The Contribution of the Supernatural to Richard III Essay

Shakespeare’s and Pacino’s texts both depict Richard’s downfall due to his lack of conscience and virtues in his ambitious quest for power to reflect the beliefs of a Providential and secular society respectively. As such, Shakespeare's use of stichomythia and rhetorical question “Was ever woman in this humour wooed? Was ever woman in this humour won?” accentuates the lack of compassion and morality in Richard’s persuasive abilities to emotionally manipulate Anne to accept him as a suitor in his path to attain greatness. With Richard’s gratification of his achievement, Shakespeare illustrates the tyrant within Richard as his moral conscience diminishes due to over-ambition, hence reflecting the harsh Machiavellian politics in the Elizabethan era. Shakespeare’s underlying message on over-ambition is further exemplified through the dissolution of Richard’s unjust reign and mental stability through the death imagery in “It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? Myself?”. Richard’s unstable mind in the ghosts’ precession, encapsulates Shakespeare’s message of the ramifications of sacrilegious acts whilst asserting God’s divine retribution on any form of theomachy ambition. In accordance to Shakespeare’s illustration of the fall of man due to ambition,

Richard, the main character of the Shakespeare’s play, Richard III is portrayed as socially destructive and politically over-ambitious. His destructive potential is depicted by the way he relates with the other protagonists in the play and also by what he confesses as his intentions.

It is only during his deposition and his imprisonment that Richard shows his greatest strength as a dramatic figure. Although occasionally he seems to demonstrate self-pity, he also reveals himself to have an acute awareness of the ironies and absurdities in the structure of power of his kingdom. He still compels the court to reconsider his initial claim that the crown is divinely appointed: “Not all the water… can wash the balm of an anointed king (3.2.55)”. Although he keeps reminding those present of his God-given mandate to rule, he seems also to take pleasure in passing on the trails of kingship to his successor. As a King, He does have a God-given position of being the king. But as a king one should know the difference between moral values and ethics values. Just because Richard is King and is appointed by God doesn’t give him any rights to be an awful ruler. He can’t always fight a problem by saying that he is

There is no doubt that Shakespeare was the author of great pieces of literature during an interesting time period. Given the circumstances, he was indeed mastering his craft during a very tumultuous juncture in British history. When one reads Richard III, they don’t necessarily have to know a great deal about the War of Roses to understand that there is some serious strife going on. However, if the reader takes some time to understand this fascinating string of events, the story of Richard and his fall becomes much more interesting. In all of his brilliance, Shakespeare manages to toy with the idea of humor in this very morose play. As a matter of fact, he does this in many, if not all of his tragedies.

    According to many, Shakespeare intentionally portrays Richard III in ways that would have the world hail him as the ultimate Machiavel.  This build up only serves to further the dramatic irony when Richard falls from his throne.  The nature of Richard's character is key to discovering the commentary Shakespeare is delivering on the nature of tyrants.  By setting up Richard to be seen as the ultimate Machiavel, only to have him utterly destroyed, Shakespeare makes a dramatic commentary on the frailty of tyranny and such men as would aspire to tyrannical rule.

Richard III, King of England, murdered his two nephews in order to maintain his power. This novel also

* Shakespeare shows the journey in Richard III of Richard himself on his dark quest to becoming king by both using his literary skills and performance to attain what he wants, ultimately being power.

The texts King Richard III and Looking for Richard both accept the centrality of power and the yearning for it, as a central plot driver and an assumed part of the human condition. However, each presents a different perspective as to the nature of power; its origins and morality.

How has your exploration of the connections between your prescribed texts enhanced your understanding of the values and contexts of each?

Although the concept of good and evil is subjective, one who knowingly commits a wrongful act, otherwise known as sin, must face consequences either externally or within their own mind. In the final Act of William Shakespeare's Richard III, Richard's conscience torments him after he dreams that he is visited from all of the souls he has killed. Act 5 Scene 3 is perhaps the most notable of the play, as it is the only scene in which Richard pauses to reflect on the severity of his actions; it is the only moment in which he feels guilty, fearful and unsure of himself and his success. In the passage following Richard's dream, Shakespeare relies on rhetorical and structuring devices to demonstrate Richard's uncertainty.

There is huge debate from both supporters and haters. The Richard III society claims that the facts we do know don’t support Shakespeare’s story. Recent evidence of two unidentifiable skeletons in the tower of London exists but isn’t conclusive. Richard still had the same possible motive as the play,the princes were in the way of the throne (Hicks, 362). If he isn’t guilty of this crime it could change the way he is viewed. The uncertainty leaves room for us to turn to the one source that is definitive, Shakespeare's play. Shakespeare used this uncertainty to gain our attention and amplify our accusations against Richard. Murdering relatives may have not been so appalling in its day ( University of Leicester, Web) but as time passes we continue to recoil and speculate, but it’s possible we will never know the

Macbeth is a tragedy play written by William Shakespeare. The play is set in Scotland during the mid 11th century. But, the play was written in 1606 at a time where James I was on the throne. King James was a very superstitious man who believed in magic and witchcraft and these themes were presented in Macbeth to please the King. Also the political context is important as it was included in Macbeth with the ideas of excessive ambition. On the other hand, Richard III is a historical play by William Shakespeare, believed to have been written in 1592. It presents the Machiavellian rise to power and subsequent short reign of Richard III of England.

In Shakespeare's play The Tragedy of Macbeth, Shakespeare uses an underlying motif of the supernatural to control the characters and add a new dimension to the play.

The supernatural was a popular element in many of the plays written in Shakespeare's time (including Hamlet) and everyone of Shakespeare's time found the supernatural fascinating. Even King James I took a special interest in supernatural and written a book, Daemonologie, on witchcraft. It must be remembered that, in Shakespeare's day, supernatural referred to things that were "above Nature"; things which existed, but not part of the normal human life and unexplainable. The play Macbeth involves many supernatural actions that act as a catalyst for suspense and thrill, insight into character, foreshadowing of future events as well as making connections with the theme.

One of the major concerns presented by Shakespeare in Julius Caesar is the struggle between fate and free will. This struggle is evident throughout the play through Shakespeares continual presentation of the supernatural. The supernatural is present in many different forms in the text, for example through omens, nightmares and sacrifices. Shakespeare believed that life was a combination of fate and freewill, he presents this idea to the audience through different events that occur throughout the play, events such as the Feast at the Lupercal, the Soothsayers prophecy, the animal sacrifice, Calpurnias dream and the presence of animals and Caesars ghost. These events build dramatic tension throughout the play, illustrating the struggle of