The Cross Pollination Religious Customs And Material Culture

In Santa Biblia: The Bible Through Hispanic Eyes, Justo L. González invites the reader to read the Bible in fresh ways, and gain insight from the perspective of “those who claim their Hispanic identity as part of their hermeneutical baggage, and who also read the Scripture within the context of a commitment to the Latino struggle to become all that God wants us and all of the world to be—in other words, the struggle for salvation/liberation.” (González 1996, 28-29) Published hot on the heels of the quincentennial of Columbus’ voyage to the new world, and abreast of discussions taking place in the larger Hispanic community, González’s book is both timely and well researched.

The Huichol Indians are an indigenous group that lives “in the Sierra Madre Mountains of northwestern Mexico” (Woolcott). The Huichol religion is an animistic religion. According to Dr. Pamela Lindell, animistic religions are “religions that believe that all of nature – humans, animals, plants, rocks, the ocean, etc. - is animated by spirits and souls” (“Professor’s Notes 2” 3). To better understand the Huichol Indians and their religion, this paper examines Huichol myth, symbolism, rituals, religious specialists, and deities from various anthropological perspectives.

Throughout our life’s each day we communicate with each other through the exchange of information. Our verbal and nonverbal communication skills are used to process this information. Speaking, listening, and body language are our ability to understand the meaning of communication that we develop throughout our lives. This brings me to understand why we develop new things every day and learn the reasons for different things. However, in the Hispanic/Latino literature they express spirituality, magic, and myth play as an important role in their literature. For

Historically, the major religions of Christianity, Islam, and Buddhism began to spread across Eurasia and Africa from the 5th century through trade routes and conquest. As these ideas and practices traveled to new and distance places, local populations adapted and transformed many of them in ways that reflected traditional beliefs and customs, also known as syncretism. The rise of rulers, such as Sundiata in Mali helps illustrate this process of partial adaptation, or syncretism, in order to get a boost of support from the subjects of the kingdom. The actions concerning syncretism, can be explanation of the rise of kings such as Sundiata. These examples can be seen through the texts “Sundiata: An Epic of Old Mali”, “Worlds together, Worlds

The rise and fall of different civilizations and empires is caused by various social, political, and cultural factors that affect its societies. One of the most important concepts seen in empires are the creation of its culture and its relation to the beliefs of its society. Religion plays an enormous role in understanding the purpose behind the actions of the people in a civilization. Religion and culture are dependent of each other as it reflects the ideas and values that society has agreed upon. As a new urban civilization during 2500 B.C, The Indus Valley Civilization created a sociopolitical system that

The Indian tribes of America created cultures that still exist in America today. The Mayas and Aztecs of Central America established empires that supported agriculture and long-distance trade. The Mayas created a calendar in silver, copper, gold and pearls. Then Mayas then founded the city of Tenochtitlan and built roads that encompassed about 5 million people. The natives of North America were nomadic, the Adena-Hopwell, Mississippian and Anasazi cultures emerged. There were approximately 240 different tribes speaking in different languages and they were primarily fishers and hunters. The Anasazi established trading centers that were sustained by comprehensive agriculture. The Chibchas and Incas created an empire similar to the Aztecs but on a smaller scale in the south. The Incas created a huge empire with as many as 12 million people and had a vast realm that stretched over 2,500 miles along the Andes Mountains. They had fertile farms, interconnected network of roads, and enduring buildings.

Of the seventeen known heads, most have been found at San Lorenzo wearing helmets that had possibly been used in ballgames. At El Azuzul another important monumental sculpture was found, a pair of twin males facing a jaguar. “This scene offers powerful images of duality and shamanic transformation, as indicated by the postures of the twins” (Evans 2004:141).

The art of Fernando Botero is widely known, revered, paraphrased, imitated and copied, For many, his characteristic rounded, sensuous forms of the human figure, animals, still lifes and landscapes represent the most easily identifiable examples of the modern art of Latin America. For others, he is a cultural hero.To travel with Botero in his native Colombia is to come to realize that he is often seen less as an artist and more as a popular cult figure. In his native Medellín he is mobbed by people wanting to see him, touch him or have him sign his name to whatever substance they happen to be carrying. On the other hand, Botero's work has been discredited by those theorists of modern art whose tastes are dictated more

Mestiza consciousness embraces Chicana’s Native American roots by using Aztec symbols like the Coatlicue, the indigenous mother, to replace colonial symbols, while also acknowledging the male dominated

Elialde author of The Sacred and the Profane introduces a new model of the sacred and the profane. Elialde’s model is meant to be universal, therefore meant to be appropriate for any recognized religion. David Carrasco author of Religions of Mesoamerica and Kay Almere Read and Jason J. González authors of Mesoamerican Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs of Mexico and Central America, discuss their interpretation of the Mesoamerican religion although their views on the Mesoamerican religion differs in some aspects when compared to Eliade’s model of the sacred and the profane there are a few noticeable similarities between both views.

The religion detailed and examined throughout Don Talayesva’s “Sun Chief” can be difficult to understand and near impossible to appreciate. At first glance to the casual reader it can appear shallow and ridiculous; a religion created around the wants and needs of the Hopi but not based on any empirical or even supposed sacred evidence. When coupled with The Sacred Canopy however, the reader begins to understand the simplistic beauty of their religion providing necessary guidance and support to the Hopi tribe. The reader also is able to relate to Don’s religion in terms of the love one has for his or her own dogma and the importance it plays in an individual’s life.

It establishes principles for correspondence between religions, exploring the ways in which they are similar and in which they are different.” For modern Americans who seek a meaningful spirituality yet are aware that many religious traditions exist and offer rewards to their practitioners, Santeria may seem at once a unique tradition with specific beliefs and rituals and a reconciliation of several different religious views. The stories of the orishas from Africa, the correlation of orishas with Roman Catholic saints, and the applicability of the roles and domains of the orishas to modern life in America make Santeria an inclusive and rich tradition.

Modern figurines of art stem directly from the hands of the ancient’s. The organic forms of modernly sculpted artifacts can most likely be directly referenced to the movements of prehistoric artworks. There seems to be an ongoing transition on how cultures no matter how stretched apart through time, contrasted by ethnicity or religious views; can all be somewhat related to each other by the methods or principles portrayed through their artworks. In fact, I saw that very transition; within two works in which are extremely different in meaning, craftsmanship, time, culture and so on. However, I was still able to find similarities within the artifacts. In this paper I will examine Venus of Willendorf, a Paleolithic carving in limestone; which can fit in the palm of one’s hand. As well as, The Sacrifice of Chacmool, which are a plethora of Mesoamerican statues emulating rituals of sacrifice.

The Yaqui have evolved themselves into having a blended religion, with the use of syncretism. Syncretism is, “the mixing/blending of elements from two or more cultural sources to produce a new third culture or

Gonzalez also explains how he feels like there have been many ‘macroevents’ and ‘macroformations’ that are going on now in the 20th century, which can be tied back to the 16th century and the Protestant Reformation. He talks about how history has shaped where the Hispanic culture is today, and how that ties into how they view theology and the Word.