The Controversy Of The Painting 'The Zuloaga Affair'

In 1936 the Spanish government commissioned Picasso to paint a feature piece for their international exposition in Paris at the peak of World War II. Picasso was unsure of what to paint until in 1937 when Nazi warplanes bombed the Spanish town of

Pop Art emerged in Britain in the late 50’s and the United States in the early 60’s.(Mamiya 1992) Pop Art is generally known today as a representation of celebrating popular culture and consumerism, however it’s background and origins are far more broad and extensive. There are many factors and influences that lead to the creation of the Pop Art movement such as adjusting to life after World War II, new technological advances that lead to mass cooperate growth, the evolution of Abstract Expressionism and also social issues in the media such as feminism. (Smith 2001; Mamiya 1992) Many of these factors overlap and act as a catalyst in the creation of Neodadaism and eventually Pop Art. (Livingstone 1992) Pop Art does not have a soul distinct style nor just one major influence and this can be proven by looking at key artists of the movement such as Roy Lichtenstein, Andy Warhol, Claes Oldenburg and James Rosenquist as well as female Pop artists such as Martha Rosler. (Brauer, Edwards, Finch & Hopps 2001) Exploring these artists and the major influences of their work will break down Pop Art and establish the movement’s purpose as well as its evolution.

Work of art from the Romantic time period shares many similarities with work that is seen in the modern world and today’s audience can relate greatly to art from that time. There is a strong sense of emotion and erotic response in art in the modern age and people react strongly to that. Art from romanticism brings out the same emotion and response.

In the painting The Immaculate Conception (Figure 1) painted by Antonio de Palomino y Velasco, there is a prominent central figure found in the middle of the canvas. The figure is a woman draped in white and blue garments with red accents and surrounded by cherubs and doves. The woman is the Virgin Mary and has a crown of 12 stars around her head. Both cherubs and doves are often used as religious symbols and this piece of art is Biblical in that it illustrates Mary very much like she is described in the book of Revelation. Revelation 12:1 reads that “…a great sign appeared in heaven: A woman clothed with the sun and, the moon under her feet, and on her head a crown of twelve stars.” During the time period that Antonio Palomino created this piece, there were countless other artists painting similar works with their own spin on things. Notable artists include the likes of Juan de Valdes Leal and Bartolome Esteban Murillo. In this time period, the counter-reformation was taking place and I believe that, as a response to the protestant reformation, the painting of religious images was used to reignite growth in the Catholic Church.

For example, the first painting that stood out to me was, “The Earth Matters”, by Lisa Jennings. The woman in the painting is holding the world in her hand, as she’s stands in a field of tall grass. There is filled space in the field from the tall grass, and empty space in the sky, because of it being clear and blue. The woman has no face, therefore she cannot see her future, but as she gazes down the earth must be important, as she holds it in the palms of her hands. Another painting that stood out to me

Art by its nature is a subject of the philosophical, social, economic, political or religious context surrounding its creator. More often than not, a work of art addresses a specific topic or somewhat revolves around a particular person. Therefore, it is impossible to separate the context of a piece of painting, either historical or cultural, to its intrinsic value or the artwork's meaning. On the other hand, different cultures and time utilized specific conventions that govern the representation of objects of creativity. This essay highlights various pieces of art and their relationship to particular cultural, political, economic, or social settings. Moreover, it pinpoints how different times influence art presentation.

Bright colors jumping at you asking for attention, images so real viewers can not tell the difference. These are the thoughts that came to my head as I gazed at two works of art by two Mexican artists at MoLAA museum of art . I visited two museums, Bowers Museum of cultural Art in the heart of Southern California and the Museum of Latin American Art in Long Beach for my report unfortunately I only liked the works in MoLAA and will talk about it through out my paper. I will talk about two Mexican artists Rafael Cauduro and David Alfaro Siqueros that caught my eye, and made me want to learn more of them and their approach to art. Siqueiros caught my eye and interest because according to his biography “no

During my various trips to gather information for the Culture Project, one stop I made was at the National Museum of Mexican Art. From what information I gathered, I found the place to be incredibly interesting. With information from biblical times, to the era of Cesar Chavez, and all the way to today. The folk and popular culture elements were greatly expressed in a lot of paintings, and photos. In some photos I saw grown people in more popular culture outfits like sports jerseys , while the children in more folk culture outfits. From this I believed that popular culture did have an influence, the adults were aware of it, and tried to teach it. In addition to this, many of the paintings seemed to have their own artistic style, detailing certain

Two of the most extensively analyzed works of art are Diego Velasquez's Las Meninas and Jan Van Eyck's Arnolfini Double Portrait. Both of these artist's talent won them recognition not only during their lifetime but after as well. Both Velasquez and Van Eyck have a justly earned title as the most talented artists of their respective times. A detailed examination of the details and intricacies of these artist's respective masterpieces, their similarities, and what sets them apart not just from each other but from other paintings from their time period and style, will lead the viewer to a better understanding of the mentalities of these gifted artists and how they transcend their respective genres and contemporaries to create their own

In Laurie Adams “A History of Western Art” there are pieces of art that have lots of meaning and representations one in particular being Pablo Picasso’s drawing titled “The Old Guitarist” (468). The image chosen shows a man sitting on the ground, wearing tattered clothes and playing a guitar. Looking closely, the man’s frame appears long and bony, paired with tattered clothes. His face looks sad and glum while his body seems to be leaning in, listening intently to his guitar as his hands go over the strings. The major point for choosing this image is for the fact that the artist, Picasso, chose to represent the image using only shades of blue.

Intrinsically intriguing as the artworks and themes are for many viewers, what lies with greater uniqueness is the visual context of art, as emphasized by Helena. Artworks, despite the era or time period, are always initially distinguished based on the surface; for example, what’s present and what’s going on. As I tour the Grohmann Museum with Helena, I was taught to look at the furthest distance in the portrait rather than the surface.

In order to discuss pop art I have chosen to examine the work and to some extent lives of Roy Lichtenstein and Andy Warhol who were two of the main forces behind the American movement. I intend to reflect the attitudes of the public and artists in America at this time, while examining the growing popularity of pop art from its rocky, abstract expressionist start in the 1950s through the height of consumer culture in the 60s and 70s to the present day.

From the time periods of late1904 to early 1906, Pablo Picasso, one of the most renowned oil painters in history, explored the theme of Saltimbanques upon his canvas medium during his famous Rose Period. Previously, Picasso suffered from depression, which resulted in the era known as the Blue Period, but in 1904, Picasso met Fernande Olivier, who some speculate was the transition from his Blue Period to Rose Period. During the Rose Period, Picasso’s used of warm color oil paints, primarily pink, highlighted the artistic style of Saltimbanques as he depicted circus performers, harlequins, and acrobats that he observed when living in France. For much of his artwork, “Picasso’s eye would also require the stimulus of a visual experience,” and for him, the idea of being visually stimulated by circuses, caught his attention. In order to gather inspiration, Picasso would frequently visit the Cirque Médrano in Montmartre so that both his mind and eyes could be visually stimulated. As his infatuation with Saltimbanques increased, he dedicated a series to them and in 1905, he created his most famous painting of the Rose Period “Family of Saltimbanques.” This painting, standing at 7x8 ft, was considered to be the biggest painting ever produced by Picasso. Using these influences, Picasso was able to create his most impressive works of the Rose Period, “Family of Saltimbanques.”

This painting exemplifies many of the characteristics of Caravaggio’s paintings, which is typical in the Baroque period.

The last canvas I found is the opposite in a way of the two I talked about. The Consummation of the Empire, I found this picture strange at first, that is why I chose it. Consummation meaning the completion of something, it is representing the finishing of Civilization. The point is nature has been taken over, nature is not the main focus anymore, the big white buildings seem to take over most of the land with lots of people as well. So how does this painting play a role in Romantic times ? Instead of taking what is beautiful out of something bad it does the opposite. This painting takes something that is beautiful, meaning the big white buildings, the clear blue sky and what seems to be a lot of people and makes you realize that nature is more important. In all three of these canvases, it seems that the color and texture play a role in how the artist is trying to explain emotions and how what they have gone through or what they may want to go through can affect their