The Criticism Of William Wordsworth's Concept Of Mysticism

In every walk with Nature one receives far more than he seeks.” - John Muir Nature does not only show the beauty of the Earth, but it shows the beauty within us. So then, is it not easy to say that both of these authors have great beauty within them? After reading both “Calypso Borealis,” -John Muir and “I Wandered Lonely as a Cloud” -William Wordsworth, I can boldly state that

John Muir and William Wordsworth are great examples of this theory. Throughout their stories, both men give great insight to how the harmony of nature impacts their lives in a way that can make them forget about all the sorrow and depression they have following behind them; Wordsworth and Muir’s stories include syntax and diction to verbalize their passionate relationship towards nature. William Wordsworth’s poem, “I Wandered Lonely as a Cloud” excellently shows how the power of beauty can changes one's once depressed, sad day into joy and blissfulness. In Wordsworth's story, he exploits his experience of how nature changed his mood of depression and sorrow to grateful and glee when he stumbles across a bed of beautiful golden daffodils dancing in the breeze. Wordsworth writes: “A poet could not be but gay, in such a jocund company” (stanza 3). In this passage, Wordsworth shows his change of heart when in the presence of something so beautiful and alluring. Wordsworth also shows how nature impacts his mood from the quote: “They flash upon the inward eye, and my heart with pleasure fills” (stanza 4). In this final quote, Wordsworth explains that even when he is apart from the beautiful golden daffodils, it is the memory that keeps his spirits alive. While Wordsworth's experience with nature

Thousands of flowers swaying in the wind, lined up like stars in the night sky. Just the thought of nature brings a smile to my face. The two authors, John Muir and William Wordsworth have two different styles of writing, but they share their love of nature to help us appreciate nature. We have two beautiful writings, written by two naturalistic authors, Williams Wordsworth and John Muir. Both authors have different ways of explaining what nature means to them, but at the end of the day both pieces of work are beautifully and creatively written. Wordsworth and Muir express their meaningful relationship with nature using descriptive words and witty writing.

Physicist Albert Einstein showed that fulfillment and understanding come from studying nature when he said, “Look deep into nature and you will understand everything better” Both William Wordsworth and John Meir show how their relationships with nature have led them to a deeper understanding of their lives and the world around them. In The Calypso Borealis, John Meir discovers a sense of freedom when he discovers the simple but beautiful Calypso Borealis. Whereas Wordsworth finds happiness by holding on to the memory of a beautiful field of daisies in I Wandered Lonely as a cloud. William Wordsworth and John Muir used imagery and diction to express their relationships with nature. Muir uses these literary devices to bring the reader on a journey filled with ups and downs. Wordsworth, on the other hand, uses these literary devices to paint a picture of a scene that lifts his spirit. Both authors use of imagery and diction explain their love of nature and how it has impacted their lives.

Albert Einstein spoke of nature and its value when he said, “Look deep into nature, and then you will understand everything better.” As Einstein pointed out, by looking into nature you could discover something new about yourself and the world around you. John Muir and William Wordsworth both discovered joy when they looked deep into nature. This joy gave them a new perspective on nature and life and they each expressed this joy through different works of writing. Both authors have a unique outlook on nature and its impact as well as different thoughts on how to share their relationships; Muir used diction and connotation to show his relationship in his essay “The Calypso Borealis” where Wordsworth used tone and syntax in his poem “I Wandered Lonely as a Cloud”.

William Wordsworth existed in a time when society and its functions were beginning to rapidly pick up. The poem that he 'Composed a Few Miles Above Tintern Abbey, on Revisiting the Banks of the Wye', gave him a chance to reflect upon his quick paced life by taking a moment to slow down and absorb the beauty of nature that allows one to 'see into the life of things'; (line 49). Wordsworth's 'Tintern Abbey'; takes you on a series of emotional states by trying to sway 'readers and himself, that the loss of innocence and intensity over time is compensated by an accumulation of knowledge and insight.'; Wordsworth accomplishes to prove that although time was lost along with his innocence, he

In John Muir’s essay “The Calypso Borealis” he shows his love for flowers when he said “it seems so wonderful that so frail and lovely a plant has much power over human hearts.” William Wordsworth also shows his love towards nature when he wrote his poem “I Wandered Lonely as a Cloud,” he shows the joy he finds in nature when he said “ten thousand saw I at a glance, tossing their heads in a sprightly dance.” Both John Muir and William Wordsworth find happiness and joy in nature, but express it in different way. Muir and Wordsworth had to go through the worst to discover the beauty of nature. Throughout both John Muir and William Wordsworth exciting adventure, they experienced two totally different aspects with nature.

William Wordsworth uses different groups of words in this poem to connect nature with human beings: the pattern of their

Wordsworth’s famous and simple poem, “I wandered lonely as a cloud,” expresses the Romantic Age’s appreciation for the beauty and truth that can be found in a setting as ordinary as a field of daffodils. With this final stanza, Wordsworth writes of the mind’s ability to carry those memories of nature’s beauty into any setting, whether city or country. His belief in the power of the imagination and the effect it can have on nature, and vice a versa, is evident in most of his work. This

Unlike society, Wordsworth does not see nature as a commodity. The verse "Little we see in Nature that is ours" (3), shows that coexisting is the relationship envisioned. This relationship appears to be at the mercy of mankind because of the vulnerable way nature is described. The verse "This Sea that bares her bosom to the moon" (5), gives the vision of a woman exposed to the heavens. In addition, the phrase "sleeping flowers"(7) might also describe how nature is being overrun unknowingly.

Phrases such as “botanising in glorious freedom [...] wandering through innumerable tamarac and arbor-vitae swamps, and forests [...], rejoicing in their bound wealth and strength and beauty, climbing the trees, revelling in their flowers and fruit [...], glorying in the fresh cool beauty and charm of the bog [...] displayed in boundless profusion”, “rarest and most beautiful”, and “I was able to wander many a long wild fertile mile in the forests and bogs, free as the winds, gathering plants, and glorying in God's abounding inexhaustible spiritual beauty bread”, all show how Muir felt about nature and what nature meant to him. A key phrase that shows Muir’s attitude towards nature states, “Storms, thunderclouds, winds in the woods—were welcomed as friends”. These phrases, as well as the words mentioned above, are extremely positive and show the utmost joy Muir found in his surroundings. The long and detailed descriptions of Muir’s surroundings helps to reinforce his joy in nature. The words that Muir uses to describe nature shows that he is close to nature and feels a connection with it. These positive words also show how absolutely stunning Muir finds nature and how he finds peace and joy in the wild. All of this is also supported by one of Muir’s

William Wordsworth was born in 1770. His mother died when he was eight years old, and his father died five years after. Wordsworth went to school in Hawkshead, a place he and Coleridge would eventually transform into one of the “poetic centers of England” (Greenblatt 124). Wordsworth wrote conversational poems, that tackled themes such as memory, wisdom, and imagination. He argued that poems should be written without what is generally considered to be “poetic language,” and that they should be written as if they were being spoken, with conversational language.

In "Lines Composed A Few Miles Above Tintern Abbey", Wordsworth uses imagination to help him and others to live in the physical world peacefully. He recalls playing in Tintern Abbey, a forest nearby there and played in it when he was young. Now he comes back for different reasons. He escapes the world which is individualism and goes to the forest to get away from all the burden. He tells his young sister that she can always come here to get away from her problems as well. In the poem, Wordsworth uses nature to solve problems in life.

How does William Wordsworth's poetry fit into the literary tradition of Romanticism? Q. How does William Wordsworth's poetry fit into the literary tradition of Romanticism? A. Romantic poetry was an artistic movement of the late 18th and early 19th century. It dealt with nature, human imagination, childhood and the ability to recall emotional memories of both happiness and sadness.

Where Wordsworth focused too on love and nature at first, he then took on more spiritual subjects. Further, if we assume that Wordsworth’s imitation of “The Retreat” was intentional, then Vaughan may have even been a poetic model (in some sense) for Wordsworth later in life. True, Wordsworth is not generally considered a religious poet; he would never have originally considered Vaughan a model because of the latter’s extreme religiosity. Yet if these two poems don’t echo in godly gestures per se, they do in a more spiritual sense—and perhaps Wordsworth, as a man confronted with his own mortality, found Vaughan’s treatise on the spirit’s immortality a sympathetic sentiment. Thus by comparing the two, we also might better understand Wordsworth’s poetic progression.