The Core of a Man’s Grief Essay

The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with

Life involves many losses. There are small losses: losing a football game, failing a test, or forgetting an assignment. At some point, though, all of us will experience a major loss: the death of a close family member, a major illness, or a divorce in the family. Loss is inevitable for all of us. If you have ever experienced grief and loss, or if you are currently experiencing it, then you might be trying to recover the wrong way. You might believe that you have gotten over it, but it could come back even years later. When it comes to grief and loss, there are a lot of components that people do not understand, but today there are many methods to coop that will lead you down the path of healing.

As Keanu Reeves once said, “Grief changes shapes, but it never ends” (“Tragic”). When it comes to grief there are usually five shapes or stages that people go through: denial, anger, bargaining, depression and, finally, acceptance. The book A Monster Calls, by Patrick Ness, is about a young boy who is struggling with school, bullies, friends, and family when his mother develops a terminal illness. He is visited by the monster, a massive yew tree, who comes alive to teach Conor the ways of the world. He also teaches Conor the truth in order to move past his mother’s sickness. Ness shows how people in both literature and real life tend to go through five stages of grief while dealing with a loved one who has a terminal illness because of the overwhelming lamentation it inflicts.

Anton Chekhov hardly restrained from writing the dreary aspects of life during his writing career. Noted as one of Russia’s most prominent realist writers of the late 19th century, Chekhov’s work ranged from critical issues concerning the mental health system in “Ward No.6” to illustrating the tiresome cycle occurring for ordinary people sensing they are incomplete with their dull, normal life in “The Lady with the Dog.” “The Lady with the Dog,” in particular portrays characters of Chekhov’s facing an unreachable desire; Gurov and Anna. This desire emulates two contrasting forces represented by the double-lives the couple lives, one being that of realism and boredom, and the other of strict passion and romanticism. Gurov and “the lady with

A shantytown called the Alto do Cruzeiro (Crucifix Hill), is one of the three shantytowns bordering the big marketplace area in the town of Bom Jesus in the sugar plantation district of Northeast Brazil, a solitary part of the countless regions of disregard that have materialized in the darkness of the now stained economic wonder of Brazil. The Alto women practice an unusual method of caring for their offspring especially when handling the death of their infants. The high rate of infant death can be credited to poverty and malnutrition. Illness and infant deaths are taken nonchalantly not by just the social institutions in the Alto but also by the child's own mother and this has

The most common effect of death in a family is known as grief. When we understand it better, it makes the process a little less daunting. We have to realize as humans, we are not alone. Everyone has lost someone they loved and it's a natural thing to deal with. There is no normal way of dealing with death. It doesn't have patterns or a set way of dealing with it.

In his essay “Creation from the Void”, existentialist philosopher Lev Shestov claimed that with regards to lofty concepts such as love, art, and inspiration, “Chekhov has only to touch them and they instantly wither and die.” While his words may seem a bit radical, they do bear a certain truth. Even in his early works, Chekhov was at work deconstructing widely held principles and ideologies. In “Misery”, Chekhov does this through his depiction of Iona Potapov, a lonely cab driver whose son has recently passed away. The story seems set-up to explore ideas relating to death, family, and society, but trying to find a clear theme hidden in Iona’s suffering proves to be a difficult task. Chekhov tends to raise more questions than he answers. However, this doesn’t mean that “Misery” is lacking in depth. Chekhov just focuses on particular details that capture the complexity and raw realities of his subject, trusting the reader to find the meaning. In “Misery”, one such detail is found in Iona’s name itself, which he shares with a famous Old Testament prophet (referred to as “Jonah” for distinction). Chekhov’s allusion to Jonah introduces a hint of Christian thought into “Misery” while avoiding its themes, providing him with a platform to deconstruct prominent Christian views in Russian society and in the works of his literary peers.

Death and dying is a natural and unavoidable process that all living creatures will experience at some point in life, whether it is one’s own person death or the death of a close friend or family member. Along with the experience of death comes the process of grieving which is the dealing and coping with the loss of the loved one. Any living thing can grieve and relate to a loss, even children (Shortle, Young, & Williams, 1993). “Childhood grief and mourning of family and friends may have immediate and long-lasting consequences including depression, anxiety, social withdrawal, behavioral disturbances, and school underachievement” (Kaufman & Kaufman, 2006, p. 61). American children today grow up in cultures that attempt to avoid grief and

The stages of mourning and grief are universal and are experienced by people from all walks of life. Mourning occurs in response to an individual’s own terminal illness or to the death of a valued being, human or animal. There are five stages of normal grief that were first proposed by Elisabeth Kübler-Ross in her 1969 book “On Death and Dying.”

Losing a loved one is like having the rug swept from under you. We make plans for the day, and do not think twice about how those plans can be taken away in the blink of an eye. I never thought much about it myself, until I was faced with the shock, and undeniable truth of my uncle’s death. I do not think anyone really thinks about tragedy until they are actually faced with shocking news. It is amazing how we take life for granted. The tragedy never goes away. You just learn how to cope with it and keep moving on.

Chekhov’s use of allusion in “Misery” also stands in stark contrast to the works of other Russian literary giants such as Dostoevsky and Tolstoy, whose works often featured deep themes revolving around the aforementioned Christian thought. While a deep discussion on these themes is out of the scope of this paper, perhaps one of the most obvious and contrasting examples can be found in Dostoevsky’s The Brothers Karamazov, which was published around 6 years before Chekhov wrote “Misery”. Towards the end of the novel, Father Zosima, a figure who acts as a mouthpiece for Dostoevsky’s own thoughts on religion, indirectly responds to the arguments of Ivan Karamazov, who rejects God because of the existence of suffering innocents and other

when the lad behold out alone, and when there was no visage on the cohabit; and when there was a inconsiderableimportant among the graves, not there before; and when the bespangle made lingering dress down toward him, as he discourse it through his lament.

In this essay I will outline the main theoretical models relating to loss and grief.

(J.) William Worden’s Tasks of Grief model outline the major tasks or stages the KC described during her interview (Worden & Winokuer, 2011). KC discussed how she has to come to terms with the loss of the Chontay; her feelings of shock and disbelief; everything seemed surreal, as if in a dream. KC experienced intense pain, while her and her family worked through their feelings / thoughts of Chontay’s impending death (Worden & Winokuer, 2011). KC also experienced numerous emotions of intense sadness, emptiness, numbness, and anger (Worden & Winokuer, 2011).

Have you ever had someone that was close to you die? I have had pets that I was close to die, but not someone I saw on weekly bases, until my great grandfather died. Death is something everyone experiences some time in their lifetime and people deal with it in many different ways. In the August of 2016, I was forced to learn how I was going to learn to deal with it.