The Dark Images Of Poison And Disease

Hamlet, the Prince of Denmark, begins as an admired and noble young man. However, fate and the turn of events lead the tragic hero the depths of his fortunes. The tragedy starts with the death of the heroic King Hamlet. His brother, Claudius is the successor as King of Denmark and married the protagonist’s mother. When a ghost of the late King Hamlet appears, Hamlet’s downfall begins. The ghost explains to Hamlet that Claudius killed his father “upon my secure hour thy uncle stole with juice of cursed hebona in a vial, and in the porches of my ears did pour the leperous distilment, whose effect holds such an enmity with blood of man” (1001). Hamlet then feels like he must get revenge against Claudius and sets out to plot how it will happen. King Claudius senses something suspicious about Hamlet and sends for Hamlet’s two

Furthermore, Fortinbras is dead set on attacking Denmark and it seems no one can stop him. The death of his father lights a fire in him to kill at any cost and instead of taking care of his ill uncle who is on his death bed, Fortinbras leaves him alone and takes his time planning and training for his attack to kill the new king of Denmark. Shakespeare reveals that Fortinbras abandons his "impotent and bedrid" (I. ii. 29) uncle and trains his troops while "The lists, and full proportions are all made out of his subject" (I. ii. 32) to defeat Denmark showing his determination. Fortinbras wants to be the one who rights the wrong that the old king of Denmark has done to his father. He would go at any length to get the job done, thus making the reader see that he does not think things through before he does anything. Hamlet on the other hand is very indecisive about killing Claudius even though he knows Claudius is guilty of his father’s death. Although, Hamlet is not sure about what he is going to do to attack. Even though he wants to avenge his father’s death and obey the ghost, he is not as active or into the attacking

Speaking of the disaster-prone Denmark that is presented in this play, Hamlet, the beloved main character, is a magnificent representation of the dysfunction that lies among the Great Chain of Being. Hamlet shows signs of having immense depression, suicidal thoughts, and considerations of fleeing Denmark. When someone wants to escape the country after a leader’s death, it is pretty obvious that something is tousled. After Claudius calls him a coward for being upset over Old Hamlet’s death and Gertrude basically forces him to

King Claudius expresses, “Welcome, dear Rosencrantz and Guildenstern. Moreover that we much did long to see you, the need we have to use you did provoke our hasty sending.” (2.2.1-4) He addresses them in what is seemingly a sincere manner, proclaiming the supposed yearning he has had. However, these so-called sincere actions towards Hamlet’s childhood friends are just to convince them to take on the role of spying on Hamlet’s actions and reporting them back to Gertrude and Claudius. He continues to mask his true motives by saying, “To draw him on to pleasures and to gather...you may glean..to us unknown, afflicts him thus that, opened, lies within our remedy.” (2.2.15-19) King Claudius’ choice of words convey an inkling to the audience that he cares for Hamlet because of how he expresses his need to find out Hamlet’s condition, and fix it. This also presents Gertrude with the idea that Claudius has Hamlet’s best interests at heart. This, in King Claudius’ favor, solidifies his honorable, yet selfless stature with his contriving

Hamlet is as much a story of emotional conflict, paranoia, and self-doubt as it is one of revenge and tragedy. The protagonist, Prince Hamlet of Denmark, is instructed by his slain father’s ghost to enact vengeance upon his uncle Claudius, whose treacherous murder of Hamlet’s father gave way to his rise to power. Overcome by anguish and obligation to avenge his father’s death, Hamlet ultimately commits a number of killings throughout the story. However, we are not to view the character Hamlet as a sick individual, but rather one who has been victimized by his own circumstances.

Early on in Hamlet, a guard slightly mentions that there is “something rotten in the state of Denmark” (Shakespeare, I.iv.90). The tranquility of Denmark is suddenly shattered by Claudius’s marriage to

William Shakespeare’s Hamlet has been widely regarded as one of the greatest tragedies ever written. One prominent theme exemplified in this particular play is the theme of rottenness or decay. Shakespeare uniquely uses disease, rotting, and decay in order to reveal the manifestation and consequence of moral corruption. Physical corruption mirrors the moral corruption within the characters in the play. The moral corruption in Denmark is showcased for the readers throughout the play by images of physical corruption and disease. Shakespeare argues in Hamlet that sin or moral corruption is like a disease that leads one to one’s own “death” or demise. Nobody is immune from it.

Hamlet returns to Denmark to quickly find that a hasty “incestuous” marriage between his widowed mother and his uncle would all too quickly follow his own father’s funeral. Perhaps the most significant sign that all was not right in Denmark was the apparition of the slain former King. Hamlet’s father’s apparition is viewed by Hamlet and his company as an open sign that “something is rotten in the state of Denmark" (1068). From this first revelation, Hamlet learns by degrees of the evil that attempts to hide itself behind the “legitimate” passing on of the throne. Hamlet gets a first glimpse of the evil in the appearance of the restless soul of his father, later, more so with that ghost’s revelation of the murderous truth to Hamlet, up until Hamlet’s own observation of Cladius’ unique

Many would perceive madness and corruption to play the most influential role in Hamlet. However, it could be argued that the central theme in the tragedy is Shakespeare's presentation of actors and acting and the way it acts as a framework on which madness and corruption are built. Shakespeare manifests the theme of actors and acting in the disassembly of his characters, the façades that the individuals assume and the presentation of the `play within a play'. This intertwined pretence allows certain characters to manipulate the actions and thoughts of others. For this reason, it could be perceived that Shakespeare views the `Elsinorean' tragedy as

   The legendary drama, Hamlet, written by William Shakespeare is a play illustrating the theme of virtue vs. villainy. The 17th century tragedy is plagued with treachery and deceit as it opens with the news of a foul murder in the kingdom of Denmark. Prince Hamlet, by word of his late father's ghost, is informed that his uncle Claudius is to blame for his father's sudden demise. Prince Hamlet's mission is to uncover the secrets surrounding the murder and to avenge his father's death. Thus, the insidious web of disease and corruption is formed. The relationship between disease leading to the greater corruption of Denmark plays a significant role in the lives of the principle players.

     Claudius’ lies are effective enough to persistently deceive to play’s antagonist, Hamlet. Despite Hamlet’s disgust with Claudius for marrying Gertrude, and his view of Claudius as “a king of shreds and patches” (III.iv.104), Hamlet suspicion of Claudius as a murderer is preliminarily nonexistent. The appearance of a spirit claiming to be Hamlet’s dead father first alerts Hamlet to the actions of “that incestuous, that adulterate beast, /With witchcraft of his with, with traitorous gifts” (I.v.42-3). And yet still, Hamlet remains hesitant to believe that Claudius was the murderer, searching for complementary evidence. The play that Hamlet enacts -- designed to “catch the conscience of the king” (II.ii.562) --succeeds in revealing Claudius’ guilt, but does not provoke instant action on Hamlet’s part. So effective is Claudius’ manipulation of the royal circle that he manages to almost permanently stay the revelation of his guilt, and if it weren’t for supernatural intervention against an injustice, he may never have been exposed.

To keep it from divulging let it feed/ Even on the pith of life,"(IV; i, 21-23) This is spoken by Claudius, when he is with the queen, after the death of Polonius. The King says that he is the owner of a foul disease, which is Hamlet. He feels that he must keep Hamlet hidden to avoid embarrassment and others’ scorn. Claudius compares Hamlet to a disease, in such a way that as wretched and disgusting as it may be,it should be kept from the public. We can see that he despises Hamlet greatly and won’t allow him to ruin his life. This shows us how endless Claudius' hatred is towards Hamlet. Claudius' extreme anger and frustration is displayed when he says, "For like the hectic in my blood he rages, And though must cure me."(IV;iii, 62-63) Claudius describes Hamlet as a vicious disease travelling in his own blood. Hamlet is so deep in the midst of Claudius’ pure distaste for him, that he wants Hamlet dead. When Hamlet is gone, then and only then, Claudius can be cured from the atrocious disease that he suffers terribly from. The images of disease express the genuine feelings felt by Claudius. Imagery highlights the poor, horrid relationship that exists between father and stepson. Shakespeare illuminates Claudius' true sentiment with the imagery of disease.

   In Shakespeare's time, Denmark was a horrible, rotting, poisoned land due to its hidden deceit. In "Hamlet," Shakespeare makes many references to this as a means of clarifying relationships in the story. Writers often use imagery to provide detail and development, which help us understand ideas within and the atmosphere of the play. Hamlet, Horatio, and the ghost are the characters who allude to Denmark's state of decay. Shakespeare's frequent references to death and disease are not only evidence of the harsh and dirty living conditions of the time; they are a recurrent theme in all of his works.

Poison, disease and decay are constantly reoccurring themes of imagery used within “Hamlet”. Shakespeare uses this technique to create an atmosphere that resounds throughout the course of the play. This therefore has an impact upon how the reader views the play as they are constantly under the influence of imagery. An example of this technique can be seen in Hamlet's first

“Something is rotten in the state of Denmark” (1.4.100). Marcellus, the castle guard, says this because he believes that the ghost is a bad omen to Hamlet’s family and friends. In Shakespeare’s time, a ghost would be considered as an evil and disgusting thing. This quote is an example of foreshadowing in the play that predicts bad situations to Hamlet’s family who are the head of state of Denmark.