The Creation of Didactic Works Through the Use of Point of View and Genre in Wolf Lake” by Elizabeth Bachinsky and Grizzly Man by Werner Herzog

The last literary device Eugenia Collier exercises to deepen her sensation  of despair and disgrace is diction. Collier influences her words to carve her emotions into the reader, one can sense the feelings of puzzlement and the irascibleness it evokes. For instance, in this quote the reader can grasp Eugenia’s voice through her use of eloquent words “ I indeed lost my mind, for all the smoldering emotions of that summer swelled in me and burst - the great need for my mother who was never there, the hopelessness of our poverty and degradation, the bewilderment of being neither child nor woman and yet both at once, the fear unleashed by my father’s tears. And theses feelings combined in one great impulse toward destruction.” This quotes reveals the emotions the author choice to seal

Through the poignant detail of Perry’s troubled and complex temperament, Capote’s subtly manipulative diction in In Cold Blood sculpts the murderer into a sympathetic character. In Perry’s first appearance, the criminal was said to be “no taller than a twelve-year-old child” (15) standing tall. Starkly contrasted to the stereotypical image of a murderer, “Little Perry” (55) is depicted with descriptors that blunts the sharp, preconceived edge of his homicidal nature. He is described innocently, youthfully, as if untouched by the dark horrors he was known to commit. Diction such as “sentimental” (54), “dreamer” (54), and “liked moonlight” (265) forcibly reveals a softer side to Perry. His artistic nature— the softer side of beauty, emotion, and wistfulness— coincides with the homicidal nature that drove him to kill four innocent people.

The author moves to her actual realization that she has been misunderstood her entire lifetime along with the Western world by extending her vocabulary and appealing to emotional diction. These are seen clearly through “’aina” meaning culture and “the great bloodiness of memory: genealogy” (Trask 118). These few examples show how her language is connecting with the audience on an emotional level by using native terms and powerful language such as “bloodiness.” She appeals to the ideals of pathos by employing meaningful words when describing the traits of her people. She

Throughout Jon Krakauer’s Into the Wild, there are many details that help give the reader a deeper, more profound, meaning of the book's intended purpose. Krakauer is one of the most renowned American writers, publishing many books focused specifically focused on nature, and people’s struggles in nature. Through much of the book, Krakauer incorporates many examples of diction and imagery to help the reader grasp the essence of the book. By using a wide range of literary techniques, Krakauer is able to communicate the events that transpired throughout the book.

This paper will be a unique interpretation coupled with an analysis of rhetoric in A Thousand Acre’s by Jane Smiley. This non-fiction novel is told in third person omniscient and is focused on the point of view of one of the main characters, Ginny Cook. A Thousand Acres was a modern-day retelling of Shakespeare’s King Lear; set on a large farm and small town in Iowa. This setting is important to the plot because it is more realistic compared to a far away mystical land that is detached from its audience. Smiley uses various rhetorical and literary techniques within her book to engage readers while still keeping to the basic storyline previously written by Shakespeare. Smiley’s use of language positively aids the imagery and emotions seen

Being a man isn’t always easy, for most of their life they are taught to show no affection and to be tough in almost every situation. The tragedy of machismo is that a man is never quite man enough. “Hunters in the Snow”, by Tobias Wolff, three hunting buddies, Frank, Tub and Kenny, set out on a hunting trip together as they have done for years. Tub, who is over-weight, self-conscious and a good friend, shows some of his weaknesses, strengths and hardships that are sometimes placed on men in different situations.

3. In “In Cold Blood”(1965), a nonfiction novel, Truman Capote accounts for the murder of the Clutter family, residing in Holcomb, Kansas, and the events that followed. The mode of development includes Gothic themes and motifs to make the audience question the roles of the protagonists and the antagonists, “Uh-huh. But you’ll have to kill me first”, said Perry to Dick when he proposed to rape Nancy Clutter; Capote also juxtaposes between different time periods to make the audience question what had really happened in the Clutter household. This work of “new-age journalism” continually asserts that Perry killed the Clutters, although scant evidence is produced. Capote’s target audience is the people who are part of the criminal justice system and psychologists. Capote is trying to prove that all people are inherently benevolent, but when they have had traumatic events occur in their past, they have injured psyches, thus attempting to explain the formerly inexplicable murders.

“Women cannot be murderers.” Even though this was not explicitly stated in the newspapers, The Boston Herald in its article “Lizzie Borden” conveys the perception that the feminine ways associated with women would make it impractical for women to commit murder. Lizzie Borden, a young lady accused of brutally killing her stepmother and father with multiple blows to their heads with a hatchet was described as a religious, sincere, and modest human being in The Boston Herald’s article covering Lizzie’s life before and after the murders. During Lizzie’s youth, she suffered from isolation because of her reserved personality and belief that nobody appreciated her presence, but in womanhood turned her life around and attain friendships who vouched for her good character during the time of the investigation. The Boston Herald’s article “Lizzie Borden: Her School and Later Life - A Noble Woman, Though Retiring”, successfully persuades the reader of Lizzie Borden’s innocence with the focus on her femininity through diction and logic.

“In Cold Blood” by Truman Capote is a nonfiction book based on a real crime happened in the peaceful town of Holcomb, Kansas. Capote wrote from both victim and criminal side to show both thoughts and point of view of the story to avoid the one-sided account. In the book, Truman Capote, a former journalist and the author of “In Cold Blood” is making readers feel sympathy for Perry since Capote befriended with Perry while interviewing him. Capote uses of pathos and strong diction effectively in order to evoke sympathy for Perry’s childhood environment and deleterious effect it had on Perry’s mind. To begin with, Capote uses emotional appeal in order to illustrate Perry’s devastating past.

In the short story “The Bear Came over the Mountain” (Munro, 2013) and the film Away From Her (Egoyan, et al., 2006),

Lisa Scottoline in the novel, Lady Killer, skillfully illustrates the reality between the law and relationships. Scottoline supports her demonstration by telling the story between Mary DiNunzio, her work, and friendships. Scottoline’s purpose is to capture the reader with realistic events that are normally not talked about in order to grasp the interest of her readers, and reveal the reality of criminal justice. Scottoline writes in a conversational tone for her young readers without previous knowledge about criminals nor law.

Though set in entirely dissimilar countries at different points in history, Margaret Atwood’s ‘Alias Grace’ and Hannah Kent’s ‘Burial Rites’ possess significant comparisons. Both for instance, are fictionalized historical novels following the tribulations of a female protagonist convicted of murder and both have been widely acclaimed for their incredible literary style which merges classic poetry, epigraphs, folklore and historical articles with fiction. The most striking parallel between each novel that can be drawn, however, is the way in which authors masterfully craft the stories of untrustworthy, cunning and deceptive criminals to elicit sympathy from their audiences. Readers of the novel and secondary characters alike are gradually pulled into sympathising with ambiguous and untrustworthy female leads, Grace Marks (Alias Grace) and Agnes Magnusdottir (Burial Rites). Despite the heavy suspicions of others and a lack of evidence to support their claims of innocence, these characters present artfully manipulated features of their defence stories to provoke empathy, sympathy and trust from those within the novel, and those reading it.

As in the case of most, if not all, good allegorical stories, the primary impact of the tale is strongly influenced by the author’s detailed characterization of the setting, as well as the characters’ feelings and passions. Certainly such is the case in Susan Glaspell’s story “A Jury of Her Peers”. Here the reader sees a richness of characterization and setting that is elusive at first reading, but becomes clearer as the story evolves. In the final analysis, it becomes clear just who the jury is and the outcome of their collective verdict. It is by the use of allegorical and metaphorical rhetoric that the tension of the story is maintained so very well.

In recent decades, Cormac McCarthy has staked his claim as one of the all-time titans of American literature through publishing masterpieces like Blood Meridian, Suttree, and The Road. In his works his advanced level of technical mastery becomes apparent through his expertly harmonized coordination of literary elements toward certain narrative ends, such as the generation of suspense. In this light, McCarthy’s literary style is a practical one, in that he organizes literary elements in his works toward actualizing particular goals. In The Road, for instance, McCarthy directs his style throughout the text so as to maximize the feeling of suspense that readers experience throughout the book. This kind of stylistic maneuvering is expressed on pages 105-110 and pages 118-123 of the the text. But, it must be noted here that the generation of suspense in these passages does not result from similar stylistic approaches. McCarthy uses style in differently in Passage A and Passage B but ultimately toward the same end, namely generating suspense for readers of The Road. Passage A relies on dialogue to develop its suspense, whereas the style of Passage B relies on narrative action for its suspense.

Werner Herzog directed a documentary film called Grizzly Man to show viewers how much interest Timothy Treadwell demonstrated towards human nature and how he demonstrates human nature through himself. Timothy Treadwell spent thirteen long summers in Alaskan Peninsula. He went to go portray his love and protection to the wild life and grizzly bears, which lead him to his miserable death. Herzog creates a sequence of scenes, comments, and interviews from people who is well connected directly or indirectly with Treadwell. His purpose of directing the Grizzly Man documentary through Treadwell’s own film was to convey the viewers the difference of human beings and the wild life animals. Herzog’s main effective argument was to convey how courageous and how insane Treadwell was to spend thirteen summers in the wild life of grizzly bears.