The Courtier Ideology

The Renaissance was a time period in history that came with a plethora of changes in art, religion, and science. Considered one of the most beautiful eras thus far, it shaped the modern age. Curiosity peaked in people everywhere in Europe; this curiosity included fascination with the human body and new research. Dissection gained popularity and importance during the Renaissance, which led to body snatching becoming common; both of these activities gave way to new advancements.

Women in Renaissance Italy faced rigid societal standards to which they were supposed to conform. They lived public lives, directed almost exclusively by other people in regards to significant decisions. However, this does not mean that a rise above the oppressive nature of the Renaissance was impossible. Several exceptional women were able to challenge their given positions in a society through their education, practices, seclusion, beauty, and roles. In an examination of several positions, through the Exhortations to Women and to Others If They Please by Lucrezia Marinella and the letters of Laura Cereta, a Renaissance feminist, women can be seen as accepting of their position in society or rebelling against it. Their lives and prescriptive writings show how one can either follow the role given to them or exceed beyond it and become an exceptional woman.

The Courtier, originally written as a “courtesy book”, can now be considered to provide significant insight into the norms and practices associated with courtship and gender during the Renaissance era. The book’s third volume is a particularly insightful window into 16th century romantic ideals. Throughout Book Three, Baldassare Castiglione builds an elaborate perspective on what makes the perfect court lady, what sexual and social behavior is acceptable, and how an ideal couple (both courtier and court lady) should function.

Giovanni and Lusanna: Love and Marriage in Renaissance Florence by Gene Brucker provides a unique look into the life of commoners in the 15th century. This book follows the 1455 court case surrounding the alleged marriage between Giovanni della Casa and Lusanna, the daughter of Maestro Benedetto di Girolamo. Throughout this trial testimonies, from witnesses with a vast array of socioeconomic backgrounds are presented. These were people whose voices would likely have never been heard if not for this case. This particular cross-section of people creates a very clear picture of the hierarchical system in place during the renaissance. Throughout this book, it becomes clear that each person had his or her place within society.

The Renaissance describes the period of European history from the 14th century to the late 16th century. During this time The Renaissance was only seen as a form of rebirth, it wasn’t until later in time where people viewed the period differently. Some say it was one of the greatest ages of human cultural achievement. Jules Michelet and Jakob Burckhardt, for example, view the period as being characterized by the rise of an individual, scientific inquiry, and geographical exploration, and the growth of secular values (La Renaissance). “Nicola “said that he had personally broken some tablets that had been placed as a decoration in a church not far from Porcia, declaring it was wrong, and that they did not belong there and were...merchandise...and that figures should not be placed in church.”” (The Cheese and the Worms, Page 20) The Renaissance gave birth to many artistic views and skills. Much of the art involved religion in which Ginzburg points out that no one is supposed to worship any images of God. This points to one thing that Menocchio learned from

A critical point in European history was the Renaissance period, which took place between 1300-1700. The term Renaissance stands for ‘rebirth’, and in this context refers to the increased interest that was taken in learning from Greek and Roman classical writing. Recent exploration by historians into the Renaissance period has seen a fixation on the discussion of the role of gender during the Renaissance. A variety of historians, such as Joan Kelly and Merry E. Weisner, believe that women didn’t experience any form of a Renaissance during this period. It can be widely acknowledged that during this period society did experience a ‘rebirth’, especially in terms of the role of the men in Europe. Women, on the other hand, weren’t as fortunate.

The emergence of the Renaissance throughout Italy gave rise to the philosophy of humanism; rather than submitting to tradition, those situated lower on the social hierarchy began to question their situations. This lead to an increase in educational pursuits coupled with social and political upheaval. Early Renaissance feminists began to voice their concerns regarding the rights and equality of women in a heavily patriarchal society using literature, art, and politics. Laura Cetera’s Defense of Liberal Instruction for Women and Lucrezia Marinella’s The Nobility and Excellence of Women are both feminist pieces of the time. While both authors advocate for the political and social advancement for women, Cereta and Marinella’s differing experiences

The Renaissance movement was characterized in thought, writing, and art in a plethora of ways, it provided a bridge from the Middle Ages to the Renaissance period. To start with, thought was one of the building blocks of the bridge that gave way to the Renaissance period. Man was blind during the Middle Ages, hidden in “faith, illusion, and childish prepossession,” but then they woke up during the Renaissance and that is when the Renaissance man was born (Document 7). A Renaissance man is a man who is assertive but gentle and humble, avoiding excessive bragging. He should also be well-versed and proficient in writing verse and a jack of all trades (Document 1).

The focus of this paper will be to compare and contrast the works of two playwrights. The works that will be considered are Molière’s The Would-Be Gentleman and Beaumarchais’s The Marriage of Figaro. Both considered comedies, Moliere’s is a short play that tells the tale of Monsieur Jourdain, a tradesman who desires to become a gentleman. Beaumarchais’s play, second in the Figaro trilogy, follows the series of event prior to Figaro’s wedding. Figaro and his companions scheme to ensure that his marriage occurs smoothly. Furthermore, the plays are dated 100 years apart from each other, and they deal with the representation of social hierarchy, social mobility, and gender roles in various ways. With that in mind, they become good sources to compare and contrast the changes in society that occurred within those 100 years. This paper will compare both plays to examine how Molière further endorses the social values and ideas of his time, while Beaumarchais’s presents a shift in attitude towards those values and challenges them.

The Middle Ages was a time in history where everyone was faithful to religion as well as others. Also, in the Middle Ages, people were encouraged to always try their best; they were encouraged to strive for the highest achievement possible and to never give up. The Renaissance, however, was more focused on becoming matured and finding a way to be successful at everything one does. During this era, people strived to become all-sided men, also known as; renaissance men. This means they are not only successful in one type of art but in all types of art, as well as math, science, and literature. The Renaissance was a distinct period in time that was separated from the Middle Ages and began a new era.

The poetry of Ovid exemplified in The Art of Love is one of the only examples of the contemporary social behavior exhibited during the time of Rome. Ovid writes about social activities, proper style, women, and how to obtain them. Through Ovid’s perspective, there are three different ways to consider a woman. These three views include relating a woman to a game, a beautiful treasure, and as a means to assert social status. Comparatively, Andreas Capellanus writes in a way that makes women seem respected, worthy and as something to a man would willingly devote his life to. Both men have a clear fascination with women and their relationship to men. However, their distinct writing styles cause

As a ship is without a sail or a king with no castle, so too is a courtier without a Court lady. In "The Book of the Courtier" Baldesar Castiglione not only included a perfect courtier, he also molded his female equivalent, a Court lady. "The Courtier" itself was a step by step guide intended to instruct the young, affluent and upwardly mobile in areas of manners, learning, sport and conduct. It was published in 1528, at a high point of humanistic thought and antiquarian chivalric interest in Renaissance Italy. Often overlooked or undervalued is the discussion of the ideal Court lady, described in eloquent and perfect detail by the characters of Caesar and Magnifico, who was assigned by the Duchess to

The Renaissance was a time of enlightenment and discovery around the world. There were many advancements in culture, art, and science. An interesting area to look at for this period would be the advancements made based on gender. Historically, women do not always have a significant impact on their culture, and they do not always have the same standing as their male counterparts. Margaret L. King and Joan Kelly-Gadol delve deeper into the issue of gender advancements during the Renaissance when they analyze the issue of whether women and men benefitted equally during this period.

Life during the Renaissance is very different from the 21st century life when it came to our daily routines, our meals, and even how we spend our free time. During that period only some kids had to go to school and people had a way they went about wear their clothes. For food there was not a lot of options for and entertainment was available only during their free time.

The time setting in The Merchant of Venice greatly differs from the equality we have between men and women today. The male characters greatly over number the