The Cornetto Is Wind Instrument Made Out Of Wood

Southern music known today as country music became popular in the 1920’s. This was music that was based on folk music of cowboys in the southeast (Collins English Dictionary, 2003). In most of the early music the artist played stringed instruments like fiddles, guitars, banjos and some were even playing harmonicas. When this type of music started some people called it

This is clearly a large part of Native American history so some people might find it really odd that there was nothing specific to this tribe about their music and how they performed it. According to the Power Point that my group made on tribes from the Southeast, music was used in this area for ceremonies and Powwows (see group presentation). Our Power Point says that instruments used in the music are mainly water drums, striking sticks, rattles, and cylinder drums (see group presentation). According to the Southeast Native Americans website it says that people in this region generally have the same religious beliefs and that religion is “animism”. Along with the basket making that the Chitimacha tribe takes part in, the people in the Southeast region also enjoyed pottery (Southeast Native Americans).

An easy to play folk instrument is the hurdy gurdy. In the text it even says it's "foolproof". To play it, you just have to turn a crank and press some keys.

For this music analysis project, I would like to discuss the oral nature of the legacy of Appalachian music. I would like to complete this project to bring attention to the amazing history of Appalachian music and the distinct ways it lives on. I plan to use research to study the different manners in which Appalachian music has continued to survive throughout the years despite the general modernization of the world.

Kucera states, “Song and music at all times used to accompany man from the cradle to the grave and were a necessary accompaniment of all important family events.” Instruments of note include bagpipes, violin, clarinet, brass instruments, and accordions. According to Barkan, “Between 1899-1910… Musicians and actors made up an unusually high percentage (37 percent) of Czech professionals.” Local bands, individuals, and outside traveling artists contributed to the popularity of Czech music within Nebraska and the Great Plains as a whole.

In November of 1925, founder of the grand ole opry, George Dewey Hay, was seeking a new location for the perfect radio station that would be equally successful as the one he had created in Chicago. This radio station, also known as “We Shield Millions”(WWS) started out as a station that played old time country music, which involved fiddles and harmonicas. These instruments are what gave the radio station it's supposed “rural sound.” As the 1930’s rolled around the corner, the producers of the WWS station decided to update the music and make it more modern, hoping this would attract more listeners. This tactic worked very well for the producers of the show. As they started to get more listeners, they decided to make live shows out of the radio show and to charge admission to those who came to watch the show live. This is where the radio station, which got the name the grand ole opry

  Comments: Question 15. Question : In the 19th century a religious revival known as __________ was the inspiration for hundreds of songs known as spirituals.

The way the whites treated the African Americans was terrible, especially since they were plucked from their homes and moved across a sea and forced into unpaid labor. Fortunately, the African Americans brought with them their culture that influenced the Appalachian region to this day. A staple in Bluegrass music is the banjo. The banjo is “an instrument of African origin” which the slaves brought with them from Africa (Williams 142). “Bluegrass music eventually gave special prominence to the banjo, which many now think of as the Appalachian instrument” (Williams 143).

Originally named The Muleskinners, The Hamilton County Bluegrass band was founded by a group of university students in Auckland in 1962.[9] For the young members, their first encounter with bluegrass would be the theme song “The Ballad of Jed Clampett” from the television show The Beverly Hillbillies. The show was one of the few American shows airing on New Zealand television at the time. The Flatt and Scruggs theme tune and Scruggs style banjo influenced player Paul Trenwith, who said “that’s how I wanted to learn banjo, and we found out there was a whole music genre that went with that, so we chased that up.”[10] Television was one of the key ways that the bluegrass genre was and still is transmitted internationally. The dominance of

According to the classification system of Hornbostel and Sachs, they are classified as ‘trumpets with finger-holes’. They flourished mainly in the sixteenth and early seventeenth centuries, but began a decline in popularity from the second half of the seventeenth; from 1700 onwards their use fell off dramatically, even though in some parts of Europe they persisted until the early 1800s. Their modern revival dates only from the second half of the twentieth century;

The fiddle had a high pitched sound that went along well with the “high lonesome” singing (Langrall, 1986). It is not certain when the banjo entered, but it was the next instrument added to strings for Appalachian music. The next stringed instrument was the guitar. Bands called String Bands came around and as they were reserved, they when out and entertained people, instead of just singing with a couple of people (Langrall, 1986). These String Band players played court days, political rallies, country fairs and at other social gatherings (langrall, 1986). Sting bands would play for dances such as the waltz (Olson). As the string bands started with the fiddle when the banjo gain popularity in the Appalachian music it was included in the sting bands followed by the guitar and the mandolin

Many ensembles across the world dedicate time to learning and performing early renaissance music. When practicing music not from this era, it is easy to perform it incorrectly and not give the work the justice it deserves. Ensembles that do not take careful time and consideration to study the style of early music and the techniques they must use when performing these pieces, ultimately fail when attempting to perform early music. When performing early music, such as Canzon Septimi Toni a 8, musicians must study the styles and techniques musicians in that time period implemented, reciprocate the tone, timbre and articulations used in the renaissance era for this specific work, transpose the piece to their instrument, and know the differences between early and modern instrumentation needed to perform the piece.

The trumpet has been used for many years for many different uses that many folks do not even know about or have even thought about. In

When approaching a performance, accomplished musicians often consider the historical context from which a piece originates. They most often think of such considerations in the application of that context as it pertains to early music that is, the Baroque era or earlier. For any era, such historical considerations are called performance practice, and may include the use of vibrato, ornamentation, dynamic levels, tempi, instrumental timbres, performance setting, and balance. Vibrato and ornamentation are two important areas of consideration that vocalists must explore when aiming to give an authentically Baroque performance.

The Guittern was shaped like a violin, played with a pick, and had the ability to be tuned in octaves or in unison. This tuning ability was never used in other guitar instruments. Compared to the modern day guitar, the Guittern lacked a movable bridge and a saddle. The Guittern was also the first instrument to use wire strings instead the traditional gut strings used in stringed instruments (Kentor Michael 4).