The Cruel Conclusion of Reality in ‘Araby’ and ‘The Raspberry Bush’

In "Araby" by James Joyce, the narrator uses vivid imagery in order to express feelings and situations. The story evolves around a boy's adoration of a girl he refers to as "Mangan's sister" and his promise to her that he shall buy her a present if he goes to the Araby bazaar. Joyce uses visual images of darkness and light as well as the exotic in order to suggest how the boy narrator attempts to achieve the inaccessible. Accordingly, Joyce is expressing the theme of the boys exaggerated desire through the images which are exotic. The theme of "Araby" is a boy's desire to what he cannot achieve.

Nonetheless, doing so will not change the perceptions that other individuals who are familiar with them possess. An individual cannot wholly abandon their heritage. Their identity will remain the same in their loved ones eyes, despite the tenacious effort put in towards changing it. This is first demonstrated when the narrator realizes that “[your] uncle [will] still call you Roy Boy”. Regardless of his desire to create a new identity, he understands that those that are familiar with him will never abolish their perceptions. Furthermore, those in his town will act the same way towards him and their lives will not change because he decided to achieve his dreams. The “pheasants sun themselves beside the tracks” whether he returns or not, their lives will not be affected and he will not have an impact on their perception of him. Their attitudes will not change because they were once acquainted with his past identity in which he is so utterly ashamed of, and are unaware of this new one which he is proud of. Additionally, when he realizes that “corn grow so high that if you [stand] in the field you’d disappear”. This elucidates that he understands that his new dreams will not impact anything in any way. Everything will remain the way it was when he leaves. The only aspect that will change is his altered perception of himself. The boy understands the insignificance and normality of his identity that would be created if he decided to pursue his aspirations. Aspects of the past that were once in an individual’s life will not alter, only the individual’s perception of themselves will change. Their newfound identity and goals will not impact those that were once familiar with them. No matter how much effort is put in towards creating a new identity and leaving the past, it can never truly be forgotten because people cannot

I will be writing my essay on innocence and experience to show how it relates to “Araby” by James Joyce. While reading the story, and what I’ve understood is that it’s a very depressing story about a young boy that is between 12 to 17 years of age who had his first experience in feeling loved and perhaps having a life alone. Later on in the story towards the end the experience will be very sad as we talk about it.

“Araby” by James Joyce, is a short story about a young boy trying to find and his search for inner happiness. The main setting takes place in the boy’s neighborhood where he lives with his aunt and uncle. The sub setting takes place in an Araby or English bazaar, a carnival if you will. In the neighborhood we find that there is; an uninhabited house that has not been occupied for some time, a girl, who’s referred to as ‘Mangan’s sister’, whom the boy has a lustful crush on, and a story of a deceased priest. In the Araby we find a lot of empty booths, along with some hollow characters. The neighborhood, the Araby, the boy, and other characters in the story have an overall theme

“It was characteristic of Boy throughout his life that he was always the quintessence of something that somebody else had recognized and defined” (Davies 113). He believes that he is in control of every situation, but inside he cannot control his guilt that is still buried deep inside himself. Contrary to Dunstan who feels responsible for problems, Boy runs away from his problems by keeping himself busy. The death of Leola, his wife, clearly shows Boy’s fear of facing problems, for his does not show up for her funeral, “Boy was in England, arranging something or other connected with his Ministry, and duty and the difficulty of transatlantic flights in wartime kept him there”(Davies 194). Boy still yearns for fulfillment even though he achieves greatness in terms of his financial success and his outward appearance. He says, “I feel rotten. I’ve done just about everything I’ve ever planned to do and everybody thinks I’m a success… But sometimes I wish I could get into a car and drive away from the whole damned thing.” (Davies). Boy knows that deep inside he is very unsuccessful. As he gets older, he is supposed to be wiser, but his commitment to achieving the external greatness has stopped him from being fully satisfied. There is an immense difference in the lives of Boy and Dunstan. Boy’s focus on his external being causes him live an unfulfilled life, like a ‘boy’ who cannot see that there is

In his short story "Araby", James Joyce portrays a character who strives to achieve a goal and who comes to an epiphany through his failure to accomplish that goal. Written in the first person, "Araby" is about a man recalling an event from his childhood. The narrator's desire to be with the sister of his friend Mangan, leads him on a quest to bring back a gift from the carnival for the girl. It is the quest, the desire to be a knight in shining armor, that sends the narrator to the carnival and it's what he experienced and sees at the carnival that brings him to the realization that some dreams are just not attainable.

From young, limitless ambitions to experienced realisation of what is realistically possible to achieve. This is shown in the story through using minor sentences, briefly mentioning the narrator’s rites of passage, to show their insignificance compared to upcoming events later in his life, and displaying the impulsive, impatient thinking of a young teenager in the start of the story. By the end of the story, the narrator has a wise, experienced voice, understanding of the effects of impatience on achieving his goals, and displaying to the reader how thoughts change as individuals

Thus, in order to fill the void, the girl created a world of her own, a world that helped her forget much and feel more. Bruno Bettelheim also touches on this subject in his piece Fear of Fantasy, where he talks about fantasy stories for children and what the importance of the former are to the latter. As Bettelheim says, “This is where the fairy tale [helps the child the] most: it begins exactly where the child is emotionally, shows him where he has to go, and how to do it”(Bettelheim 4). In other words, Bettelheim is arguing that every child has their own life, their own problems, and thus their own personal fairy tale. This line of thinking goes hand in hand with the revelation made at the end of Arthur Machen's book when after Machen writes about this incredibly imaginative young girl who essentially created a world of her own, it only made sense that the girl had a troubled childhood with little exposure to her much-needed

A large component of the psychoanalytical theory is the three-part psyche which breaks the brain into essentially three parts; The ego, the superego, and the id. The id is the largest part and instinctive component of the personality which seeks pleasure and its primary focus are wants and desires. The superego is the practical component which is more set on the morals and values set by others they know, meanwhile, the ego is the weak mediator of the two. The strength of the id is an overbearing topic in Araby by James Joyce and The Yellow Wallpaper by Charlotte Perkins Gilman. The 1914 short story, Araby, follows a young boy going through his preteen years with a growing obsession for Mangan’s sister. Despite the fact that she is much

This author tries to give a message to all the readers which is that you have to accept with responsibility and maturity what you have done. Most of the stories from these book have a message and this one clearly teach you that you can lose things for not being responsible with your own actions.

In the opening paragraphs of James Joyce's short story, "Araby," the setting takes center stage to the narrator. Joyce tends carefully to the exquisite detail of personifying his setting, so that the narrator's emotions may be enhanced. To create a genuine sense of mood, and reality, Joyce uses many techniques such as first person narration, style of prose, imagery, and most of all setting. The setting of a short story is vital to the development of character.

Despite his determination to provide for his family at all cost, whether directly or indirectly, Harry’s approach continually isolates him and puts him at odds with the greater community. He sacrifices his interpersonal connections and ultimately his own humanity. In Albert’s narrative, Harry’s asserts: It would be better alone, anything is better alone. Here, Hemingway acutely demonstrate the degree to which Harry has become a loner. In the first, Albert laments how Harry has changed, mean and full of self-pity. In the second, Harry, trapped by the need to participate in a doomed venture asking: what choice do I have? Harry’s downward spiral and his actions complicate his position in the Dream narrative. In this and Hemingway’s castigation of the other characters, the reader is left with the realization that the Dream altogether

James Joyce’s short stories “Araby” and “The Dead” both depict self-discovery as being defined by moments of epiphany. Both portray characters who experience similar emotions and who, at the ends of the stories, confront similarly harsh realities of self-discovery. In each of these stories, Joyce builds up to the moment of epiphany through a careful structure of events and emotions that leads both protagonists to a redefining moment of self-discovery.

The protagonist could control everything around him in his youth, but as he grew older, he realized that he, in himself, is insignificant, and actually has no power over anything, not even his own self. He once thought that he could do anything, as it was once said, "There was nothing he couldn't do, nothing!" After uncontrollable incidents, his attitude changed completely, "For a moment he would not face it[the reality of how he was insignificant in the universe]. He was a small boy again, kicking...refusing to accept the responsibility." This perceived reality exposed as just that, is metaphorical of life as adulthood is often a series of changing realities. The protagonist's awakening to this, but his then refusal to acknowledge it, shows the reader how human stubbornness can blind one of the truth. Lessing created a situation metaphorical of the reality of adulthood, that one cannot control everything, and often as one believes this more and more, their reality will come crashing down. One must confront this

When his house is just a minor house, he feels that he could have done so much better and achieved so much more, but because of the lack imagination, he did not do so.