“The central problem of the conversion theory ....is that it does not describe the way we typify our experiences of painful art....If the overall experience of an artwork is described as painful, then the conversion theory is simply not applicable to that work.” “It would be odd to say that we enjoy horror/tragedy.” (Chapelle, 2014, p.92) Smuts also points out that Hume gives no process of the conversion theory; he clearly states that Hume does not give an account of why the conversion theory occurs but Hume does on the other hand give a vague explanation of how it works, although not very descriptive. In the defence of Hume, we could state that: painful art is mysterious in the way that it makes our experience pleasurable. Aristotle also struggled …show more content…
If it was not, we would not bother with it at all!” (Chapelle, 2014, p.93) Smuts also states: “If an artwork were nothing but depressing no one would care to see it.” However, he does also mention that: “It would be plausible to say the negative affect was instrumental to or even constitutive of for instance, larger cognitive values.” (Smuts, 2009, p.48) Hume denies F that states: “Experiences of painful art are experiences that cause pain, not pleasure.” Hume in this case, therefore accepts normative hedonism which is described in the following declaration: “The only thing that people are ever rationally motivated by is the prospect of gaining pleasure or avoiding pain.” (Chapelle, 2014, p.94) Consequently, Hume is of the view that as rational agents we seek pleasure and aim to avoid pain. We would therefore seek out painful art if we find it
Why do ordinary, rational, human beings actively and knowingly seek out art that appears to elicit negative emotions, especially as these same people tend to avoid such emotions in other areas of their life? This question formally understood as the paradox of painful art is what Hume effectively attempts to address in his essay 'Of Tragedy'. In this essay I will conclude that Hume's solution to this paradox; that painful emotions elicited by art are converted into pleasurable ones; is indefensible. I will first offer my reading of Hume's solution to the paradox of painful art. I will then argue that Hume fails to give a satisfying account of the process of the conversion he proposes, I will then go onto show that Hume's conversion theory
Mill says that ethical decisions should be based on pleasure. Therefore when he states that pleasure is the sole requirement for happiness, it is questionable because pain indirectly affects happiness. Pain is an indirect factor because it is not the object of one’s happiness but it is an obstacle, which you have to overcome. If you were to avoid all pain, then how would you truly ever know what pleasure feels like? Real pleasure comes only after experiencing pain. If a person always wins the tic tac toe game then the pleasure they feel turns into an expectation. Thus it is not true pleasure. If the loser of the tic tac toe game after 20 years finally wins he can feel the desired pleasure that he was seeking.
Hume arguments that if good were to will it, we would be all be happy. Yet, neither humans nor animals are happy therefore he does not will
The paradox of painful art is the problematic question of: why we watch painful art? Examples
He states that we desire, more so than pleasure, to live a life “in contact with reality” (Nozick 646).
In evaluating the philosopher’s goal of determining how to live a good life, Epicurean philosophers argue that pleasure is the greatest good and pain is the greatest bad. Foremost, for the purpose of this analysis, I must define the pleasure and pain described. Pleasure is seen as the state of being pleased or gratified. This term is defined more specifically by the subject to which the pleasure applies, depending on what he likes. Pain is the opposite of pleasure, which is a type of emotional or physical un-pleasure that results in something that the person dislikes. “Everything in which we rejoice is pleasure, just as everything that distresses us is pain,” (Cicero 1). Through this hedonistic assessment of pleasure and pain, epicurean philosophers come to the conclusion that, “the greatest pleasure [is that] which is perceived once all pain has been removed,” (Epicurus 1).
In fact, however, the pleasures differ quite a lot, in human beings at any rate. For some things delight some people, and cause pain to others; and while some find them painful and hateful, others find them pleasant and lovable…But in all such cases it seems that what is really so is what appears so to the excellent person. If this is right, as it seems to be, and virtue, i.e., the good person insofar as he is good, is the measure of each thing, then what appear pleasures to him will also really be pleasures…and if what he finds objectionable appears pleasant to someone, that is not at all surprising: for human beings suffer many sorts of corruption and damage. It is not pleasant, however, except to those people in these conditions.
Human emotions remain as one of the world’s biggest secrets. Like sleep, we know what happens to our body when we experience these emotions whether it be a release of hormones or a certain area on the body becomes more sensitive. But we don’t know why we have them, experience them, or what purpose they serve. All we know is everyone’s emotions behave differently. Different types of arts can elicit completely different emotional response from people. Some art may have the ability to appeal to dangerous emotions in certain people. Whether it be the corruption of a once faithful and beautiful young girl, plagued by the desire for romanticism and lofty ideas, or a handsome young nobleman who is obsessed with living life to fullest. Both are fueled by the emotion that a certain type of art elicits in them, leaving them in a never ending chase that ruins there life’s. In the Novels Madame Bovary and The Picture of Dorian Grey the protagonists in these stories perfectly exemplifies the danger of arts emotional appeal by showing the corruption and eventual downfall of two once young and beautiful souls by exposing them to art that pleases dangerous emotions such as desire, pleasure, entitlement and disappointment.
Hume on the other hand, took a different approach to the idea of self. He believed that there in fact was no such thing as selfhood. Instead he asserts that “it must be some one impression, that gives rise to every real idea. But self…is not any one impression, but that to which our several impressions and ideas are supposed to have a reference…” (597). By this he implies that in order to form concrete ideas, ones impressions of pain, pleasure, joy, etc. must be invariable throughout time. This, Hume states, we know without a doubt to be impossible. Passions succeed each other over time and give rise to new passions, therefore “…it cannot be from any of these impressions…that the idea of self is derived, and consequently there is no such idea” (597).
An individual’s sexuality should not define who they are as a person. What is Conversion Therapy? Sexual Orientation Conversion Therapy has a range of treatments that are designed in hopes to turn a person’s sexual orientation to heterosexual. Conversion therapy is also used in attempts to convert a transgender person’s gender expression to match with the gender given at birth. It is currently banned for minors in 5 states (California, New York, New Jersey, Oregon, and Illinois) and the other 45 states have no law against it. Many teens in this current time period are coming out as either lesbian, gay, bisexual, transgender, and/or queer. Homosexuality is often seen as a negative effect towards society.
In part one of our book, “The Good Life,” we studied five different philosopher’s viewpoints on what is needed in order for a person to have a good, fulfilling life. They all included the concepts of pleasure and happiness to some extent in their theories, but they all approached the ideas in different ways. The two hedonists we studied, Epicurus and John Stuart Mill, place heavy emphasis on the importance of pleasure. They both believe that pleasure is a necessity in the ideal life. Jean Kazez agreed with their viewpoints in her theory and said that happiness was a necessity for a good life. Epicurus and Mill also argue that there is nothing else that we ultimately desire beyond pleasure and that it is an intrinsic good.
The pursuit of pleasure has also been condemned by critics as being little more than the promotion of one’s own interests, with no regard to the happiness of others. Mill disputes this as being narrow-minded, clarifying that the pleasure principle which forms the foundation for utilitarianism, “what is right in conduct, is not the agent's own happiness, but that of all concerned” (Mill 16). With this acknowledgment, however, comes the criticism that people cannot possibly be motivated by something as satisfying the collective good of society. Mill countered this by pointing out, “The utilitarian morality does recognize in human beings the power of sacrificing their own greatest good for the good of others” (Mill 16). To the objection that pleasure is an acceptable end is contrary to Christian principles because it is “godless,” Mill states, “If it be a true belief that God desires, above all things, the happiness of his creatures, and that this was his purpose in their creation, utility is not only not a godless doctrine, but more profoundly religious than any other” (Mill 21).
Western traditions narrowly define art as a market-oriented specialized discipline (Levine & Levine, 2004). When art is used therapeutically, content and meaning take priority over mechanics and technicalities.
Christianity is the religion based on the life and teachings of Jesus Christ. Most followers of Christianity, called Christians, are members of one of three major groups--Roman Catholic, Protestant, or Eastern Orthodox. These groups have different beliefs about Jesus and His teachings. But all consider Jesus central to their religion. Most Christians believe God sent Jesus into the world as the Savior. Christianity teaches that humanity can achieve salvation through Jesus.
Good art allows me to flee the realms of reality. In my mind's limitless consciousness, I can escape the mundanity of everyday life. It opens a door in my head to a world only limited by my imagination. I am no more a slave to gravity, chained down on the earth when I am reading. I can be a bird and soar high above the clouds, or be a fish and swim deep down in the darkest depths of the ocean. I am there, I am that person, and everything else around me regardless of what it is, fades away. Sometimes these people are the one's I'd like to be but sometimes I encounter nefarious characters I wholly condemn. I am able to feel the emotions that the artist intends for me to feel. However, it is not merely reading or listening, but understanding