” This simple view of both Christ and religion contrasts the complex metaphors used to represent religion in “Innocence.”

Blake begins the poem by stating that it is not possible to love another as much as yourself, and that thought is the highest of all human functions. This sets the stage for Blake's attack on religion's ideas of hierarchy and condemnation of rational thought. The next stanza describes the boy asking God, indicated by the capitalized "Father," how he could love him or another human more than a little bird picking up crumbs. The boy states that he loves God in and as much as a little bird. This echoes the naturalist ideas supported in the aforementioned poems. Blake seems to be saying that the proper way to worship and commune with God is by loving all natural beings, human and non-human. The priest, a symbol of organized religion that Blake so sharply critiques, overhears what the boy is saying and is infuriated by the idea that a person could worship God through nature, without ritual, politics, or human involvement, and that the boy dares use his mind to question what he has been taught. The priest makes the boy a martyr, preaching from his high pedestal of pomposity, and burns the boy, despite the cries of his family. The boy's curiosity and natural thinking have been squelched, and his imagination bound in iron chains. Blake closes the poem by asking if such

Blake's poems of innocence and experience are a reflection of Heaven and Hell. The innocence in Blake's earlier poems represents the people who will get into Heaven. They do not feel the emotions of anger and

The poem begins with the question, "Little Lamb, who made thee?" The speaker, a child, asks the lamb about its origins: how it came into being, how it acquired its particular manner of feeding, its "clothing" of wool, its "tender voice." In the next stanza, the speaker attempts a riddling answer to his own question: the lamb was made by one who "calls himself a Lamb," one who resembles in his gentleness both the child and the lamb. The poem ends with the child bestowing a blessing on the lamb.

The poem opens up with the words, “Tyger Tyger, burning bright,” which in this case makes the words Tyger appear to the reader as if the author is speaking directly to the Tyger and sets up the theme of night along with which come darkness and evil. The words “burning bright” are used as a comparison to the Tyger. Blake chooses fire to be compared to the Tyger because both are known to be harmful, strong, wild, forceful, and destructive. In a way, they also resemble each other in looks, as a Tyger in the dark, looks like a fire because of its orange stripes. The third and fourth lines aske the first unanswered question: What creator has the ability to make something with such “fearful symmetry” (4)? The second stanza asks the same question but in a completely different way, wondering where the Tyger came from. In lines 10 and 20, Blake’s asks two questions. These questions are different from the rest, he asks, “Did he smile his work to see? /Did he who made the lamb make thee?’’ (19, 20) These lines are asking if the creator was happy with his work of such destructive soul, it also asks if the creator of the lamb was also the creator of the Tyger. You can look at this as if Blake was trying to connect the evil Tyger with the Lamb of God, Jesus Christ. The last lines ask the same question as the first, who could and who would create the Tyger.