The Critically Acclaimed Muscle Shoals Documentary and Music Lovers

The Rolling Stones, self-acclaimed and fan-supported, is “The World’s Greatest Rock and Roll Band.” The Rolling Stones is well into its fifth decade performing together as a group. They are the longest lived, continuous performing band in the history of music. From the band’s early British beginnings through the present, The Rolling Stones has continued to adapt its music to the sounds and styles of the past five decades, to remain ever visible and popular in the eyes of the world. The “Stones,” as the band has become known by, was formed by the blues-loving London born, childhood friends, Mick Jagger and Keith Richards. Over the period following Jagger’s and Richards’ chance reunion on a train at the Dartford

Much of Thomas Newman’s music is rooted in the sounds of the deep south, with several interesting cues written for an eclectic ensemble including such weird and wonderful instruments as a bowed travelling guitar, a Vietnamese banjo, a jaw harp, bass marimbas, a tonut and the omnipresent saz. Occasionally, the music attains a kind of hypnotic sensibility that draws the listener in, but at other times it

They provide excellent information, especially participant information, that will help me express the nature of the heritage of Appalachian music from and inside perspective. A few of my sources are: “Sugar in the Gourd: Preserving Appalachian Traditions,” an article by Tom Brown; “The Queen Family: Appalachian Tradition and Back Porch Music,” video segments by the Films Media Groups through PBS; and “Song Catchers, Ballad Makers, and New Social Historians: The Historiography of Appalachian Music,” by Ann Ostendorf, among a few others. I also plan to use specific artists that continue the heritage of Appalachian music such as Anna and

Women’s music came from radical, grassroots origins in the 1970s thanks to contributions by brave women, mostly lesbians (Mosbacher, 2002). These women used non-violent, peaceful force to forge their own way into the music industry. It was a peaceful yet political revolution of togetherness and liberation. It brought together women of different backgrounds who produced easy-listening, mellow harmonies played with lyrics filled with tumultuous

Charlie Pride did it in 1971. Darius Rucker did it in 2009. That’s it. Two black men, spanning thirty-eight years, are the only black artists to win a Country Music Association Award. With country music rooted in bluegrass and rhythm and blues, why aren’t there more black country music stars? When considering the roots of country music, and how closely related country is to blues, bluegrass and honky tonk music, an examination of what happened to all the black musicians seems warranted, no? This paper examines the dearth of black artists in country music and the careers of one of the few black artists who has had commercial success in this genre of music.

Robert Altman’s movie Nashville is based on the political, social, and personal problems that our country has to deal with. These problems are rooted in the battle between the need to create some false image of success and the need for truth which is the struggle that exists in every character of this film (except Jeff Goldbloom). To show this Robert Altman takes us through Nashville’s Country Music using political commentary, music and realistically portrayed dialogue to tell the story.

Throughout the 1950’s and 1960’s, a wave of new musical movements by independent record labels and new artists emerged in the United States. This movement is captured in the stories of those label creators and owners, and in the turbulent journey through their successes and failures. The first emergence was fueled by multiple factors: competitive economic circumstances, up-and-coming local musical talent in conjunction with the independent labels and studio owners, and the commercially viable musical interest and curiosity of consumers in these local artists. An article poses another causative factor that makes sense: when rock and roll

Rock ‘n’ roll has played a major role in some known historical developments post World War 2. Music plays a significant part in America 's Cold War culture. Music gave us a sense of new technologies and helped the world to prosper. It also is linked with African Americans living in the South. Music was known for shaping the lives of the people during the 1950s and 1960s. Music was geared towards the youth, race, ethnicity, gender and class. “All Shook Up: How Rock ‘n’ Roll Changed America” by Altschuler, Glenn C, tells us the story of the birth of rock and roll during the concrete years of 1955 to 1965. Altschuler gives us a overview of how rock ‘n’ roll has an historical context. “ For two years the Times printed dozens of

The blues have deep roots embedded within American history—particularly that of African American history. The history of the blues originated on Southern plantations in the 19th century and was created by slaves, ex-slaves, and descendants of slaves. They were created by individuals who endured great hardship while performing endless hours of arduous labor and blues served as a form of escapism. To these individuals, songs provided them with the strength to persevere through their struggles. Blues songs depicted individuals who persevered in the face of adversity. They were symbols of hope to those squandering in the depths of oppression. In relations to the blues, every song has a story behind it and within every story, there is something to be said. Blues artists, through their struggles, detail how they overcame hardship and laughed at the face of oppression. They defied the rules and in doing so, showed African Americans that they too are beacons of hope for the hopeless. The best blues is instinctive, cathartic, and intensely emotional. From irrepressible bliss to deep sadness, no form of music communicates more genuine emotion than that of the blues. Like many bluesmen of his day, Robert Johnson applied his craft as a lonely traveling musician on street corners and in juke joints. He was a lonely man whose songs romanticized that existence. With Johnson’s unique vocal style, haunting lyrics, and creative guitar techniques, Johnson’s innovation embodied the essence of

The article “Just a Half a Mile from the Mississippi Bridge”: The Mississippi River Valley Origins of Rock and Roll” was written by Dr. Michael Allen Ph.D. who is a history professor of the School of Arts and Sciences, at the University of Washington, Tacoma. The article is part of a work that Allen is currently working on titled, “Mississippi River Valley: The Course of American Civilization”, which discusses the significance and relevance of the Mississippi River area in American history. Because Allen is writing from the geographic distance of the Northwest, he may have a more objective viewpoint of historical events than someone who is living inside Southern culture. The article was written in 2015 for the Southern Quarterly, which is a

American Music is a melting pot of different cultures, emotions, experiences, and therefore genres. It is incredible to see how as music evolves and changes with the time, so does The United States. We are a mixed bag as a country, accepting all different cultures and backgrounds. This has led to many breakthroughs and innovations in music throughout history. We are all influenced by our experiences in life and this is no different in the evolution of music in American History. The Blues was created from African American Slave songs, with lyrics that narrate the hardships of the human experience at the time. These rhythms and forms carried over and eventually created what is now Rock and Roll. Over the next five weeks, we will explore and discover five key genres and artists who are known to specialize in that genre as a way to reconnect with our history and explore the possibilities for innovation in music in the future.

In the midst of a time where black Americans were facing extreme ridicule and fighting for their rights, Sam Cooke arose from the Gospel music style and merged into the music known as Soul, a genre that spoke to the socially crumbling nation about peace and civil rights changes. Through his smooth style, velvety voice, handsome appearance, and appeal to black and white audiences alike, Sam Cooke made a difference in the lives of Americans in the 1960s by singing with pure emotion and soul, like in "A Change is Gonna Come." Through this genre’s sincere singing with lyrics full of emotion, a sense of understanding was brought to the people of America about the

Appalachian music changed after the 1920’s to more of what those outside Appalachian music liked about the music. Appalachian music was no longer the name for the music of this area and Hillbilly music came about for the commercial spread of Appalachian music (Malone, 1994). With the commercial spread of Appalachian music as Hillbilly music gave a way for the music to transform and continue to make new songs (Malone,

Throughout its history, music has permeated the significant events of American history. Its effect on American society and the way the American people cope with each event has only grown as popular music evolves and new genres reach more and more individuals. People can remember where they were and their exact surroundings to amazing detail when asked about life-changing events in history. Older generations will remember the bombing of Pearl Harbor. Their children will remember when Kennedy was assassinated and when man walked on the moon. Their grandchildren will remember much of the turmoil of the ‘70s and ‘80s and their great grandchildren grew up in the world impacted by the events of September 11, 2001. Even one’s surroundings during the start or end of a relationship or personal events such as graduation, getting a driver’s license, or getting married can all be paired with the music that was popular at the time.

These concert goers enjoyed no rules, drug use, sex, and loud rock music. Some of the best known artists from this concert were; Creedence Clearwater Revival, The Who, The Grateful Dead, The Rolling Stones, Sly & the Family Stone, and Jefferson Airplane.