The Cultural Norm In Ken Kesey's Chief Bromden

McMurphy is at constant odds with Nurse Ratched, the antagonist of the story; she represents the anally fixated dictator. She has established system believed to find sanity by adjusting the patients to the outside world standards. Nurse Ratched tries to shape the patients not in their own image but an image that she sees all people should act. It is believed that what the Nurse is doing is helpful to the acute’s actually suppressing their individually. In the novel they are multiple power struggles between the Big Nurse and Randle Patrick McMurphy on Nurse Ratched side, she is trying to hold order among the ward to conform McMurphy. However, McMurphy acknowledges the way she runs the ward is not right and it is actually suppressing the acute’s masculinity and self-confidence. In one section Chief Bromden acknowledges why he believes McMurphy is so strong is because he is what he is. “I’d think he was strong enough being his own self that he would never back down the way she was hoping he would.” Nurse Ratched may have a hard time trying to make McMurphy conform but she has ease making the rest conform to her standards. These are the supposed standards that the patients believe they need in order to be accepted in society. However, they are the supposed beliefs that the majority of people believe in order to strive socially. It is not only the Combine’s Ward that there a sense of missing identity there is also. Compared to the society that humankind occupies, people

Ken Kesey's "One Flew Over the Cuckoo's Nest" is a unique fiction novel about oppression and rebellion in an American 1950's Mental Hospital. In this highly distinctive novel, setting definitely refers to the interior, the interiors of the Institution. It also refers to the period this novel this was set in, the 50's, 60's where McCarthyism was dominant. Furthermore, it has great symbolic value, representing issues such as the American struggle of freedom and conformity. This essay shall discuss the ‘setting' & its significance towards Ken Kesey's "One Flew over the Cuckoo's Nest".

Right from the beginning of the story, McMurphy and Nurse Ratched are involved in a power struggle-with Ratched quietly but ferociously determined on 'breaking' McMurphy down and making him 'fit' into her idea of what the ward should be, like re-shaping an odd piece to fit into her jigsaw puzzle; 'If we just wait a while, our hero will give up his bit.' And McMurphy adamant that he will not become subdued and meek like the other patients, and that he will begin to influence how the ward is run. An good example of this desire to 'overthrow authority' is the incident concerning the television on the ward, a scene that is depicted well in the Milos Forman film version of the book: McMurphy campaigns for Nurse Ratched to change the schedule of the

Laughter makes the patients feel good, and, specifically, Bromden feels good and begins to remember other things that made him feel good (Tanner 4). McMurphy’s power in laughter is intensified by Nurse Ratched’s lack of laughter. McMurphy’s laughter and humor are genuine while Nurse Ratched’s humor is forced and smiles are chiseled like in plastic (Wallace 3, 5). Power enables McMurphy to make changes on the ward and to survive in the institution. His sanity compared to the other patients, his manipulations, and his ability to laugh give him the power. He, in turn, gives patients a sense of power by teaching them to laugh at themselves, Nurse Ratched, and the world (Magill 1533).

In Ken Kesey’s book, One Flew Over the Cuckoo’s Nest, there were two main characters that were in a battle to have the majority of control over the ward. Throughout the story, they engaged in different acts of stubbornness to see who could display the most power and which of the two could stand their ground the longest without giving in to the other. These two characters were: Randle McMurphy, a new patient who was determined to change the ways of the ward, and Nurse Ratched, the head nurse of the asylum who preferred to have complete control over everyone and everything.

As a man who pretends to be deaf and mute, Bromden is considered to be a relatively unbiased character, yet he even displays strong feelings of hatred towards Nurse Ratched, proving just how evil she is. As Nurse Ratched enters the novel for the first time, she brings with her a noticeably ominous atmospheric change with, “A gust of cold,” (4) that represents her complete control over every aspect of the mental ward, even the weather. At the pinnacle of Kesey’s totalitarian society, Nurse Ratched represents the tendencies of an oppressive government or what Bromden calls, The Combine. For example, she suppresses the patients’ free will because regardless of the patients actual sanity, she is undeniably in control of their fates at the hospital. Besides McMurphy, the majority of the patients could leave on their own, but Nurse Ratched has been able to brainwash them into thinking that they are not suited to assimilate with others outside of the ward. Billy Bibbit says to McMurphy when he asks why they do not leave, “You think I wuh-wuh-wuh-want to stay in here? You think I wouldn’t like a con-convertible and a guh-guh-girl friend? But did you ever have people l-l-laughing at you? No, because you’re so b-big and so tough!” (162-163). Just like an oppressive government, Nurse Ratched convinces its people that they are worthless so they never feel powerful enough to retaliate. Like an alcoholic, Nurse Ratched needs her fix of power that makes her drunk and

Ken Kesey’s One Flew Over the Cuckoo’s Nest operates as an entertaining and interesting novel on a pure surface level. There’s a good story, well-developed characters and fresh language. It has all the workings of a good novel, but One Flew Over the Cuckoo’s Nest isn’t just a good novel. It’s a great one, because Kesey uses Chief Bromden’s perspective to let imagery flow out of the novel and have it all come back to one theme: individuality and its repression by society. This idea is highlighted by the image of gambling vs. playing it safe, whether in literal card games or as a way of living. The mental ward’s new patient, Randle Patrick McMurphy, is a self-described “gambling fool” (12)1, while his opposer, “Big Nurse” Ratched,

Regarding Miss Ratched, she seems to show signs of passive-aggressive behavior throughout the book. This behavior adds to her manipulative ways and contributed to the decrease of the patients’ progress (mental/physical state). Passive-aggressive behavior is used to maintain control and power because it’s a way for her to not display any signs of weakness. Miss Ratched, also known as the Big Nurse to the patients, fights hard to remain as the top authority figure in the Ward due to her thirst for power. To maintain the control over the men, she emasculates them, stripping them of their masculinity, in various ways to prevent the chance of an uproar against her. For instance, after a group meeting regarding Harding’s problem with his wife’s breasts, the patients attack Harding. In response, McMurphy provides an analogy of a pecking party to the current

   In 1962, when One Flew Over the Cuckoo's Nest (the Nest), was published, America was at the start of decade that would be characterized by turmoil. Involvement in Vietnam was increasing, civil rights marches were taking place in the south and a new era of sexual promiscuity and drug use was about to come into full swing. Young Americans formed a subgroup in American society that historians termed the “counterculture”. The Nest is a product of time when it was written. It is anti-authoritarian and tells the tale of a man's rebelling against the establishment. Kesey used metaphor to make a social commentary on the America of the sixties. In this paper I will

Ken Kesey’s “One Flew Over the Cuckoo’s Nest” is a unique fiction novel about oppression and rebellion in an American 1950’s Mental Hospital. In this highly distinctive novel, setting definitely refers to the interior, the interiors of the Institution. It also refers to the period this novel this was set in, the 50’s, 60’s where McCarthyism was dominant. Furthermore, it has great symbolic value, representing issues such as the American struggle of freedom and conformity. This essay shall discuss the ‘setting’ & its significance towards Ken Kesey’s “One Flew over the Cuckoo’s Nest”.

In Ken Kesey’s novel, One Flew over the Cuckoo’s Nest, the antagonist, Nurse Ratched, can be described as a cold, heartless tyrant. In most cases throughout the duration of the book, Nurse Ratched is a representation of “evil”, but when a character by the name of Randle McMurphy enters her ward, he starts to test the patience of Nurse Ratched which, in turn, causes the patients of the mental hospital to become less afraid of her. Ultimately, she loses her power over the patients and the reader starts to feel sympathy towards her. At the end of it all, her actions cause her downfall.

Ken Kesey: The Man at the Vanguard of the Psychedelic Counterculture The infamous Abbie Hoffman once said, “The '60s are gone, dope will never be as cheap, sex never as free, and the rock and roll never as great.” Never has a quote been so true. A time of great change, the 60s hosted the civil rights movement, anti-war became en vogue, and the beatles took over the world. However, literature was also experiencing one of its greatest heights.

Ken Kesey was a part of The Beat generation and many of their ideologies and the socio cultural context of U.S post WWII were evident through characters and various discourses throughout One Flew over the Cuckoo's Nest, giving us his invited reading.

Alfred Kinsey was born in New Jersey on June 23, 1894 to Alfred Kinsey and Sarah Charles. As a young boy he suffered many illnesses such as rheumatic fever and typhoid. In high school, he began his interest in biology and botanical studies with the influence of his teacher. He started his career in biology as a zoologist and entomologist but later found interest in sexology. His parents were very religious therefore not agreeing with his choice of career. Due to this he considered his father’s wishes by studying engineering but decided that he was better off with biology.

Around 1964 the Merry Pranksters, a nonchalant group that developed around novelist Ken Kesey, sponsored the ‘Acid Tests’, a series of parties held by Kesey in the San Francisco area, and which were entirely centered on the use of LSD (supplied by Stanley) (Class). Accompanied by light shows, film projection, and discordant; musical performances by the Grateful Dead were a commonplace (Class). According to Johnson (2011), Kesey regarded the Acid Tests as more than just a form of