The Count of Monte Cristo: Classically Entertaining

Giving the classic play this modern twist makes for a new understanding of the text and brings the feud between the Montagues and the Capulets to a whole new, dramatic level. Shakespeare may be rolling around in his grave after seeing this film, but English classes all over the world can breathe a little easier when it comes time to take

?A Servant To Two Masters? is a complicated story, however the audience always know what is going on, this adds humour, as the audience are enlightened about the plot twist bringing them closer to the characters. Truffaldino grabs the audience?s hearts even though he is a fool, he makes the audience feel sorry for him when talking about being hungry.

Edmond Dantès, the main character of The Count of Monte Cristo, is an innocent and unsuspecting young man who is thrown in jail by those who were jealous of him. Once Edmond escaped, he changed his identity to the Count of Monte Cristo, and plotted a harsh revenge against his enemies. At the beginning, he said “Happiness is like one of those palaces in fairy tales whose gates guarded by dragons: we must fight in order to conquer it.” (Dantes 18) He thinks that his marriage with Mercédès is too good to be true, according to his statement. As it turned out, it was, and he was put in prison for fourteen years, and it was fifteen years before he saw her again. The only thing Edmond sought after he escaped from jail was revenge. So he took

Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.

    This movie is the perfect melting pot of humor and action. A lot of movies fail to hit the balance between too much humor and too much action. The Princess Bride is an exclusion to this cinematic misfortune. Although there are interruptions from the story with the narration by a grandfather and his grandson.“The Princess Bride” is a wonderful adventure movie meant for people of all ages with humorous irony, colorful and unique characters, and fantastical, well choreographed stunts.

Dumas’s reason for the inclusion of verbal irony can likely interpreted as an enrichment of the reading experience. Additionally, the snippets of verbal irony provide some important foreshadowing. Although Dantes does not mean any sarcasm when he called Villefort “kindness itself” (29), Dumas certainly did. Dumas’s indirect characterization of Villefort in the early part of the novel (i.e. this quote) is belied by his later actions, such as framing the innocent Dantes and ordering his wife to kill herself (472). Although perhaps pointless in terms of plot, accents like this sort of speech augment the reader’s interest. Another instance in which verbal irony is employed is when Dantes asks Mercedes if she “means Fernand, don’t you, madame?” when she references Monsieur de Morcerf (375). This irony is evidenced by how dedicated Dantes had been to maintaining a high level of decorum by only referring to people by their titles and demanding that others call him by his. His sarcasm seeks to

"Monty Python and the Holy Grail" is a satiric comedy about the quest of King Arthur. The movie starts out with Arthur, King of the Britons, looking for knights to sit with him at Camelot. He finds many knights including Sir Galahad the pure, Sir Lancelot the brave, the quiet Sir Bedevere, and Sir Robin the Not-Quite-So-Brave-as-Sir Lancelot. Through satire and parody of certain events in history (witch trials, the black plague) they find Camelot, but after literally a quick song and dance they decide that they do not want to go there. While walking away, God (who seems to be grumpy) come to them from a cloud and tells them to find the Holy Grail. They agree and begin their search. While they search for the Grail, scenes of the knight's

Romeo and Juliet’s actions may seem rushed and immature, but Baz Luhrmann’s movie offers a compelling insight into their decisions. By setting this Elizabethan era play in the present day, the viewer can see past the differences in scenery and clothing compared to those of their lives, to analyze the unique characteristics of the lovers’ society and upbringing that may have led to their hasty love affair and violent end. Luhrmann creates a culture of violence and speed through careful decisions regarding cinematography, editing, and sound.

As Edmond Dantes loses his dignity, he takes a new role as Count of Monte Cristo and other personas that was only a secret to himself and the audience, which is a form of dramatic irony. After Dantes escaped from prison, he goes to Monsieur Marseilles and tells him that he was “the head clerk of the firm of Thomson and French,”(Dumas 111) whose role he uses to buy an investment. Here he disguises himself as the head clerk of the firm of Thompson and French to prevent others from knowing, which is dramatic irony since the audience knows something that the characters in the novel don’t. Not only were his personas a form of dramatic irony, but incidents that occured after Edmond’s imprisonment were also a type of dramatic irony. Noirtier had hidden the fact that he “killed [Frank’s father]”(Dumas 310) from Franz, which is a form of dramatic irony since the audience knew about it. Through this fact, the reader can view Noirtier as very dangerous individual but also as a protective grandparent since he hid this fact from Valentine to protect her. Later, Caderousse and Andrea plans a robbery that will take place in the Count of Monte Cristo’s house, but this robbery didn’t stay a secret for long. The Count of Monte Cristo was given a letter that warned him of an upcoming robbery, and the Count inferred that “they want to kill me,”(Dumas 330) which led him to be prepared. Dumas uses dramatic irony here because it leads the Count to be prepared without Caderousse knowing, which

Mise-en-scene is the principle by which a piece of film will derive its meaning wholly from what happens in the single shot and not from the relationship between two shots. For example the director might include shots with various composition, angle, depth, movement, and lighting.

Douglas Horton once said, "While seeking revenge, dig two graves - one for yourself". The Count of Monte Cristo, a truly captivating novel written by Alexandre Dumas, lives to tell the tale of a young French Sailor, Edmond Dantés, who is forced to spend fourteen years in prison due to the actions of his jealous enemies or so-called "friends". When he eventually escapes, he is left with the feelings of a strong hatred and a thirst for revenge which sets him up to be the man he develops into throughout the novel. Throughout the novel, the Count of Monte Cristo seeks relentless revenge on all of the people who had wronged him many years ago. Dantés, completely unrecognizable after being freed, became only a prisoner of himself due to his need

The main theme that is presented within The Count of Monte Cristo is that revenge and manipulation is easily able to hurt someone, but also benefit another. In this case, Edmond Dantès takes the side of benefit and those brought underneath his vengeance had been ruined. After a plan carefully schemed by three of his false friends, Dantes was thrown into prison and placed under a situation of betrayal and resentment. This long wait in the chateau d’If had put a need for revenge into Dantès head which had transformed him into the Count of Monte Cristo. Although the Count was considered bitter and cold, his seek for revenge had only benefitted him into a more creatively malicious character. Furthermore, this manipulation that Dantès had been put

Professor’s comment: This student uses a feminist approach to shift our value judgment of two works in a surprisingly thought-provoking way. After showing how female seduction in Malory’s story of King Arthur is crucial to the story as a whole, the student follows with an equally serious analysis of Monty Python’s parody of the female seduction motif in what may be the most memorable and hilarious episode of the film.

All of the characters presented in the movie have a distinct personality, making the viewer engage deeply in the heart pumping action and drama.

A good movie can either be captivating or thrilling depending on the plot of the movie. Like the thrill of a rollercoaster, so is the thrill that comes from watching the King Kong movie. It is both captivating as well as intriguing in the sense that it provides rich thematic presence and sceneries. In this paper, the learner will take a look at the King Kong movie from a critical perspective to deduce whether the movie really should be living up to its fame.