The Crucible Act 1 Analysis

The Crucible starts off with Paris at Betty’s side. Betty is sick in bed, she won't eat, move, or respond, and she fell sick after Paris found them dancing in the woods. There have been rumors going around town saying that there is witchcraft in the town and that young girls have been “witched”. They've also said that the girls can fly and that the devil has stolen there soul.

A theme in The Crucible is that a society ruled by theocracy and status based on religion is bound to fall apart. Salem 's strict adherence to the Christian shurch is evident in everything the citizens do. They use measures of a person 's knowledge and adherence to the religion as a means of judging their character and also their status in society. They believe "God [was] provoked so grandly by such a petty cause" (121), which is why the "jails are packed" (121). If the citizen did anything to make God angry, they were punished. This is why the judges were so relentless and naïve in putting the accused women to trial and convicting them. They believed "the law, based upon the Bible, and the Bible, writ by the Almighty God,

In the crucible there has been a character and or characters that were afraid to admit they were wrong. In certain situations I have gone through the same situation before, so I can relate to that. First, with the crucible, Rev. John Hale would be afraid to admit that he was wrong. John Hale is a witch expert from Beverly, he comes to Salem to check out what is going on as far as witchcraft. He thinks he knows everything and is very arrogant about it. He has not seen anything like this before. Things are happening in Salem such as people going into a coma, and people going against each other.

The Crucible takes place in Salem, Massachusetts during the time of the Salem witch trials. In The Crucible, Arthur Miller uses revenge as the main theme throughout the playwright. Revenge is the action of inflicting hurt or harm on someone for an injury or wrong done to someone else. Revenge is shown throughout the characters actions in the play. Witch craft is used to represent revenge. If someone didn't like another, they could accuse that person of witch craft and inflict harm on him or her. Many characters in the play are motivated by their desire to seek revenge. During the course of the play, revenge motivates the characters and has a huge significance in the play.

Elizabeth sits by the window. Her chair is turned away from the rising sun. She sits still.

Body 4: In act four Hale is Humble, and he wants to help those who have been convicted come over to god and not be hung, he is trying to convince them to confess instead of dying. Hale’s willingness to help the convicted individuals is exemplified through the quote “You must pardon them. They will not budge” in which he is talking about the people he is trying to get to confess, who will not, and he later says he needs more time, showing his dedication to helping them. Hale spends act four trying to right himself in the eyes of the lord, and he admits that he was wrong in the beginning by saying “Let you not mistake your duty as I mistook my own. I came into this village like a bridegroom to his beloved, bearing gifts of high religion; the

In Act II, we see quite a bit going on, and it seems to be the climax of the story. We see Torvald belittle women once again when he says " is it to get about now that the new manager has changed his mind at his wife's bidding." We learn that Torvald expedited Krogstad's dismissal, and thus we see Nora acting really out of sorts as she tries harder and harder to maker sure Torvald never learns her secret- even going as far as to pretend she has no clue how to do the Tarantella to stop Torvald from reading the letter that Krogstad left. Finally, the Act leaves us with Nora stating "Thirty-One" hours to live- so us as readers are left wanting to know- is she going to commit suicide? Will Krogstad kill her? Or is it hypothetical- that she believes

To start off I felt this was a good movie overall. One scene I felt that had stood out was when the black man was showed the pattern on the cloth showing that there was a house he can escape to with his daughter. This scene kind of gave us a hint that many people probably knew about the house but was too scared to escape in fear of being caught. I felt that the black man was very determined to get his daughter away safely no matter what so much that he went in to unknown water just to hide from the slave masters. I was a little confused at the begging because I thought slave work consisted of picking cotton or some other hardship. There was a scene that stood out to me on a personal note. The scene were the black man was hanged and his daughter was watching as this occurred.

The question starts in chapter 11. Peter encounters an astonishing disclosure that God is putting forth "the repentance that leads to life” (Acts 11:18) to Gentiles without obliging them to become Jews first. Be that as it may, when he goes to Jerusalem in the company of some uncircumcised (Gentile) men, some of the Christians there whine that he is abusing Jewish law (Acts 11:1-2).

Act 3 takes place in the church, which had been turned into a courtroom for the witch trials. Mary testified that they were only pretending to be afflicted by the witchcraft. Proctor was questioned about his religious beliefs. Judge Danforth arrested Giles for not giving him the name of the man who gave him information on the witchcraft, because he didn’t want to give away Putnam. Abigail was then sent on trial, and denied Mary’s testimony. The girls accused Mary of bewitching them with a cold wind and that she was responsible of the witchcraft. When Abigail accused Mary, Proctor called Abigail a whore and confessed his affair with her. He explained that Elizabeth fired her when she discovered it. He claimed that Abigail wanted Elizabeth to

The play The Crucible, was written by Arthur Miller in 1953. It is a story he wrote after his own experience being accused of communism. This affected a lot of well-known people in the United States during this time, and was considered a witch hunt similar to the Salem witch hunts. Arthur Miller wrote The Crucible about a man, John Proctor, who has an affair with Abigail Williams. She catches feelings for him and tries to cast a spell on John Proctor’s wife to kill her; this gets out of hand when Abigail’s uncle catches her and some other girls dancing during the spell in the woods. Suddenly, the whole town is living in fear of who is practicing witchcraft, who could be a witch, and innocent people are killed if they don’t confess to being witches. Overall, mass fear and panic, and false accusations are seen over and over throughout the play.

Miller made the right decision in removing Act 2 Scene 2 as it would have distracted the reader from the larger purpose of power and hysteria in the play and have instead introduced a new conflict of genuine insanity. In the deleted scene, a different side of Abigail is shown, one that is delusional and seems to care for Proctor. In a wishfully disturbing manner, Abigail promises to Proctor that, “I will make you such a wife when the world is white again… From yourself I will save you”, and repeatedly states her belief that her purpose was to “scrub the world clean” of all the hypocrites and eventually be rewarded with Proctor as a husband. This caring and desperate side of Abigail contradicts the selfish and manipulative persona that is seen

Betty wakes up screaming, and argument about witchcraft breaks out. An unrelated argument between Proctor, Parris, Giles Corey, and Thomas Putnam starts over land rights. Hale interviews Abigail, and requests to talk to Tituba, who admits that she saw the Devil. Next, Abigail confesses, revealing that she also saw the Devil, but she tries to repent. Betty wakes up and together, she and Abigail name the people they have seen with the

The stage lights illuminate Shylock’s home, initiating Act 2 scene 5. Shylock is seated on a couch tying a black tie around his neck. Lancelot is standing nearby.

There’s a handful of plays that you just can’t go through life without watching. The soul-shattering immortal plays that lose no impact or resonance as time goes on. For Arthur Miller’s The Crucible, the emotional connection to present day is arguably stronger than at the time of production; transforming it from a historical tragedy to a contemporary morality play.